A boy stands on a station platform as a train is about to leave. Should he go with his mother or stay with his father? Infinite possibilities arise from this decision. As long as he doesn't choose, anything is possible.
Gary, an actor who plays a cop on television, uses too much lighter fluid when he burns his ex-girlfriend's things, then he drinks and drives, uses crack, and crashes his car. He sobers up in jail and is placed under house arrest and the watchful eye of a publicist, the cheery and tough-minded Margaret. She moves him into the empty house of a writer who's away in Canada on a shoot. Gary meets Sarah, an attractive and seemingly-willing neighbor. His friendship with Margaret blooms and strange things happen: he finds notes he doesn't remember writing, he hears noises, and he seems to bump into himself in the kitchen. Two remaining chapters reveal what's going on. Written by
My mind just been blown away. I know that many would disagree, but god bless eMule, cause I am pretty sure that this beautiful piece won't ever hit the big screen over here. I have grown to forget the storyline of the picture I saw day before, yet this one... You would never realize how bad you missed a quality staff, till you come around one. Besides the fact that every part was masterly seamed around the main character, and extraordinary performance of Ryan Reynolds (he is unbelievable) I was pleasantly surprised by the way the storyline had clashed with the real world. Can't elaborate on anything more, just go and see...anyway...
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