The community reels after an incident on a suburban train. A young cop, beset with doubt and afflicted with tinnitus, is pitched into the chaos that follows this tragic event. He struggles ... See full summary »
Three male detectives become embroiled in a tense struggle after a tragic accident that leaves a child in a coma. One is guilty of a crime, one will try to cover it up, and the other attempts to expose it. How far will these men go to both disguise and unravel the truth?
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Brett Sprague is a violent and psychopathic man, who is released on parole after serving a sentence for assault. As he returns to his family house and we watch him and his brothers, Stevie ... See full summary »
The King is the story of Graham Kennedy, Australia's first and greatest home grown TV superstar. It traces his rise and rise, from working class Balaclava kid, through radio, TV, film, and ... See full summary »
The community reels after an incident on a suburban train. A young cop, beset with doubt and afflicted with tinnitus, is pitched into the chaos that follows this tragic event. He struggles to clear the noises in his head while all around him deal with the after burn of the crime. Written by
The train carriage in which the massacre occurs is halfway down the train. One of the victims is a man in an electric wheelchair. Because there is a gap between train and platform on Melbourne's train system people in electric wheelchairs must board the train in the front carriage, where the driver can assist by placing a ramp between the train and platform. See more »
Constable Graham McGahan:
I got this theory about that. You know, what I read was, heaven or hell, is whatever you're thinking that second between your body dying and your brain dying. Your regrets, who you loved, who loved you. What you remember of your life, that's the eternity everyone's talking about. So, if you are a fuckwit, then... when you die, in that ten seconds between your brain and your body dying, your brain remembers all the time you were a fuckwit - over and over again... until it feels like this ...
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I was taken by surprise by how good this film was.
Everyone's performance fit perfectly within the world of the film. Naturalistic, but totally involving. Brendan Cowell was beautifully sympathetic in the lead role.
The director (Matthew Saville) should be commended for being able to achieve what he has for his first feature. It's a rare thing to see an Australian film so in control of what it's doing. And so moving by it's finish.
I look forward to seeing it again.
9 out of Ten.
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