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New York, I Love You (2008)

6.3
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Ratings: 6.3/10 from 36,324 users   Metascore: 49/100
Reviews: 69 user | 138 critic | 26 from Metacritic.com

Several love stories set in one of the most loved cities of the world, New York.

Writers:

(segment), (segment) (as Meng Yao) , 18 more credits »
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Cast

Cast overview, first billed only:
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Call Girl (segment "Yvan Attal")
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Writer (segment "Yvan Attal")
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Anna (segment "Yvan Attal") (as Robin Wright Penn)
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Boy (segment "Brett Ratner")
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Mr. Riccoli (segment "Brett Ratner")
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Actress (segment "Brett Ratner")
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Ex-Girlfriend (segment "Brett Ratner")
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Storyline

Ten vignettes in New York City: a pickpocket meets his match; a young Hasidic woman, on the eve of her marriage, reveals herself to an Indian businessman; a writer tries a pick-up line; an artist seeks a model; a composer needs to read; two women connect; a man takes a child to Central Park; lovers meet; a couple takes a walk on their anniversary; a kid goes to the prom with a girl in a wheelchair; a retired singer contemplates suicide. There are eight million stories in the naked city: these have been ten of them. Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Taglines:

every moment another story begins

Genres:

Comedy | Drama | Romance

Motion Picture Rating (MPAA)

Rated R for language and sexual content | See all certifications »

Parents Guide:

 »
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Details

Country:

Release Date:

16 October 2009 (Spain)  »

Also Known As:

New York, je t'aime  »

Box Office

Budget:

$14,700,000 (estimated)

Opening Weekend:

$380,776 (USA) (16 October 2009)

Gross:

$1,585,859 (USA) (18 December 2009)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The segment "Upper East Side" was to have been directed by Anthony Minghella who passed away shortly before its filming. Anthony himself asked Shekhar Kapur to replace him in their last conversation. After Anthony's death, Shekhar wrote in his blog, "I will direct the film now - with Anthony in my heart and in presence of his soul." The film is dedicated to Minghella at the beginning of the closing credits. See more »

Goofs

Natalie Portman's character, while discussing the rules of kosher, states she cannot eat "nothing that's not blessed by a rabbi." This is a common error - the production of kosher food is overseen by a rabbi, but the final products are not blessed. See more »

Quotes

Camille: Hey, David, it's Camille. You know, when Dostoevsky was writing The Gambler, he signed a contract with his publisher saying that he would finish it in twenty-six days, and he did it, but he had the help of this young stenographer. This girl, she... she stayed with him and she helped him. And... afterwards they actually got married. Ha, isn't that cool? That's how he met his wife. Anyway I found this story in the preface for Crime and Punishment so I was thinking that... and, this would have to ...
[...]
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Connections

Followed by Rio, I Love You (2014) See more »

Soundtracks

Cha Cha Slide
Written by Marvel Thompson
Performed by Mr. C. The Slide Man (as Mr. C The Slide Man)
Courtesy of Universal Records under license from Universal Music Enterprises
Published by M.O.B. Music Publishing
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User Reviews

 
diverting variety pack
22 November 2009 | by (United States) – See all my reviews

The second installment in the I LOVE YOU series appears at first to be a mere variety-pack of sad-funny vignettes but occasionally it veers into territory explored by such other recent films as Paul Haggis's CRASH or Michael Hanecke's CODE INCONNU, wherein disparate inhabitants of a large city cross paths, not only affecting each other's lives in unexpected ways, but feeding into a larger overall story.

Most of these New York City stories manage to wrap up with a twist. This O. Henry-style surprise element is the structural key that gives several segments their sense of closure, especially in Yvan Attal's two-part entry about encounters between smokers outside a restaurant. In one encounter, Ethan Hawke as a fast-talking young writer brazenly tries to pick up a woman (Maggie Q) with unexpected results; in the other, Chris Cooper and Robin Wright Penn share some tantalizing conversation with an equally unexpected resolution.

Almost as good are a strange prom date between an awkward boy (Anton Yelchin) and the wheelchair-bound daughter (Olivia Thirlby) of an eccentric, pushy pharmacist (James Caan) and a slick bit wherein Hayden Christensen as a smart alecky pickpocket goes up against Andy Garcia as a college professor who turns the tables on him in the manner of Miriam Hopkins and Herbert Marshall in the 1932 classic TROUBLE IN PARADISE.

Standing apart from all other segments is the lovely character study of a married couple (Eli Wallach and Cloris Leachman) bickering gently as they walk to the seashore to commemorate their 63rd wedding anniversary – beautiful acting by two old masters.

In Allen Hughes's segment there is some excellent internal monologue writing by Alexandra Cassavetes and Stephen Winter about two insecure people on their way to their second date with each other, wonderfully enacted by Drea De Matteo and Bradley Cooper.

Other segments - including Mira Nair's with Natalie Portman as a Hassidic Jew momentarily smitten with a Jain diamond merchant (Irrfan Khan) on the eve of her wedding, and Shekhar Kapur's with Julie Christie as an aging singer who checks into an ethereal hotel staffed by a crippled Shia LeBouef and a haggard John Hurt – have their moments, but peter off into nowhere. Too bad the reunion of Christie and Hurt almost exactly 40 years after their only other co-starring film, IN SEARCH OF GREGORY, couldn't at least have shown them together clearly, from the front, in the same frame, just once.

Other than one episode in Brighton Beach and one in Chinatown, the action takes place in well-heeled sections of Manhattan. The black and Puerto-Rican population is barely represented, though the age range of subjects covers about 7 through about 90. The boroughs of the Bronx, Queens and Staten Island are ignored completely. Few of the stories concern themselves with themes or situations unique to New York. Most of them could just as easily take place in London or Berlin or Buenos Aires or Tokyo. But the rapidly shifting focus, the large and interesting cast and occasional sharp writing, keep one reasonably entertained despite the occasional misfires.


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