It's the 22nd of December. Sixteen years have passed since the revolution, and in a small town Christmas is about to come. Piscoci, an old retired man is preparing for another Christmas ...
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Mr. Lazarescu, a 63 year old lonely man feels sick and calls the ambulance. When it arrives, the paramedic decides he should take him to the hospital but once there they decide to send him ... See full summary »
Out of enthusiasm, a Militia soldier abandons his platoon and decides to fight for the cause of the Revolution. His Lieutenant and the rest of the crew look for him during the confused night of 22-23 December 1989.
Paul Hanganu loves two women. Adriana his wife and the mother of their daughter, the woman with whom he's shared the thrills of the past ten years, and Raluca the woman who has made him redefine himself. He has to leave one of them before Christmas.
Occident is a bittersweet comedy that focuses on the growing tendency of Eastern European youth to migrate west. When the amicable Luci (Alexandru Papadopol) and his beautiful lover Sorina ... See full summary »
An apartment kitchen: a man and a woman discuss Little Red Riding Hood, their voices hushed, mindful of waking the little girl sleeping next room. Waste land on the city outskirts: behind a... See full summary »
It's the 22nd of December. Sixteen years have passed since the revolution, and in a small town Christmas is about to come. Piscoci, an old retired man is preparing for another Christmas alone. Manescu, the history teacher, tries to keep up with his debts. Jderescu, the owner of a local television post, seems not to be so interested in the upcoming holidays. For him, the time to face history has come. Along with Manescu and Piscoci, he is trying to answer for himself a question which for 16 years has not had an answer: "Was it or wasn't it a revolution in their town?" Written by
A wonderfully quirky movie, rooted in the deep inner conflict experienced by many people who have to re-conciliate their Communist-era mentalities with(in) a post-Communist society.
Most Romanians (and East-Europeans alike) will understand it very well, since many clichés are present here: the vain, non-professional media, the desolate streets, the people without perspectives or hope, the arrogant new-rich former secret service people, the successful immigrants coming from even lesser parts of the world... all grafted on top of a nagging general feeling of guilt and shame, emanating from the sheep-like population.
Let's face it: the real (and only) Romanian heroes of 1989, "before 12:08 on December 22", were the several thousands of mostly young folks who defied the authorities in the streets of Timisoara and Bucharest... the rest of the country just watched and waited, much like the viewers of Jderescu's "talk show".
PS. - To the pretentious prig from Denmark: I think you were supposed to post your "art cinema" commentary under the latest creation of your much-ballyhooed co-national, Lars von Trier, "Direktøren for det hele" (2006). Your comments fit that film to a "T"!!!
If you have absolutely no idea what Porumboiu's minimalistic film is all about, and no respect or understanding for another culture, I think you should refrain from posting. Sadly, your inane text was at some point featured on the main page for this Romanian film, even though you
thankfully! - represent an insignificant minority of malcontents.
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