Two misfit males, one man-child, one boy, find each other, building a small cabin in the woods to create a new life. Their daily struggle for survival creates a strong bond between them ... See full summary »
Henrike von Kuick
In October 1989, the part of the West Berlin borough of Kreuzberg called SO 36, had been largely shut off by the Wall from the rest of the city for 28 years. A lethargic sub-culture of ... See full summary »
A group of kids grow up on the short, wrong (east) side of the Sonnenallee in Berlin, right next to one of the few border crossings between East and West reserved for German citizens. The ... See full summary »
The last three weeks of school life have begun: After the Abitur, Germany's leaving certificate, the friends and schoolmates of Gymnasium Kerkheim (Kerkheim High) will not see each other ... See full summary »
Eight friends help each other repeatedly move house. One year of moving, from apartment to apartment, from shared flat to shared flat. These changes of the apartment are also a changes of relations -some break, others grow.
According to an interview, the GfK (Gesellschaft für Konsumforschung, Society for Consumer Research), replaced in the movie by the IMA, enjoyed watching the film but explained, that the situation could not be realized in real life. See more »
In the movie the data is sent out to IMA via normal telecommunication lines. The data is sent out via GSM-network, which is run differently. See more »
It is this man's fault that you all became completely stupid. All alone.
No, this is not true, you know it. I just stole everything. I just stole the concepts from other people, from Holland, from Japan, from whatever. This all existed
Rainer. We can't understand you.
See more »
With "Das weiße Rauschen" and "Die fetten Jahre sind vorbei" Hans Weingartner was well on his way to become one of the most promising Austrian directors. Then he goes on to make this movie and his talent seriously has to be questioned.
"Free Rainer" seems like the story an over motivated class representative would think up. The little message that the movie has got - most of what's on television is stupid - is driven home with a mallet. The conclusion - people watch whatever is on, and if you give them "intelligent" television they'll be more than happy to imbibe it - is implausible, to say the least.
The acting and editing are awkward for the most part. The usually mediocre Gregor Bloéb shines as a sleek program director, but the rest of the cast is forgettable at best. From the get go, when Rainer (Moritz Bleibtreu) drives through the streets, drinking Vodka, toting a gun and a baseball bat, listening to "aggressive" music (Downset's "Anger"... Jesus Christ, you seriously live in the past, Weingartner), you can't help but wonder: Is this meant seriously? Is it just a dream sequence or something? Is it going to get better? The answers to those questions are Yes, No and No.
"Free Rainer" is an embarrassment, a career shatterer. Its intentions might have been good, but the result is a boring, unbelievable and annoying movie, that wishes it could maintain the anarchic power of "Die fetten Jahre sind vorbei" (which is awkwardly referenced as a "quality" movie in "Free Rainer"). Weingartner's next project will have to make up for this mess.
10 of 19 people found this review helpful.
Was this review helpful to you?