A fictitious love story loosely inspired by the lives of Danish artists Lili Elbe and Gerda Wegener. Lili and Gerda's marriage and work evolve as they navigate Lili's groundbreaking journey as a transgender pioneer.
During the Cold War, an American lawyer is recruited to defend an arrested Soviet spy in court, and then help the CIA facilitate an exchange of the spy for the Soviet captured American U2 spy plane pilot, Francis Gary Powers.
In 19th-century France, Jean Valjean, who for decades has been hunted by the ruthless policeman Javert after breaking parole, agrees to care for a factory worker's daughter. The decision changes their lives forever.
An Irish immigrant lands in 1950s Brooklyn, where she quickly falls into a romance with a local. When her past catches up with her, however, she must choose between two countries and the lives that exist within.
Copenhagen, 1926. Danish artist, Gerda Wegener, painted her own husband, Einar Wegener (Eddie Redmayne), as a lady in her painting. When the painting gained popularity, Einar started to change his appearance into a female appearance and named himself Lili Elbe. With his feminism passion and Gerda's support, Einar - or Elbe - attempted one of the first male-to-female sex reassignment surgery, a decision that turned into a massive change for their marriage, that Gerda realized her own husband is no longer a man or the person she married before. A childhood friend of Einar, art-dealer Hans Axgil (Matthias Schoenaerts), shows up and starts a complex love triangle with the couple. Written by
Alicia Vikander's Oscar nomination for Best Actress in a Supporting Role, instead of Best Actress in a Leading Role, was seen by many as a critical category fraud, as she has 59 minutes and 37 seconds of screen time, or 49.9% of the movie's length, this amount of screentime qualifies her for a Best Actress Oscar. Distributor Focus Features decided to campaign for Vikander as supporting actress because they thought it would increase her chances of winning, as she would have been competing against Brie Larson for her role in Room (2015) decreasing her chances of winning the award. Vikander has refused to comment on the debate. See more »
When Lili meets Henrik for the first time at the dance, Henrik invites Lili to leave. When they are standing at the top of the stairs, Henrik reaches out and takes Lili's Right Hand to escort her down the stairs. When the shot cuts and returns and they begin to descend, Henrik is holding Lili's Left Hand. See more »
Don't you wish you could paint like that? Oh, I'm sorry? I said, don't you wish you could paint like your husband? Really. You must be so proud of him. So elegant.
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Vikander shines but overall it didn't connect with me as expected
The new cinema year has got off to a robust start with the new movie from Tom Hooper ("The King's Speech", "Les Misérables").
We have seen many depictions of physical torture on the screen over the years, from the interminable teen-slasher pics, through 'that chair scene' in "Casino Royale" to the stylized presentations of Quentin Tarantino and Martin Scorsese in films like "Reservoir Dogs" and "Casino". "The Danish Girl" is also in its way a film about torture, but more akin to the mental torture seen in films like "Buried" or "Flightpath". What must it be like to be trapped with a sexual orientation that you feel is not your own? To possess physical body parts you don't believe you should have? And all in a time (the 1920's) when an exposed ankle was considered slightly daring.
Based on a true story, Oscar-winner Eddie Redmayne ("The Theory of Everything") and Alicia Vikander ("Ex Machina") play a bohemian married couple Einar and Gerda Wegener, apparently happily married and trying for a child in 1920's Copenhagen. Einar is a renowned landscape artist with his wife a struggling portrait artist living in his shadow. After taking part in a cross-dressing modelling session, strong feelings are awakened in Einar. As a bit of a 'game' Gerda encourages him to explore the character of his alter-ego "Lili" further: a big mistake, as Einar is swept into a spiral of confusion and self-doubt.
Eddie Redmayne is surely up for another Oscar-nomination for his brave performance as Einar/Lili, using his expressive eyes to great effect and delivering a truly heart-rending performance. With all this said however, I never quite believed I was watching the character of Lili but more Redmayne acting the character. Perhaps this is unfair, as Einar/Lili is such a bizarrely multi-dimensional person no one could perhaps have played him/her to my satisfaction. But I suspect (particularly as Redmayne won last year) this won't bring Redmayne the Oscar double.
Far more impressive for me was the delicious and delightful Alicia Vikander, once more turning in a fantastic performance as the increasingly desperate (both psychologically and sexually) Gerda. With Rooney Mara, Vikander must be one of the brightest actress talents in today's cinema.
Also turning in a strong performance, in what is a very limited cast list, is Matthias Schoenaerts ("Far from the Madding Crowd") as a Parisian art dealer with a link to Einar's past. The omni-present (sorry, that should read "hard-working") Ben Whishaw turns up again as a party guest with an unhealthy interest in Lili and Sebastian Koch (most recently seen in series 5 of "Homeland") plays Dr Warnekros who is a pioneer in the new and risky business of sexual reassignment surgery.
Another star of the film is the luscious Danish capital, filmed in vibrant colours, as if from the artists' palettes, by Danny Cohen, a Hooper favourite. Also a big surprise to me was the gloriously photographed Danish countryside, seen at the end of the film, with mountains and seascapes I never knew existed.
Another Hooper alumni, Alexandre Desplat, supplies the soupy but very fitting score.
While the film features a compelling story and much impressive acting, I never personally felt as connected to the story as I was to "The King's Speech". This isn't helped by a rather stagy script by Lucinda Coxon that feels lightweight at times. Perhaps its because we are in Oscar- season but, to me, it all felt a tad pretentious and (no pun intended) could have done with a few snips in places to reduce the running time by 15 minutes or so. That being said, and as an alternative view, I should point out that my wife was in tears for a good proportion of the film and disagrees vehemently with my views. I say "my wife", but since watching the film she's started wearing braces and smoking cigars so I'm rather confused as to WHAT exactly is going on. :-)
(For the graphical version of this review, see bob-the-movie-man.com. Thanks).
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