The first reel of this two-part picture stumbles about trying to get a situation clearly stated. The reason lies in this; the writer's chief interest is so strongly centered in something quite off the earth of normal experience that the picturemaker was lost in the philosopher. He has made his heroine in love with a thug and apparently with his crime, since his crimes show courage. Such a picture-hero is unhealthy. The second reel deals with such matters as the power of one's soul to depart from his body and labor for desired ends afar. There are many incidents in the action's thread, which at length has become clear, that are most improbable. Not a strong offering and one not likely to be widely popular. Photography is fair. - The Moving Picture World, June 13, 1914
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