The community reels after an incident on a suburban train. A young cop, beset with doubt and afflicted with tinnitus, is pitched into the chaos that follows this tragic event. He struggles ... See full summary »
A mentally unstable Vietnam war veteran works as a nighttime taxi driver in New York City where the perceived decadence and sleaze feeds his urge to violently lash out, attempting to save a teenage prostitute in the process.
Robert De Niro,
Kevin's mother struggles to love her strange child, despite the increasingly vicious things he says and does as he grows up. But Kevin is just getting started, and his final act will be beyond anything anyone imagined.
Two thugs from the Perth suburb of Midland catch the last train to Fremantle. When a young woman boards the train a few stops later, they begin talking and find out not everyone on the train is who they seem to be.
A veteran high school teacher befriends a younger art teacher, who is having an affair with one of her 15-year-old students. However, her intentions with this new "friend" also go well beyond platonic friendship.
The community reels after an incident on a suburban train. A young cop, beset with doubt and afflicted with tinnitus, is pitched into the chaos that follows this tragic event. He struggles to clear the noises in his head while all around him deal with the after burn of the crime. Written by
Constable Graham McGahan:
I got this theory about that. You know, what I read was, heaven or hell, is whatever you're thinking that second between your body dying and your brain dying. Your regrets, who you loved, who loved you. What you remember of your life, that's the eternity everyone's talking about. So, if you are a fuckwit, then... when you die, in that ten seconds between your brain and your body dying, your brain remembers all the time you were a fuckwit - over and over again... until it feels like this ...
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This is a small film, it could very well have been quality television in the vein of "The Surgeon" or "Blue Murder" as opposed to a cinematic piece as I viewed it (Dendy Newtown). The technical aspects - cinematography, score, sound design, production design etc... are all at a high level and what we (Australians), have come to expect from a film of this genre and budget , but no more. The performances are across the board solid, dry and accessible, and it is a pleasant change to see some newish faces as opposed to the usual subjects.. The script/story is nothing particularly outstanding or original and this style of social comment/genre pic subject matter has been covered by many and various other films over the past years.
But! And this is a big but. In the hands of this filmmaker, writer/director Matthew Saville, all these ingredients mold and mesh into something that elevates every element to serve a singular and defining purpose, that purpose being the film in its entirety, its meanings and commentary that lie in the cracks of all these artists' work and their complementary and beautifully orchestrated synergy .
Having seen the film twice in as many days; Noise is a brilliant film and I highly recommend it to anyone who has a love of silent cinematic exploration.
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