In 'Gegen die Wand' Cahit, a 40-something male from Mersin in Turkey has removed everything Turkish from his life. He has become an alcoholic drug addict and at the start of the movie wants... See full summary »
After spending the night together on the night of their college graduation Dexter and Em are shown each year on the same date to see where they are in their lives. They are sometimes together, sometimes not, on that day.
Eleven vignettes, all homages to New York City life, are presented. I. Ben, a pickpocket, is attracted to Molly on first sight, and gets into an interesting "pissing match" with Molly's married lover, NYU professor Garry. II. Mansuhkhbai, an orthodox Jain diamond wholesaler, and Rifka, an orthodox Jewish diamond retailer who is getting married tomorrow, learn that they have more in common than just diamonds. III. David, a musician and music editor for a video being directed by Abarra, is having problems meeting Abarra's demands while he slowly falls for Abarra's assistant, Camille, who he's never met but has only talked to on the telephone solely about work. IV. A young man believes he's made a powerful connection to a stranger, a young woman, in the simple act of lighting her cigarette, and proceeds to convince her of the same and as such that there is a future for them from that point on, and not at some unspecified time down the road. V. A high school senior, who has been dumped by... Written by
The segment "Upper East Side" was to have been directed by Anthony Minghella who passed away shortly before its filming. Anthony himself asked Shekhar Kapur to replace him in their last conversation. After Anthony's death, Shekhar wrote in his blog, "I will direct the film now - with Anthony in my heart and in presence of his soul." The film is dedicated to Minghella at the beginning of the closing credits. See more »
Natalie Portman's character, while discussing the rules of kosher, states she cannot eat "nothing that's not blessed by a rabbi." This is a common error - the production of kosher food is overseen by a rabbi, but the final products are not blessed. See more »
[after lighting her cigarette]
We share a flame, thousands of tiny molecules are heating up right now, they're penetrating our brain. Alright, they're stimulating our sexual desire. I mean, I don't know about you, but I find that shit very romantic. And you know, I'm so glad you walked over here because now I can feel a little bit more comfortable to tell you that I happen to be on the forefront of men able to find and locate a woman's G-spot, and I could - I could do that for you.
[...] See more »
Tian Ya Ge Nu
("The Wandering Songstress")
Performed by Xuan Zhou
Courtesy of EMI (Hong Kong) Ltd.
Under License from EMI Film & TV Music
Written by Han Tian and Lu-Ting He
Published by EMI Blackwood Music, Inc. (BMI) See more »
I cannot say this movie is a disappointment because I read some reviews before watching and it did not do as well as I thought it would have. The bar was not set that high, so the fact that my expectations were met is not saying much.
The Good: The city of New York. If you live in the city like me, you'll recognize certain places and understand that the city is supposed to be more than just a setting, rather one of the main characters. There are genuinely tender moments, humorous conversations, and plot twists left and right which all keep things interesting.
The Bad: The first thing I thought after leaving the theater was that I wanted more, but not in the positive "leave them wanting more" fashion. Certainly the good skits/scenes outweigh the bad, but there are a lot of skits that fall within the "in-between" category, too many in fact, which is what ultimately brings the movie down. Also, New York City's diversity, though hinted at though the many distant pans of the city and mentioned in conversation throughout the movie, is never really realized or analyzed to the point of doing the city justice. For example, many of the skits involve well to do middle aged whites. I mean I know the city is home to many of the said demographic but come on, Paris Je'taime's plot and character diversity makes New York City look like Lancaster, PA, or someplace really white. It is just disappointing to see the city shortchanged on its heritage like that.
Still, even after having said this, I would recommend giving New York, I Love You a view. Who knows, maybe you'll disagree with my opinion and maybe you won't. You will never know until you see it for yourself. This review is not meant to deter anyone from watching this movie, as everyone's opinion on art differs. I'm just giving you a very vague heads up on what to expect.
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