Soichi Negishi moved to Tokyo to chase his dream of becoming a musician playing stylish, Swedish-style pop. Instead, he finds himself leading the death metal band Detroit Metal City, or DMC... See full summary »
The Elric brothers' mother is dead and their father has long since abandoned them. Deciding to perform a forbidden human transmutation to bring their mother back, they end up losing their ... See full summary »
Light, a bright student who stumbles across a mystical notebook that has the power to kill any person whose name he writes in it. Light decides to launch a secret crusade to rid the streets... See full summary »
It's time for the final challenge of the Liar Game. Only Akiyama and Fukunaga had earned tickets to participate, but when Yokoya decides to drop out, Nao gets invited to join. Unwilling at ... See full summary »
In the second installment of the Death Note film franchise, Light Yagami meets a second Kira and faithful follower Misa Amane and her Shinigami named Rem. Light attempts to defeat L along with Teru Mikami (a Kira follower) and Kiyomi Takada (another Kira follower) but in the end will Light win? or will a Shinigami named Ryuk make all the difference in Light's victory or his ultimate death? Written by
The motion capture actor for the Death God Rem also played one of the reporters outside the courthouse at the start of the first Death Note movie, the one who asks "is your son really innocent?" See more »
Death Note II picks up right where the first installment left off, with Light and L locked together in partnership. Only a new notebook and shinigami appears, bringing Kira II into the equation, complicating matters for Light while providing him with a means to overcome L.
This film betters the first film by offering more twists and superior plotting. Erika Toda as Misa Amane nails the shallow pop idol role, while providing ample comic fodder to divert us from the mind games. Shunji Fujimura as Watari ups his game here. Light has to face the consequences of his actions and the questionable nature of some of his choices. Ken'ichi Matsuyama shines again as the idiosyncratic L. There are more laughs, more questions, more surprises, and a satisfying climax this time round. No one in their right mind will watch this before watching the first, and if you liked the first you'll want to watch this. Rest assured, it does not disappoint.
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