Kevin, Sam and Rob are founding members of a theoretical group which pulls off heists. Leo, a gangster, blackmails them into pulling off a real multi-million dollar heist. Now it's up to them to get out alive.
Paul is a U.S. truck driver working in Iraq. After an attack by a group of Iraqis he wakes to find he is buried alive inside a coffin. With only a lighter and a cell phone it's a race against time to escape this claustrophobic death trap.
José Luis García Pérez,
When a Las Vegas performer-turned-snitch named Buddy Israel decides to turn state's evidence and testify against the mob, it seems that a whole lot of people would like to make sure he's no longer breathing.
While visiting his hometown during Christmas, a man comes face-to-face with his old high school crush whom he was best friends with -- a woman whose rejection of him turned him into a ferocious womanizer.
Gary, an actor who plays a cop on television, uses too much lighter fluid when he burns his ex-girlfriend's things, then he drinks and drives, uses crack, and crashes his car. He sobers up in jail and is placed under house arrest and the watchful eye of a publicist, the cheery and tough-minded Margaret. She moves him into the empty house of a writer who's away in Canada on a shoot. Gary meets Sarah, an attractive and seemingly-willing neighbor. His friendship with Margaret blooms and strange things happen: he finds notes he doesn't remember writing, he hears noises, and he seems to bump into himself in the kitchen. Two remaining chapters reveal what's going on. Written by
I wrote this without reading any of the other reviews, mostly cos i didn't want them to influence my own, and partly cos i'm lazy. This was a very interesting film that left some to the imagination and a lot to interpretation (but not too much).
The film consists of 3 stories: the first about a house-arrested destructive TV star, the second a TV show writer with a new show in the works and the third a computer game creator stuck in the woods with his family. All three are played expertly by Ryan Reynolds. He is supported by two women, Hope Davis and Melissa McCarthy, who are also very good at enforcing the bizarre yet irresistible vision of John August, who has a good track record of writing screenplays, most notably with Tim Burton (it's worth ignoring the Charlie's Angels jobs though). The three leads play different parts in each. That alone should prepare you for the world he has created in The Nines.
It is difficult to talk of the story without giving too much away, John August has found a great concept and worked it brilliantly into a interpretable screenplay and image. The world he has created seems very real, with characters that operate in abnormal situations, but ones in which i think we all can relate, given our excessive access to reality TV and celebrity.
The direction is good, you know from the very start that the green woollen wristband holds significance, and the witty, experienced, inflective screen writing is a joy (though at times August gives a little more away than is necessary).
The film is a fantasy and the nines are a mystery, both collaborating in a way that captures the imagination. The three stories intersect and overlap with themes that confuse and inspire, which will leave many audiences pondering for awhile. But it is not as confusing as it may appear as the plot unfolds fairly intricately to those paying attention. All of the stories hold explanations, and the last explains it all.
I saw this with a friend who i wasn't expecting to enjoy it, but surprisingly they did. I giggled, guffawed and gasped, while we exchanged plot ideas and interpretations, throughout. Sometimes it became a little dry, but on the whole this a very well thought out drama mystery thriller with an excellent philosophy.
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