Kevin, Sam and Rob are founding members of a theoretical group which pulls off heists. Leo, a gangster, blackmails them into pulling off a real multi-million dollar heist. Now it's up to them to get out alive.
Paul is a U.S. truck driver working in Iraq. After an attack by a group of Iraqis he wakes to find he is buried alive inside a coffin. With only a lighter and a cell phone it's a race against time to escape this claustrophobic death trap.
José Luis García Pérez,
When his father dies, Jeffrey (Ryan Reynolds) is sent to live with his aunt Charlotte (Glenne Headly) in Canada. Once there he leads his aunt and his friends in staging a non-violent hunger... See full summary »
When a Las Vegas performer-turned-snitch named Buddy Israel decides to turn state's evidence and testify against the mob, it seems that a whole lot of people would like to make sure he's no longer breathing.
While visiting his hometown during Christmas, a man comes face-to-face with his old high school crush whom he was best friends with -- a woman whose rejection of him turned him into a ferocious womanizer.
Gary, an actor who plays a cop on television, uses too much lighter fluid when he burns his ex-girlfriend's things, then he drinks and drives, uses crack, and crashes his car. He sobers up in jail and is placed under house arrest and the watchful eye of a publicist, the cheery and tough-minded Margaret. She moves him into the empty house of a writer who's away in Canada on a shoot. Gary meets Sarah, an attractive and seemingly-willing neighbor. His friendship with Margaret blooms and strange things happen: he finds notes he doesn't remember writing, he hears noises, and he seems to bump into himself in the kitchen. Two remaining chapters reveal what's going on. Written by
As I sat in the packed Sundance theater watching the final scene of John August's, The Nines, I shuttered. The film had sent chills down my spine, and it lasted into the night. The script was brilliant beyond anything I have ever experienced, the character development between the three parts dissecting the film was astonishing. The metaphorical tie- ins left your mind racing and your imagination spinning. It was not ironic in a sense that it allowed you to contemplate the scenarios that had just unveiled. John August is a brilliant writer and holds himself magnificently in front of the film industry. Ryan Reynolds blew me away and Melissa McCarthy was amazing. The character interaction between them and Hope Davis reflected on the complexity of the dialogue and scene structure. The film is broken into three intertwining sections, serving as "acts" that play into a plot scheme that defies the contemporary and conformist thought of todays screenplay writers.
The best to come from sundance this year... by far. John August matches Charlie Kaufman as a writer, and parallels Michel Gondry as a director He is outstanding in himself The film is one to reckon with and hopefully will hit the big screens but last its authentic, rare, independent flavor.
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