Is he the village idiot or a genius in disguise? 17 year old Noi drifts through life on a remote fjord in the north of Iceland. In winter, the fjord is cut off from the outside world, ... See full summary »
A mattress salesman finds his plan to adopt a Chinese baby augmented by the arrival of a young woman, who comes into his workplace, falls asleep on one of the beds, and starts to affect his life upon waking up.
Working in a Boston homeless shelter, Nick Flynn re-encounters his father, a con man and self-proclaimed poet. Sensing trouble in his own life, Nick wrestles with the notion of reaching out yet again to his dad.
Five stories interwine into one. A blind man hovers above the city. Everything looks set for a perfectly normal evening in Reykjavík, until the the power goes off? The door of a bank ATM ... See full summary »
After a suicide attempt, Lucas, a young homeless man in New York City, is taken in by Jacques, the gruff owner of a small bar. Jacques is on his fifth or sixth heart attack, and he wants Lucas to run the bar after he dies. Jacques has many rules: don't be friendly, don't serve walk-ins, no food or flowers or candles, put the cash in the freezer every night. Lucas, on the other hand, has a good heart: he gives his money away, he talks to customers, and, when April, a young French woman who has washed out of flight-attendant school, enters the bar chilled to the bone, Lucas takes her in. If Jacques won't tolerate April, what will Lucas do? Written by
When Jacques' new room mate, Ben, suddenly collapses, he falls backward. But in the next shot he is lying face down. See more »
Why did you try suicide?
Well, you know, when it comes to survival of the fittest, I just have to throw in the towel, I guess.
But you're not an animal, Lucas, you're a human being. You live in highly developed society that has all kinds of buffers and security nets that are designed to break your fall.
No, I don't follow the rules of civilization anymore. I'm outside. I'm an animal.
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It is a drama and so-called independent film (with Icelandic screenwriter/director), but it is not oppressive, but includes plenty of comic moments. The screenplay is witty and distinct (with some predictability though) and all the cast is good (supporting actors) or excellent (leading actors Brian Cox and Paul Dano). They are masterly both together and separately, you constantly feel chemistry between them - does not matter if their characters agree or disagree.
Highly recommended, although the film is not to everybody's taste: most of event occur in a bar, scenes including women are infrequent, the ending is ambivalent. But still, this film deserves far more attention, praise and distribution, primarily in northern parts of Europe and America.
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