The arrival of a newborn girl causes the gradual disintegration of the Cairn family; particularly for 9-year-old Joshua (Kogan), an eccentric boy whose proper upbringing and refined tastes both take a sinister turn.
The Cairn's life seems to be a harmonic family: The father Brad works as a stockbroker, his wife Abby takes care of their common new-born daughter Lily, and the 9-year-old Joshua is high-talented. But the appearances are deceptive. Joshua becomes gradual jealously, that his parents give the baby more attention than him. Therefore he begins to terrorize his family. Written by
The note that Joshua leaves for his father reads: "Dad,/Eaten lunch already/and gone to/The Brooklyn Museum of Art/having fun with Nunu and Lily." If you arrange the first letter of each line in order, it reveals an acrostic for "Death." See more »
When Brad tries to seduce Abby in their bedroom, the peak meter of the baby monitor indicates that Lily is still screaming on top of her lungs, when she is actually sleeping peacefully. See more »
Clearly not what the ignorant masses were expecting
I had been waiting quite impatiently for the release of Joshua from the moment I saw the trailer. Unlike the people who walked out of the theater, I was not disappointed. But that doesn't mean you won't be. Joshua is clearly not a movie for the everyman and it never really tries to be.
It is a story about a boy who longs to be understood by parents who choose to watch from the sidelines. The previews made the boy seem like he was just a creepy weirdo, but it becomes obvious quite quickly why he is the way he is. Joshua tells his father that he does not like soccer and baseball. In an attempt to seem open-minded and understanding, his father tells him that it's okay and that he should just do what he wants (without ever asking exactly what it is that his son wants). His mother just doesn't care as long as she's not bothered.
Dark, disturbing, creepy, but occasionally sadistically humorous, events unfold slowly (much to the dismay of people expecting shock after gratuitous shock) proving Joshua to be a far more calm and calculating boy than originally perceived. Jacob Kogan's performance is reminiscent of Haley Joel Osment in A.I. (if that character were a sadistic schemer). He is the only character who stands out and I believe this was intentional; the other characters can tell, right along with the audience, that the boy ain't quite right.
This movie is certainly not for the impatient and/or those who need to be smacked in the face repeatedly to stay awake during movies. But if you want a movie that slowly and coolly toys with your mind until the very end, Joshua will likely deliver what you are looking for.
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