In 'Gegen die Wand' Cahit, a 40-something male from Mersin in Turkey has removed everything Turkish from his life. He has become an alcoholic drug addict and at the start of the movie wants... See full summary »
After spending the night together on the night of their college graduation Dexter and Em are shown each year on the same date to see where they are in their lives. They are sometimes together, sometimes not, on that day.
Award-winning director Fatih Akin takes us on a journey through Istanbul, the city that bridges Europe and Asia, and challenges familiar notions of east and west. He looks at the vibrant ... See full summary »
Eleven vignettes, all homages to New York City life, are presented. I. Ben, a pickpocket, is attracted to Molly on first sight, and gets into an interesting "pissing match" with Molly's married lover, NYU professor Garry. II. Mansuhkhbai, an orthodox Jain diamond wholesaler, and Rifka, an orthodox Jewish diamond retailer who is getting married tomorrow, learn that they have more in common than just diamonds. III. David, a musician and music editor for a video being directed by Abarra, is having problems meeting Abarra's demands while he slowly falls for Abarra's assistant, Camille, who he's never met but has only talked to on the telephone solely about work. IV. A young man believes he's made a powerful connection to a stranger, a young woman, in the simple act of lighting her cigarette, and proceeds to convince her of the same and as such that there is a future for them from that point on, and not at some unspecified time down the road. V. A high school senior, who has been dumped by... Written by
Natalie Portman's character, while discussing the rules of kosher, states she cannot eat "nothing that's not blessed by a rabbi." This is a common error - the production of kosher food is overseen by a rabbi, but the final products are not blessed. See more »
Hey, David, it's Camille. You know, when Dostoevsky was writing The Gambler, he signed a contract with his publisher saying that he would finish it in twenty-six days, and he did it, but he had the help of this young stenographer. This girl, she... she stayed with him and she helped him. And... afterwards they actually got married. Ha, isn't that cool? That's how he met his wife. Anyway I found this story in the preface for Crime and Punishment so I was thinking that... and, this would have to ...
[...] See more »
"When was the last time you did something for the first time?"
I saw 'New York: I Love You' today and loved it! I was really looking forward to seeing this after watching 'Paris je t'aime' and overall I think I liked this one much better... Perhaps I need to watch 'Paris je t'aime' again I don't know... I read few of the reviews here about NY:ILY and yes, the movie is not without its faults. When you're paying tribute to a city like New York - it can get rather overwhelming and nothing seems fair enough to do the city due justice... so without elaborating on any of the film's shortcomings, I'll just write about what I liked.
Unlike 'Paris je t'aime' in which each director's short film was properly segmented and titled, NY:ILY isn't and many reviewers over here have found the seamlessness of stories and overlapping of characters here annoying and even confusing. I thought otherwise. I loved how the stories just flowed one after the other and I especially liked the overlapping of characters - it might be gimmicky because it's done so often in films now. But I still liked it because I didn't find it forced. And the idea that we're all connected in the end has a wistful, even whimsical quality to it - which some might find corny but I find beautiful.
I liked all the films but the one that touched me the most was the one by Yvan Attal with Robin Wright Penn and Chris Cooper. It was so well-acted and scripted that the reveal in the end - again not unused in the past - brought me to tears and I was crying throughout the segment that followed. I always liked Wright Penn and now I'm also a fan of Chris Cooper. Those precious initial few seconds when he's standing alone outside the restaurant, just before he gets the call - speak volumes about Cooper's ability to convey a character by just being there without saying anything.
Most of the stories in this film involve characters who are either meeting each for the first time or have met each other just recently with the exception of 4-5 stories in which the characters have known each other for a long time. It seemed to me (and I might be wrong) that the stories were different but they were all trying to drive home the point, the need even, to just step back and view in a new light the people and the things we've known in our lives for a long time; to see the people and the things around you with the eyes of a stranger and appreciate them just as you did when you met them and saw them for the first time.
The other films that I liked were the ones by Shunji Iwai with Orlando Bloom and Christina Ricci, by Natalie Portman with Carlos Acosta and Taylor Geare, by Brett Ratner with Anton Yelchin and Olivia Thirlby, by Shekhar Kapur with Julie Christie, Shia LaBeouf and John Hurt and once again the one by Yvan Attal with Ethan Hawke and Emilie Ohana when they're in the café. I really need to see more work by Yvan Attal as I seem to like him a lot!
Overall, watch this movie with an open mind. Don't read the reviews before watching it! It might not live up to your expectations of what a movie on and about love in New York should be and I doubt any movie will really live up to that conception. Just watch this movie for some good music, beautiful landscape cinematography, some slice-of-life comfort and a story or two that might just tug at your heartstrings.
28 of 47 people found this review helpful.
Was this review helpful to you?