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|Index||86 reviews in total|
The acting in the film is really well done honestly, but the movie is
so slow and so boring, as soon as it gets interesting everything slows
to a major halt. I am glad to see Sam Rockwell in this, he did a great
job, so did the other actors as I mentioned but man... this is one of
the worst dragged out films I have ever seen. Now maybe in a short film
form this movie would be good, but other than that, avoid it. This film
has so much filler it makes a Twinkie cake jealous.
I never, ever, walk out on films, but watching this one at home with family, I walked out. Yeah, it was that boring. Apparently my comment doesn't have enough lines to post, so here's some more filler. I guess I was inspired by the movie I just watched.
With very little foreknowledge, I tuned into this movie expecting some
kind of kid-possessed-by demon Exorcist/Damien rip-off, but although
the film tells of a kid from hell there is no supernatural element to
it. I was initially quite surprised by how well-written the screenplay
was, although the plot loses some of its impetus half-way through as
the writer is forced to create progressively unlikely incidents in
order to build upon the tension he has already created.
Joshua is a strange boy, bordering on genius, who likes nothing more than pulling the stuffing from his toy panda's nose in emulation of the Ancient Egyptian's method of preparing dead bodies for embalming. He's also pretty good at copying Dad's grief when he mourns over the dead body of the old family dog (who Joshua may or may not have offed while walking in the park). Joshua knows he's weird, and you sense he's frightened that his parents don't love him or at least won't love him as much now that a baby sister has arrived in the scene. Sneaking a peek at videos of his constant wailing as a baby also does nothing for his frame of mind, and it's not long before he's sneaking in to little sis's room to make her cry the way he used to.
All these scenes are intelligently scripted and handled as is Joshua's unique piano recital fooling you into believing you're in for something really special but, while the film is still impressive (and far better than much of the stuff coming out of Hollywood these days), the plot developments become increasingly predictable, while the aim of Joshua's quiet campaign of terror on his parents is something of a mystery initially, and a little far-fetched when revealed in the final scene (which, naturally, leaves the way open for a sequel).
Cheesy fight flick tries to bask in the horrific glory which was once
Rosemary's Baby and The Omen, but ends up feeling like The Good Son
instead. Conceptually, Joshua could have had a lot going for it.
Sibling rivalry, which formed the basis of this far-fetched tension, is
as good a plot device as any to further the suspense, and at times the
darkened bedroom scares elicited from the script do effectively make
viewers hold there breath. These moments are so few and far between
however, that the inherent comedy beneath this half-baked excursion
begins to seep out at an alarming rate, climaxing with one of the worst
end scenes in recent memory.
Mainly the scares fail because the lead character, this evil child whom we are supposed to fear, just comes across as silly and unrealistic in nearly every scene. Though his parents might have helped sustain certain scenes a little more (Vera Farmiga in particular stands out as the depressed mother), lead Jacob Kogan is simply unequipped to deliver his role in convincing fashion. From his demeanor to his dress, Joshua is written like a cardboard cutout stereotype of the young eccentric evil genius to a tee, almost always opting for bland, misjudged characterization as opposed to any sort of real personality that might have in fact provided a believable fright.
The Devil's Child (2007)
Very slow movie, not much action in the movies, most of the action is actually off screen, You find hard to connect with anyone in this movie.
The movie was far to long for me, Kind of drag in some parts, Found first half kind of annoying, With Josh playing the piano and the new born baby crying no-stop, got boring,
Mum will starting to losing as she getting fed up of the new born baby, Odd small things happen, that Josh is doing, who is very creepy in every seen he is in.
I didn't like the how movie ended at all, the movie stay on one level for all movie, never really pick up!
5 out of 10 Disappoint
*** This review may contain spoilers ***
Watched this from the telly without any prior knowledge. Looked
interesting in the trailer and i had never heard of it. Rockwell and
Farmiga are quite capable actors, so why not.
The movie was being marketed as a horror movie, the week before they showed 28 Weeks Later, so I was expecting something a bit more horrorish, but this turned out to be more of a psychological thriller and drama. Which isn't a bad thing tho, but for some reason I got the impression from the ads that this was kind of a modern Damien thing. Not really.
Root down, this movie could've been a study of how kids act when the family gets another baby. Joshua here becomes a big brother and they have many scenes where they clearly show that the new baby gets more attention than Joshua. On the otherhand Joshua is said to have been a "difficult" one from the beginning. There is also a hint that there is some mental illness in the family as the mother played by Vera Farmiga has mental issues.
The mental illness part and becoming a bigger brother would've been enough for me, but they also clearly show that Joshua is getting quite a free upbringing as they let him go by his own in a big city. I'm quite sure this is an intentional choice as they discuss it at one point. Then there is this idea that Joshuas dad (Sam Rockwell) maybe wants Joshua to be a bit different. The dad is clearly a "buddy" kind of man. Even tho he's obviously smart and well educated - working in finance - he likes sports and most likely listens to some kind of pop/rock on his iPod and jams along. Joshua on the otherhand is booksmart, not interested in sports and so on..
Oh, and then there's even an overly religious grand mother, which adds the religion factor you have come to expect in a movie like this, but which in my opinion wasn't needed at all.
During the movie, Joshua is shown to do all kinds of weird things making his parents crazy and you're not really sure if he's the devil himself incarnated or just a messed up kid. Or just a different kind of kid pushing his boundaries.
I'm gonna give the ending away, so stop reading now if you don't want to know it. In the end it seems as if Joshua played the whole thing to be able to be with his uncle who is a bit like Joshua - not necessarily like the others in society. So in the end it seems as if Joshua was the smart one, just not getting along with his parents at all. Sort of a mismatch of parents and their child.
I'm not quite sure what to make of this movie, since it had so many things going on. Clues, explanations, hints of supernatural stuff, religion, mental illness.. none of them really paying off.
It's not The Omen, not The Exorcist, not Rosemary's Baby.. for sure. It was an interesting take on "a child genius", dressed up as a thriller, even a horror movie. It's rather good, but don't expect it to be a horror movie in the end.
I cannot believe how good this movie was. I was riveted from the beginning. The blurb on the TV info compared it to Damien. I thought it was better. You must see this movie. The suspense builds slowly but completely. The actor who plays Joshua was very good. I wonder what he drew upon in his real life to make his character so believable. I often wonder that about young actors and actresses. Where do they get that feeling, like Patty McCormick in (can't remember the name) or McCauley Culkin (sp) in The Good Son. You are drawn in by how Joshua behaves. There are no spoilers in my review. Just watch the movie to see for yourself.
*** This review may contain spoilers ***
I saw the whole movie this time! The first time I caught on Cinemax
about 1/3 in ...
I very rarely post on IMDb but I was truly struck by some -- make that most -- of the subtle brilliance in this film -- I think the shock of this character (a child!) to our normal sensibilities (Joshua) renders an awkward defense mechanism that "pre-judges" everything that follows.
Huh? Well, the first time around I missed how horrible these parents were in regard to their lack of love or appreciation for their genius prodigy child! In no way does this make up for Joshua's later behavior--or, maybe it does to some degree?
Joshua has a mind that is self-aware and fully functioning at NINE years old--but he lacks experience--this occurs in the real world after all, we're not all 8th grade intellects ... that is the average.
I'm not going to say anymore except to say -- I believe this movie will be much better understood and appreciated over the years. Brilliant.
Those who hyped "Joshua" prior to its theatrical run bandied about the names of Hitchcock and Polanski in an attempt to sell an art film that, while well-made and rife with fantastic performances, never transcends its own lack of purpose. Yes, this is one of those films that raises its nose at the very notion of "evil kid" flicks while playing into their conventions without shame. Nine-year old Joshua Cairn (Jacob Kogan) is a prodigy who excels at school and is already exhibiting the traits of a master manipulator; when his new baby sister comes home, he sets into motion a plan to erase her from the picture, but not before driving parents Brad (Sam Rockwell) and Abby (Vera Farmiga) off the deep end. While the child's motives are only vaguely hinted at, it's strongly implied that he's enacting vengeance for the affection he never received as an infant (and thus transformed him into an unfeeling pod-kiddie). Director/co-writer George Ratliff shows a flair for mining tension from plot turns that are fairly mechanical, and builds a sense of pervasive unease that, till the thoroughly telegraphed denouement, is a modest echo of Polanski's "apartment trilogy." The adult performers are excellent, with Rockwell ("The Green Mile") and Farmiga ("The Departed") absolutely convincing as the well-meaning parents whose lives descend out of control (even if it's hard to believe they wouldn't have had Joshua committed years before); Rockwell possesses a fine mix of fatherly devotion and paranoia, and Farmiga's psychologically damaged mother is sympathetic and nigh tragic. If there's a problematic performance here, it's Kogan's, whose Joshua is an overly mannered, blank-eyed moppet whose dialog and mannerisms transform him into more of a plot contrivance than a character (since he's the film's pivot point, we have to suffer through his awkward dissertations on death and Egyptian mythology); it's as though Ratliff and co-writer David Gilbert, having already named the film after this "enfant terrible," needed to blare his obvious weirdness in our faces. "Joshua" may be the new kid on the block, but he pales in comparison to "The Omen" and "The Good Son."
This movie is in the same basic genre as The Good Son, Dorian Grey, and
the Shining. The movie is really quite brilliant, on a par with
Kubrick's Clockwork Orange.
I saw the main actor (the kid) in another TV show he did (Wonder Showzen). He really has a lot of talent. I'm kind of suspecting he will have a very successful career, because this movie was really quite well done, and he can clearly master both serious and comedic roles.
If I had to give this movie a grade, based on immediate post performance perception, I think its an A. There were a lot of existentialist questions raised, and parts of the film were reminiscent of something by Kafka. In a theatrical sense, this film is on a par with Ibsen's Dollhouse. This movie was really quite something.
Speaking as someone who through no fault of his own was just about as
strange as Joshua in this movie, I have to say this kid actor really
got the part perfect. Even as a child younger than Joshua, I used to
wonder how adults could seriously believe I and those my age were
somehow "innocent", how easily they could all be "played" against one
another if that's what you felt like doing.
I grew up somewhere along the way, and while it wasn't for lack of trying, I managed to make it without killing anyone. The kid I was - the kid Joshua is in the movie - is one of the primary reasons I'm too terrified to have kids. Seriously - when you get a smart one like that with a chip on his shoulder, it's just not safe.
If you want a reason to avoid parenthood, this is a good movie to watch. If you ever wondered just how sadistic and malicious a little kid can be, and how truly dangerous, this movie is spot-on. Oh sure, most kids could never be like Joshua, but then Joshua - and I - were never like "most kids". Seriously.
The pace is rather slow and it takes awhile before you really get to see Joshua for what he is, but once it gets there & Joshua begins taking off the kid gloves, and especially after the park beating with his father and you see them packing his things away, you realize just how terrified his parents should have been all along. Pay attention to the things they pack away, very closely. The creepy thing is how sickeningly sweet Joshua plays his role the entire time, even after you've figured him all out. He's not so blatant about his hostility, you can only really tell what he really feels by what he does, not by how he acts or what he says.
Definitely recommended for those who like "spawn of Satan" type "evil kid" flicks, though only if you don't mind a slightly slow pace and not all that much gore or actual brutality.
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