| Photos (See all 16 | slideshow) | Videos (see all 19) |
| Naomi Watts | ... | Ann | |
| Tim Roth | ... | George | |
| Michael Pitt | ... | Paul | |
| Brady Corbet | ... | Peter | |
| Devon Gearhart | ... | Georgie | |
| Boyd Gaines | ... | Fred | |
| Siobhan Fallon | ... | Betsy (as Siobhan Fallon Hogan) | |
| Robert LuPone | ... | Robert | |
| Susi Haneke | ... | Betsy's Sister-in-Law (as Susanna Haneke) | |
| Linda Moran | ... | Eve |
Directed by | |||
| Michael Haneke | |||
Writing credits | ||
| Michael Haneke | (written by) | |
Produced by | |||
| Philippe Aigle | .... | executive producer | |
| Rene Bastian | .... | co-producer | |
| Christian Baute | .... | producer | |
| Adam Brightman | .... | co-producer | |
| Chris Coen | .... | producer | |
| Skady Lis | .... | associate producer | |
| Stefano Massenzi | .... | associate producer | |
| Hamish McAlpine | .... | producer | |
| Pascal Metge | .... | line producer | |
| Charlotte Mickie | .... | associate producer | |
| Linda Moran | .... | co-producer | |
| Andrea Occhipinti | .... | co-producer | |
| Hengameh Panahi | .... | producer | |
| Valerie Romer | .... | line producer | |
| Jonathan Schwartz | .... | co-producer | |
| Carol Siller | .... | executive producer (as Carole Siller) | |
| Andro Steinborn | .... | producer | |
| Douglas Steiner | .... | executive producer | |
| Naomi Watts | .... | executive producer | |
Cinematography by | |||
| Darius Khondji | |||
Film Editing by | |||
| Monika Willi | |||
Casting by | |||
| Kerry Barden | |||
| Elaine Grainger | |||
| Billy Hopkins | |||
| Johanna Ray | |||
| Paul Schnee | |||
| Suzanne Smith | |||
Production Design by | |||
| Kevin Thompson | |||
Art Direction by | |||
| Hinju Kim | |||
Set Decoration by | |||
| Rebecca Meis DeMarco | |||
Costume Design by | |||
| David C. Robinson | |||
Makeup Department | |||
| Michal Bigger | .... | makeup department head | |
| Thom Gonzales | .... | key hair stylist | |
| Gail McGuire | .... | assistant hair stylist | |
| Rita Ogden | .... | key makeup artist | |
| Francesca Paris | .... | hair department head | |
| Waldemar Pokromski | .... | prosthetic makeup consultant | |
| Louie Zakarian | .... | special makeup effects artist | |
Production Management | |||
| Nicola Westermann | .... | unit production manager | |
Art Department | |||
| Pastor Alvarado III | .... | assistant property master | |
| Kenneth Brzozowski | .... | key carpenter | |
| Neil Driscoll Jr. | .... | lead man | |
| Samantha Feltus | .... | construction office production assistant | |
| Carl Ferrara | .... | set dresser | |
| Gerard J. Furey | .... | set construction foreman | |
| Alex Gorodetsky | .... | charge scenic artist | |
| Michael D. Harrell | .... | props | |
| Kevin Hayden | .... | set dresser | |
| Beth Kuhn | .... | assistant art director | |
| Leann Murphy | .... | art department coordinator | |
| Ken Nelson | .... | construction coordinator | |
| Monika Nguyen | .... | art department intern | |
| Quang Nguyen | .... | scenic foreperson | |
| Susan Perlman | .... | set dressing shopper | |
| Daniel Rosenfeld | .... | scenic shopman | |
| Duke Scoppa | .... | property master | |
| Mark Paul Selemon | .... | greens person | |
| Theo Sena | .... | on-set dresser | |
| Christopher Weiser | .... | scenic artist | |
| Tim Zydel | .... | set dresser | |
Sound Department | |||
| Edouard d'Heucqueville | .... | sound mix technician | |
| Dominique Eyraud | .... | boom operator | |
| Jean-Pierre Laforce | .... | sound mixer | |
| Fred Mays | .... | post-synchronization | |
| Teferra McKenzie | .... | second boom operator | |
| Nadine Muse | .... | sound editor | |
| Thomas Varga | .... | sound mixer | |
Stunts | |||
| Bruce Barnes | .... | marine stunts | |
| Chris Barnes | .... | marine coordinator | |
| Chris Barnes | .... | water stunts | |
| Roy Farfel | .... | stunt coordinator | |
| Jeff Galpin | .... | safety diver | |
| Kevin Rogers | .... | stunts | |
| Manny Siverio | .... | stunt coordinator | |
Casting Department | |||
| Jenny Jue | .... | casting associate | |
| Jessica Kelly | .... | casting assistant | |
| Kristen Paladino | .... | extras casting | |
| Paul Schnee | .... | casting: New York | |
Costume and Wardrobe Department | |||
| Sandi Figueroa | .... | costume supervisor | |
| Lee Harper | .... | assistant costume designer | |
| Deirdre Wegner | .... | wardrobe shopper | |
Editorial Department | |||
| Justin Krohn | .... | assistant editor | |
| Thomas Treu | .... | assistant editor | |
| Willi Willinger | .... | colorist | |
Transportation Department | |||
| Dexter Roberts | .... | transportation | |
Thanks | |||
| Michael Bloomberg | .... | the producers wish to thank: New York City Mayor's Office for Film, Theatre and Broadcasting (as Mayor Michael R. Bloomberg) | |
| Katherine Oliver | .... | the producers wish to thank: New York City Mayor's Office for Film, Theatre and Broadcasting (as Commissioner Katherine L. Oliver) | |
| Douglas Steiner | .... | the producers wish to thank | |
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| Funny Games | A History of Violence | Trapped | The Dark Knight | As Good as Dead |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb USA section |
Watching "Funny Games" is a bit like coming across a major accident on the highway - you know you should continue driving on past the scene, but you just can't keep yourself from slowing down and gawking at all the wreckage.
The premise of the story does not sound very promising at first, as the idea, or a simple variation of it, has served as the foundation for countless such films in the past: an innocent family of three is held hostage in their home by a couple of sadistic killers who systematically abuse and terrorize their victims for their own twisted pleasure.
So many horror movies are predictable and formulaic that it's a pleasant surprise to come across one that actually makes an effort to break free of its bonds and make its own way in the world. And, indeed, "Funny Games" busts through the horror movie conventions with an almost ruthless determination. In this Americanized version of a film he made in his native Austria in 1997, director Michael Haneke scrupulously avoids obvious camera setups and editing techniques, bypassing virtually every storytelling, visual or audio cliché endemic to the genre. There is no background music, for instance, to cue us into the scary moments, no screeching cats jumping out of the shadows, and no point-of-view shots designed to generate easy suspense. Unlike in most films of this type, the violence here happens in an entirely haphazard and random manner, making it all the more frightening in its unpredictability and plausibility. Haneke refuses to cater to the expectations of his audience, making them face the reality of the nightmare he's showing them rather than giving them what it is they may want to see.
Michael Pitt and Brady Corbet are cringe-worthy and terminally creepy as the smarmy psychopaths who get their jollies out of watching other people suffer, while Naomi Watts, Tim Roth and Devon Gearhart engage our full sympathy as the hapless victims who have come up against the blank wall of two twisted minds they are woefully unequipped to even understand, let alone wage battle against.
This is one of the most memorable and artful horror films of recent times, but it is also one of the most unnerving and difficult to watch. The movie gets into your bones, no matter how much your better angels may be telling you to keep it out. It's depressing and disturbing and is certainly not intended for all audiences, but it is a movie that it is very difficult to shake off once you've given yourself over to it.