The Warwick family are unknowingly being filmed for a new reality show. Problem is, they're boring. So the producer, Mickey Wagner, must add conflict and drama. Their lives begin to unravel with shocking consequences.
Kelley Menighan Hensley
Eight college students traveling to Florida for Spring Break stumble into a remote town in Georgia where they are set upon by the residents who are out to avenge their deaths by Union troops over 100 years earlier during the Civil War.
An artist named Poo paints chicken pot pies with the excrement of homeless people. With the help of an adult filmmaker in his drug rehab course, he hopes to earn a fortune by impregnating his wife and making a "pregnant porn" film.
A young man who likes to Rollerblade must face the fact that the documentary about ants his father is making might is driving his father insane. This is one third of the anthology film ... See full summary »
According to an interview on the DVD, this film was originally shot as several feature-length films before being edited together into one. The interview also states that this technique was also used in Giuseppe's film "The Date Movie" (also from Troma). See more »
i have seen "touch me in the morning" and "trailer town", and this is personally my favorite; it's Andrew's "Amacord"; it's his "Pink Flamingos"...
watching it expecting anything at all is not advised. you must dive into this movie blindfolded, and remain blindfolded for 80 minutes. i'm going to jump to my own conclusion and say there's no message, nor a theme one may glean from this film. however, i can say it is honestly unlike anything i've seen. it always takes me a few scenes to re-acclimate to his home video style. but it isn't as if Andrews is trying to make a polished indie - he holds a consistent aesthetic between technique and content, subject and style. he makes you cringe unlike any cringe you've experienced from any other movie (no gore nor sex can top what he achieves).
Andrews will obviously never reach "the masses" with this style, and most of those he reaches will dismiss it as "shock for shock's sake". however, he is making movies unlike anyone ever has before; he takes his audience on a no-class induced hallucination through motel room and trailers, unveiling a world utterly no one is accustomed to. now there's something to be said for that. he's taken "verite" to a whole new level, and all the founding fathers of cinema would, after a series of gag reflexes, applaud him enthusiastically (except Orson Welles, cause he lacked a sense of humor....), but that's just one man's opinion.
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