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As seniors in high school, Troy and Gabriella struggle with the idea of being separated from one another as college approaches. Along with the rest of the Wildcats, they stage a spring musical to address their experiences, hopes and fears about their future.
At a music camp for gifted teens, a popular teen idol overhears a girl singing and sets out to find who the talented voice belongs to. What he doesn't know is that the girl is actually a camp kitchen worker with a fear of being heard.
Mitchie can't wait to return to camp rock so that she and love-interest Shane can spend the summer making music and having fun with their friends and band mates. But when a rival camp, Camp... See full summary »
The sequel is filled with 'Cheetah-style' adventure, drama and humor. The escapade begins when Galleria enters the group in a Barcelona music festival, and the spirited foursome (escorted ... See full summary »
When a tiny country is invaded by a dictator, a young Princess (later known as Rosie) is taken into custody by the Princess Protection Program. She is whisked away to rural Louisiana where ... See full summary »
In this "trequel" to The Cheetah Girls, Chanel, Dorinda, and Aqua, are off to India to star in a Bollywood movie. But when there they discover that they will have to compete against each ... See full summary »
Director:
Paul Hoen
Stars:
Adrienne Bailon,
Sabrina Bryan,
Kiely Williams
Cyrano De Bergerac meets Cinderella. Over-worked, harried and terrified of being put back in foster care, 17 year old Katie (Lucy Hale) does her stepmother and step-siblings' bidding ... See full summary »
Story revolves around a young boxer, Izzy Daniels, who trains to follow in his father's footsteps by winning the Golden Glove. When his friend, Mary, however, asks him to substitute for a ... See full summary »
The Wildcats are back. They start off getting out of school, where Sharpay makes sure Troy has job at her country club. Troy then in returns gets everyone else a job at the country club too. Gabriella is the new lifeguard, while Troy, Chad, and the others work in the kitchen. At the country club there is a talent show, which Sharpay and Ryan win every year. Kelsi had written a song for Troy and Gabriella to sing at the talent show, which later on Sharpay takes (at a faster tempo) for her and Troy to sing at the talent show. Sharpay plots to take Troy away from Gabriella, by getting him a better job than the rest of the Wildcats. Troy starts changing, all for a "scholarship", starting to act like a jerk, which results in Gabriella breaking up with Troy, saying she doesn't belong there. After Troy loses all his friends, because he began acting like a jerk and had found out that Sharpay had made it where no Junior Staffers can perform in the talent show, he decides to do something about ... Written by
Anonymous
Some of the cast members had to change three times so that everyone's colors complemented each other during the "All For One" musical sequence. See more »
Goofs
When Troy invites Sharpay up on stage during 'Everyday', she joins him on his left at the right side of the circle, with Gabriella and Ryan at the top. The camera them pans out and zooms in but Sharpay is on Troy's right and they are to the right of Gabriella, not the left. See more »
Quotes
[first lines]
Ms. Darbus:
You must remember, young thespians, learning is never seasonal, so do allow the shimmering lights of Summer to refresh and illuminate your fertile young minds.
Chad Danforth:
What is she talking about?
See more »
I've finally found out the reason why the High School Musical phenomenon is such a success. Why the first movie's soundtrack was the top-selling CD of last year. Why there are ice shows, stage productions (amateur and pro), karaoke CDs, and karaoke DVDs to boot. It all traces back to the 90s.
You see, the 1990s gave birth to NSync, Backstreet Boys, the Spice Girls, Britney, Christina, Jessica, what have you. But their time wasn't meant for the 90s. They had come too early. Music honestly wasn't ready to cycle back to the confectionery, syrupy, Velveeta meets cotton candy of the late 50s/ early 60s. But now is the time.
The reason that High School Musical, and now Part 2, are such a success is because 1990'S POP MUSIC IS BACK WITH A VENGEANCE!!! High School Musical was the Reset Button, if you will, setting kidz-bop-pop back in its rightful place. Adults have their music, their innuendos, their profane-angry-paranoid-hurtfully honest songs. Why not give the kids a break? A place to be a kid?
The sequel does a great job of avoiding the urge to fix what's unbroken, but instead to polish it. This film isn't darker, but it is spunkier. More attitude, and even more confidence (if that's hard to imagine). This film is strictly for A) kids, and B) people who not only remember but enjoyed being kids. High School Musical 2 is a burst of joyful exuberance. Winks towards adult audiences have their place, but so do productions where a kid isn't talked down to or expected to grow up too fast.
The straight-up theater pop of the first has been replaced with more of a Hip-Hop/ Arena Pop edge. Less Broadway, more Billboard. Plus, the mythological task of defeating high school cliques has been replaced with simply earning a check for the summer. The movie wants to feel bigger than the last, but it's actually more intimate. That's an unintended plus.
The cast goes through some drama this time around, and some changes are made, character-wise. This was the biggest surprise. Disney Channel could have simply done a rehash of the first film, but everyone involved truly did a great job. I forgot that, as corny as the premise
the whole franchise - is, these guys can really act. And sing. And
dance. No wonder Disney gonna's make a fortune.
And no wonder musical theater is so rough. Every single participant has to be a Triple Threat. But that's part of the fantasy of the first film: making the audition, giving it your all, and gaining the applause and support of your peers. What's great about this second movie is, really it's about the reverse of that. LOSING the support of your peers. Losing yourself in search of something you don't really need, not yet anyway. It's a good message: The future will come soon enough. Enjoy being a kid and being with the ones who love you while you still can.
Still, if this second movie doesn't match up to the first, it's because of moving it away from the dream of Triple Talent Status. No longer a musical about a musical, it instead becomes a musical about a country club. Instead of risking social status to be yourself, to find yourself, it is now about the dangers of losing yourself, by giving into social status. More dramatic, sure. A stroke of genius, I would say, except for the fact that it's still a freakin' High School Musical movie, not a Country Club Musical movie.
By moving into more complex territory, it grows up. But by default, it is less fun, just a smidgen less, than the original. To its credit, it isn't stale (the new setting keeps it fresh), but Disney Channel, Ortega, and all company involved will be hard pressed to create a three-quel that's just as fun, lively and CHOCK FULL OF 90'S POP as the original. A return to the theater would be welcome.
As for the songs themselves, let's just say I've been fair enough to comment that I enjoyed the MOVIE for what it was. Disney's been great at soundtracks but they'll have to do a lot better for part 3. Aside from the opener and a baseball game/swing number, there's not much to enjoy this time around, once again due in part to the removal of the high school locale.
The kids will LOVE IT, the parents will Tolerate it, Disney Channel will collect money hand over fist, and everyone else will have no idea what is going on because they've failed to realize (A) what it meant to be a kid, (B) that 90's Pop Music is back with a vengeance, and (C) everybody wants to sing and dance, even if they don't want to admit it.
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I've finally found out the reason why the High School Musical phenomenon is such a success. Why the first movie's soundtrack was the top-selling CD of last year. Why there are ice shows, stage productions (amateur and pro), karaoke CDs, and karaoke DVDs to boot. It all traces back to the 90s.
You see, the 1990s gave birth to NSync, Backstreet Boys, the Spice Girls, Britney, Christina, Jessica, what have you. But their time wasn't meant for the 90s. They had come too early. Music honestly wasn't ready to cycle back to the confectionery, syrupy, Velveeta meets cotton candy of the late 50s/ early 60s. But now is the time.
The reason that High School Musical, and now Part 2, are such a success is because 1990'S POP MUSIC IS BACK WITH A VENGEANCE!!! High School Musical was the Reset Button, if you will, setting kidz-bop-pop back in its rightful place. Adults have their music, their innuendos, their profane-angry-paranoid-hurtfully honest songs. Why not give the kids a break? A place to be a kid?
The sequel does a great job of avoiding the urge to fix what's unbroken, but instead to polish it. This film isn't darker, but it is spunkier. More attitude, and even more confidence (if that's hard to imagine). This film is strictly for A) kids, and B) people who not only remember but enjoyed being kids. High School Musical 2 is a burst of joyful exuberance. Winks towards adult audiences have their place, but so do productions where a kid isn't talked down to or expected to grow up too fast.
The straight-up theater pop of the first has been replaced with more of a Hip-Hop/ Arena Pop edge. Less Broadway, more Billboard. Plus, the mythological task of defeating high school cliques has been replaced with simply earning a check for the summer. The movie wants to feel bigger than the last, but it's actually more intimate. That's an unintended plus.
The cast goes through some drama this time around, and some changes are made, character-wise. This was the biggest surprise. Disney Channel could have simply done a rehash of the first film, but everyone involved truly did a great job. I forgot that, as corny as the premise
- the whole franchise - is, these guys can really act. And sing. And
dance. No wonder Disney gonna's make a fortune.And no wonder musical theater is so rough. Every single participant has to be a Triple Threat. But that's part of the fantasy of the first film: making the audition, giving it your all, and gaining the applause and support of your peers. What's great about this second movie is, really it's about the reverse of that. LOSING the support of your peers. Losing yourself in search of something you don't really need, not yet anyway. It's a good message: The future will come soon enough. Enjoy being a kid and being with the ones who love you while you still can.
Still, if this second movie doesn't match up to the first, it's because of moving it away from the dream of Triple Talent Status. No longer a musical about a musical, it instead becomes a musical about a country club. Instead of risking social status to be yourself, to find yourself, it is now about the dangers of losing yourself, by giving into social status. More dramatic, sure. A stroke of genius, I would say, except for the fact that it's still a freakin' High School Musical movie, not a Country Club Musical movie.
By moving into more complex territory, it grows up. But by default, it is less fun, just a smidgen less, than the original. To its credit, it isn't stale (the new setting keeps it fresh), but Disney Channel, Ortega, and all company involved will be hard pressed to create a three-quel that's just as fun, lively and CHOCK FULL OF 90'S POP as the original. A return to the theater would be welcome.
As for the songs themselves, let's just say I've been fair enough to comment that I enjoyed the MOVIE for what it was. Disney's been great at soundtracks but they'll have to do a lot better for part 3. Aside from the opener and a baseball game/swing number, there's not much to enjoy this time around, once again due in part to the removal of the high school locale.
The kids will LOVE IT, the parents will Tolerate it, Disney Channel will collect money hand over fist, and everyone else will have no idea what is going on because they've failed to realize (A) what it meant to be a kid, (B) that 90's Pop Music is back with a vengeance, and (C) everybody wants to sing and dance, even if they don't want to admit it.