The arrival of a newborn girl causes the gradual disintegration of the Cairn family; particularly for 9-year-old Joshua (Kogan), an eccentric boy whose proper upbringing and refined tastes both take a sinister turn.
Trapped in an isolated gas station by a voracious Splinter parasite that transforms its still living victims into deadly hosts, a young couple and an escaped convict must find a way to work together to survive this primal terror.
A young woman's quest for revenge against the people who kidnapped and tormented her as a child leads her and a friend, who is also a victim of child abuse, on a terrifying journey into a living hell of depravity.
The Cairn's life seems to be a harmonic family: The father Brad works as a stockbroker, his wife Abby takes care of their common new-born daughter Lily, and the 9-year-old Joshua is high-talented. But the appearances are deceptive. Joshua becomes gradual jealously, that his parents give the baby more attention than him. Therefore he begins to terrorize his family. Written by
The note that Joshua leaves for his father reads: "Dad,/Eaten lunch already/and gone to/The Brooklyn Museum of Art/having fun with Nunu and Lily." If you arrange the first letter of each line in order, it reveals an acrostic for "Death." See more »
When Brad tries to seduce Abby in their bedroom, the peak meter of the baby monitor indicates that Lily is still screaming on top of her lungs, when she is actually sleeping peacefully. See more »
This film has a quiet power to it and it is not like all the gore and torture porn that has been out there lately making money at the box office. Look, the masses want to be led like a toddler through most movies - lookee here - point A to point B to point C - get it? He's good, he's bad. Wow - watch that head explode. Yawn. I like gore too but I also love intelligent films that leave it to an audience that WANTS to think - that wants to be challenged and has to try and figure out what is true and what isn't. Sam Rockwell, Vera F (as the wife), Dallas Roberst as the uncle and the young kid as Joshua all give excellent performances. This is not a HORROR film in the sense of gore and supernatural crap. This is about a family swirling out of control with post partum depression, work pressure, meddling relatives, a disturbed child and a crying infant - and it is left up to us to decide what really happened. Slow, steady and ultimately, powerful. If you have patience and love well made, intense dramas - JOSHUA is for you.
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