8.1/10
73,495
160 user 240 critic

Persepolis (2007)

A precocious and outspoken Iranian girl grows up during the Islamic Revolution.

Writers:

(comic), (scenario)
Reviews
Popularity
4,934 ( 7)

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From $2.99 (SD) on Amazon Video

ON DISC
Nominated for 1 Oscar. Another 28 wins & 54 nominations. See more awards »

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Cast

Credited cast:
...
Marjane (voice)
...
Grandma (voice)
...
Mom (voice)
...
Dad (voice)
Gabrielle Lopes Benites ...
Marji (voice)
François Jerosme ...
Anoush (voice)
Tilly Mandelbrot ...
Lali (voice)
Sophie Arthuys ...
Walla (voice)
...
Walla (voice)
Mathias Mlekuz ...
Walla (voice)
Rest of cast listed alphabetically:
Lexie Kendrick ...
Friend / Gossip / Teacher (2008) (voice)
...
...
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Storyline

In 1970s Iran, Marjane 'Marji' Statrapi watches events through her young eyes and her idealistic family of a long dream being fulfilled of the hated Shah's defeat in the Iranian Revolution of 1979. However as Marji grows up, she witnesses first hand how the new Iran, now ruled by Islamic fundamentalists, has become a repressive tyranny on its own. With Marji dangerously refusing to remain silent at this injustice, her parents send her abroad to Vienna to study for a better life. However, this change proves an equally difficult trial with the young woman finding herself in a different culture loaded with abrasive characters and profound disappointments that deeply trouble her. Even when she returns home, Marji finds that both she and homeland have changed too much and the young woman and her loving family must decide where she truly belongs. Written by Kenneth Chisholm (kchishol@rogers.com)

Plot Summary | Plot Synopsis


Motion Picture Rating (MPAA)

Rated PG-13 for mature thematic material including violent images, sexual references, language and brief drug content | See all certifications »

Parents Guide:

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Details

Country:

|

Language:

| | |

Release Date:

22 February 2008 (USA)  »

Also Known As:

Persépolis  »

Box Office

Budget:

$7,300,000 (estimated)

Opening Weekend:

$37,118 (USA) (21 December 2007)

Gross:

$4,443,403 (USA) (16 May 2008)
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Company Credits

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Technical Specs

Runtime:

| (TV)

Sound Mix:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

At the party given by the Austrian nihilists, the symbol of the famous industrial band Einstürzende Neubauten can be seen on the upper left-hand side of the screen. See more »

Goofs

Marjane's passport has her given name and surname switched. See more »

Quotes

[first lines]
Airport receptionist: Ticket and passport, please.
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Connections

Referenced in Filmselskabet: Episode #1.4 (2012) See more »

Soundtracks

Marche Persanne
(Persischermarsch, op. 289)
Composed by Johann Strauss (as Johann Strauss)
Arranged by Olivier Bernet
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Frequently Asked Questions

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User Reviews

 
A life in cartoons.
13 August 2007 | by (Paris, France) – See all my reviews

It's quite unusual for a writer to adapt its own book to the screen, especially when it's a comic-book (well, Frank Miller's done it, but that's another story), and especially when it's an autobiographical comic book. That's the originality of this movie, which is the adaptation of a autobiographical graphic novel by its very author. "Persepolis" deals with the life, and especially the youth of Marjane Satrapi, in Iran, during the reign of the Shah and the Islamic revolution. But if the memories could be easily told alone in front of a blank paper, isn't it harder to be true and sincere when you are surrounded by a all animation crew ?

That's the great achievement of the movie : to be true to the comics and therefor, to the life of Marjane. The best parts of it are all about her personal relations, with her grandmother or her uncle. You really have the feeling that she relates all this events to praise their memories and who they were. On the other side, the political scenes and historical point of view that supposedly are the goal of the movie seem to me a little less good than the family or personal souvenirs. It may be true but it seems a little bit simple and even cliché sometimes (see for instance the history of the Shah for all audiences). The personal view on the repercussion of the Islamic repression is way better than this kind of big exposes. The death of a young man trying to escape the police after a party or the attitude of a man insulting her mother in a parking tells us more about the regime in Iran than the speech the movie sometimes (but not so often) gives us.

So, paradoxically, the more personal the movie gets, the truer it is. The all rapport the difficulties to left your country and to adapt to another world seems for instance very honest and touching. The childhood period, told in a comic strip style is both funny and melancholic. In the end, this movie is far from being a movie about Iran, but only tells an individual life, crying for freedom in a country were a woman can't reach it, but transfigured by personal memories and a strong animated point of view, that uses all the techniques and styles a comic-book adaptation could offer.


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