Eleven vignettes, all homages to New York City life, are presented. I. Ben, a pickpocket, is attracted to Molly on first sight, and gets into an interesting "pissing match" with Molly's married lover, NYU professor Garry. II. Mansuhkhbai, an orthodox Jain diamond wholesaler, and Rifka, an orthodox Jewish diamond retailer who is getting married tomorrow, learn that they have more in common than just diamonds. III. David, a musician and music editor for a video being directed by Abarra, is having problems meeting Abarra's demands while he slowly falls for Abarra's assistant, Camille, who he's never met but has only talked to on the telephone solely about work. IV. A young man believes he's made a powerful connection to a stranger, a young woman, in the simple act of lighting her cigarette, and proceeds to convince her of the same and as such that there is a future for them from that point on, and not at some unspecified time down the road. V. A high school senior, who has been dumped by... Written by
In March 2008, Abraham Karpen, a 25-year-old member of the insular Williamsburg, New York, Hasidic (ultra-Orthodox Jewish) community, dropped out of filming on the orders of his community's rabbis. Karpen had been playing the role of the husband of Natalie Portman's character. Their segment had most probably already been shot, since Portman's site contains a photo gallery from two days of shooting (12 and 13 March 2008) and the filming was supposed to take two days. Karpen's face is now closed with a picture of Keira Knightley's face in the photo gallery. However, Karpen is in the film and is credited for the role as Abe Karpen. See more »
When the painter was drawing the Chinese woman using soy sauce, he dripped a few drops on her face, but in the next scene, in his studio, the soy sauce drips are gone. See more »
Hey, David, it's Camille. You know, when Dostoevsky was writing The Gambler, he signed a contract with his publisher saying that he would finish it in twenty-six days, and he did it, but he had the help of this young stenographer. This girl, she... she stayed with him and she helped him. And... afterwards they actually got married. Ha, isn't that cool? That's how he met his wife. Anyway I found this story in the preface for Crime and Punishment so I was thinking that... and, this would have to ...
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The second installment in the I LOVE YOU series appears at first to be a mere variety-pack of sad-funny vignettes but occasionally it veers into territory explored by such other recent films as Paul Haggis's CRASH or Michael Hanecke's CODE INCONNU, wherein disparate inhabitants of a large city cross paths, not only affecting each other's lives in unexpected ways, but feeding into a larger overall story.
Most of these New York City stories manage to wrap up with a twist. This O. Henry-style surprise element is the structural key that gives several segments their sense of closure, especially in Yvan Attal's two-part entry about encounters between smokers outside a restaurant. In one encounter, Ethan Hawke as a fast-talking young writer brazenly tries to pick up a woman (Maggie Q) with unexpected results; in the other, Chris Cooper and Robin Wright Penn share some tantalizing conversation with an equally unexpected resolution.
Almost as good are a strange prom date between an awkward boy (Anton Yelchin) and the wheelchair-bound daughter (Olivia Thirlby) of an eccentric, pushy pharmacist (James Caan) and a slick bit wherein Hayden Christensen as a smart alecky pickpocket goes up against Andy Garcia as a college professor who turns the tables on him in the manner of Miriam Hopkins and Herbert Marshall in the 1932 classic TROUBLE IN PARADISE.
Standing apart from all other segments is the lovely character study of a married couple (Eli Wallach and Cloris Leachman) bickering gently as they walk to the seashore to commemorate their 63rd wedding anniversary beautiful acting by two old masters.
In Allen Hughes's segment there is some excellent internal monologue writing by Alexandra Cassavetes and Stephen Winter about two insecure people on their way to their second date with each other, wonderfully enacted by Drea De Matteo and Bradley Cooper.
Other segments - including Mira Nair's with Natalie Portman as a Hassidic Jew momentarily smitten with a Jain diamond merchant (Irrfan Khan) on the eve of her wedding, and Shekhar Kapur's with Julie Christie as an aging singer who checks into an ethereal hotel staffed by a crippled Shia LeBouef and a haggard John Hurt have their moments, but peter off into nowhere. Too bad the reunion of Christie and Hurt almost exactly 40 years after their only other co-starring film, IN SEARCH OF GREGORY, couldn't at least have shown them together clearly, from the front, in the same frame, just once.
Other than one episode in Brighton Beach and one in Chinatown, the action takes place in well-heeled sections of Manhattan. The black and Puerto-Rican population is barely represented, though the age range of subjects covers about 7 through about 90. The boroughs of the Bronx, Queens and Staten Island are ignored completely. Few of the stories concern themselves with themes or situations unique to New York. Most of them could just as easily take place in London or Berlin or Buenos Aires or Tokyo. But the rapidly shifting focus, the large and interesting cast and occasional sharp writing, keep one reasonably entertained despite the occasional misfires.
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