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The lies, betrayal, and desires of nine different groups of people are revealed as they live out their secret lives in the sight of the security cameras that capture our every movement.

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Cast

Cast overview, first billed only:
...
Berry Krebbs
...
Ron
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Sherri Van Haften
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Tony Gilbert
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Lydia
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Marty
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Ben
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George Higgins
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Louise
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Willie
Miles Dougal ...
Carl
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Ace
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Joan Krebbs
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Holly
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Mr. Bates
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Storyline

The lies, betrayal, and desires of nine different groups of people are revealed as they live out their secret lives in the sight of the security cameras that capture our every movement.

Plot Summary | Plot Synopsis

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Motion Picture Rating (MPAA)

Rated R for strong sexual content, pervasive language, some violence and brief drug use | See all certifications »

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Details

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Release Date:

6 September 2008 (Japan)  »

Also Known As:

Kukkolók - A film  »

Box Office

Opening Weekend:

$10,347 (USA) (14 December 2007)

Gross:

$16,136 (USA) (28 December 2007)
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Company Credits

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Did You Know?

Trivia

Cameo: John Landis as the director whose film Marty stumbles into. See more »

Connections

References Candid Camera (1948) See more »

Soundtracks

Save Your Love
written by 'Tommy Stinson' and BT
performed by Golden Means
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User Reviews

 
Cameras creatively capture our community
17 May 2011 | by (United States) – See all my reviews

I really like this movie. Taking the conceit of ubiquitous surveillance cameras and crafting a movie is a great idea and nicely executed.

Remember CRASH. Those were "real life' stories of urban life. Rifkin goes one step further to create "real life" scenarios from surveillance footage. Or seemingly surveillance footage shot on a Sony Cine Alta camera. From sexual charged females caught in a dressing room to a body locked in a car trunk, this is a tour de force of human behavior often caught in the eyes of a security camera.

I thought it was very real at first and was delighted to find it was scripted. And the actors did a great job of being "candid". The stockroom scenes are a seduction delight. The car with the body it in reminded me of the parking lot scenes in Fargo.

Now with Paranormal, we may be entering a Security Camera era of filmmaking. In fact this style of filmmaking reminds me of the mies en scene filmmaking style in the early 1900's, and shows what is happening in front of the camera is more important that what is happening with the camera.

Viewers may went to watch David Holtzman's Diary, by Jim McBride make in the 60's.


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