In Ventura, CA, Giuseppe Andrews makes movies in his trailer park where he grew up. A former child actor in some big movies (Independence Day, Unstrung Heroes, Never Been Kissed), Giuseppe ... See full summary »
Written by veteran strip club bathroom attendant, George Griffith, From The Head paints unflinching portraits of the men and women who people the dysfunctional family of the strip club, and... See full summary »
Guiseppe Andrews stars as Coney Island, a young man who is dealing with a lot of the issues facing today's youth: divorce, unemployment, sexual inadequacy and a gigolo father who has just ... See full summary »
An offbeat comedy in the style of "Bottle Rocket" and "After Hours". Wiley Roth finds a severed human finger in his kitchen one night. Understandably freaked out, Wiley and his best friend ... See full summary »
Tweek City is a week in the life of Bill, a potentially closeted, half-Latino, small-time speed dealer in San Francisco's Mission District. Bill is stuck on an endless walk from one empty ... See full summary »
Eric G. Johnson
The country is at war over a natural resource. The strange cosmic force known as "Schoof" is slowly making the human race insane. The news has ceased to make sense. "Schoof" has affected ... See full summary »
Karen Bo Baren,
According to an interview on the DVD, this film was originally shot as several feature-length films before being edited together into one. The interview also states that this technique was also used in Giuseppe's film "The Date Movie" (also from Troma). See more »
i have seen "touch me in the morning" and "trailer town", and this is personally my favorite; it's Andrew's "Amacord"; it's his "Pink Flamingos"...
watching it expecting anything at all is not advised. you must dive into this movie blindfolded, and remain blindfolded for 80 minutes. i'm going to jump to my own conclusion and say there's no message, nor a theme one may glean from this film. however, i can say it is honestly unlike anything i've seen. it always takes me a few scenes to re-acclimate to his home video style. but it isn't as if Andrews is trying to make a polished indie - he holds a consistent aesthetic between technique and content, subject and style. he makes you cringe unlike any cringe you've experienced from any other movie (no gore nor sex can top what he achieves).
Andrews will obviously never reach "the masses" with this style, and most of those he reaches will dismiss it as "shock for shock's sake". however, he is making movies unlike anyone ever has before; he takes his audience on a no-class induced hallucination through motel room and trailers, unveiling a world utterly no one is accustomed to. now there's something to be said for that. he's taken "verite" to a whole new level, and all the founding fathers of cinema would, after a series of gag reflexes, applaud him enthusiastically (except Orson Welles, cause he lacked a sense of humor....), but that's just one man's opinion.
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