| Photos (See all 16 | slideshow) | Videos (see all 19) |
| Naomi Watts | ... | Ann | |
| Tim Roth | ... | George | |
| Michael Pitt | ... | Paul | |
| Brady Corbet | ... | Peter | |
| Devon Gearhart | ... | Georgie | |
| Boyd Gaines | ... | Fred | |
| Siobhan Fallon | ... | Betsy (as Siobhan Fallon Hogan) | |
| Robert LuPone | ... | Robert | |
| Susi Haneke | ... | Betsy's Sister-in-Law (as Susanna Haneke) | |
| Linda Moran | ... | Eve |
Directed by | |||
| Michael Haneke | |||
Writing credits | ||
| Michael Haneke | (written by) | |
Produced by | |||
| Philippe Aigle | .... | executive producer | |
| Rene Bastian | .... | co-producer | |
| Christian Baute | .... | producer | |
| Adam Brightman | .... | co-producer | |
| Chris Coen | .... | producer | |
| Skady Lis | .... | associate producer | |
| Stefano Massenzi | .... | associate producer | |
| Hamish McAlpine | .... | producer | |
| Pascal Metge | .... | line producer | |
| Charlotte Mickie | .... | associate producer | |
| Linda Moran | .... | co-producer | |
| Andrea Occhipinti | .... | co-producer | |
| Hengameh Panahi | .... | producer | |
| Valerie Romer | .... | line producer | |
| Jonathan Schwartz | .... | co-producer | |
| Carol Siller | .... | executive producer (as Carole Siller) | |
| Andro Steinborn | .... | producer | |
| Douglas Steiner | .... | executive producer | |
| Naomi Watts | .... | executive producer | |
Cinematography by | |||
| Darius Khondji | |||
Film Editing by | |||
| Monika Willi | |||
Casting by | |||
| Kerry Barden | |||
| Elaine Grainger | |||
| Billy Hopkins | |||
| Johanna Ray | |||
| Paul Schnee | |||
| Suzanne Smith | |||
Production Design by | |||
| Kevin Thompson | |||
Art Direction by | |||
| Hinju Kim | |||
Set Decoration by | |||
| Rebecca Meis DeMarco | |||
Costume Design by | |||
| David C. Robinson | |||
Makeup Department | |||
| Michal Bigger | .... | makeup department head | |
| Thom Gonzales | .... | key hair stylist | |
| Gail McGuire | .... | assistant hair stylist | |
| Rita Ogden | .... | key makeup artist | |
| Francesca Paris | .... | hair department head | |
| Waldemar Pokromski | .... | prosthetic makeup consultant | |
| Louie Zakarian | .... | special makeup effects artist | |
Production Management | |||
| Nicola Westermann | .... | unit production manager | |
Art Department | |||
| Pastor Alvarado III | .... | assistant property master | |
| Kenneth Brzozowski | .... | key carpenter | |
| Neil Driscoll Jr. | .... | lead man | |
| Samantha Feltus | .... | construction office production assistant | |
| Carl Ferrara | .... | set dresser | |
| Gerard J. Furey | .... | set construction foreman | |
| Alex Gorodetsky | .... | charge scenic artist | |
| Michael D. Harrell | .... | props | |
| Kevin Hayden | .... | set dresser | |
| Beth Kuhn | .... | assistant art director | |
| Leann Murphy | .... | art department coordinator | |
| Ken Nelson | .... | construction coordinator | |
| Monika Nguyen | .... | art department intern | |
| Quang Nguyen | .... | scenic foreperson | |
| Susan Perlman | .... | set dressing shopper | |
| Daniel Rosenfeld | .... | scenic shopman | |
| Duke Scoppa | .... | property master | |
| Mark Paul Selemon | .... | greens person | |
| Theo Sena | .... | on-set dresser | |
| Christopher Weiser | .... | scenic artist | |
| Tim Zydel | .... | set dresser | |
Sound Department | |||
| Edouard d'Heucqueville | .... | sound mix technician | |
| Dominique Eyraud | .... | boom operator | |
| Jean-Pierre Laforce | .... | sound mixer | |
| Fred Mays | .... | post-synchronization | |
| Teferra McKenzie | .... | second boom operator | |
| Nadine Muse | .... | sound editor | |
| Thomas Varga | .... | sound mixer | |
Stunts | |||
| Bruce Barnes | .... | marine stunts | |
| Chris Barnes | .... | marine coordinator | |
| Chris Barnes | .... | water stunts | |
| Roy Farfel | .... | stunt coordinator | |
| Jeff Galpin | .... | safety diver | |
| Kevin Rogers | .... | stunts | |
| Manny Siverio | .... | stunt coordinator | |
Casting Department | |||
| Jenny Jue | .... | casting associate | |
| Jessica Kelly | .... | casting assistant | |
| Kristen Paladino | .... | extras casting | |
| Paul Schnee | .... | casting: New York | |
Costume and Wardrobe Department | |||
| Sandi Figueroa | .... | costume supervisor | |
| Lee Harper | .... | assistant costume designer | |
| Deirdre Wegner | .... | wardrobe shopper | |
Editorial Department | |||
| Justin Krohn | .... | assistant editor | |
| Thomas Treu | .... | assistant editor | |
| Willi Willinger | .... | colorist | |
Transportation Department | |||
| Dexter Roberts | .... | transportation | |
Thanks | |||
| Michael Bloomberg | .... | the producers wish to thank: New York City Mayor's Office for Film, Theatre and Broadcasting (as Mayor Michael R. Bloomberg) | |
| Katherine Oliver | .... | the producers wish to thank: New York City Mayor's Office for Film, Theatre and Broadcasting (as Commissioner Katherine L. Oliver) | |
| Douglas Steiner | .... | the producers wish to thank | |
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| Funny Games | A History of Violence | Trapped | The Dark Knight | As Good as Dead |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb USA section |
The conventions of 'home invasion' movies are familiar to most film-goers, where God-fearing families are menaced by rapacious escaped convicts, outlaw bikers, foreign terrorists or some other variety of depraved miscreants. A sophisticated audience is well aware the barbarians will eventually be repulsed, followed by the family restoring order by cementing their unity. However, in "Funny Games" director Haneke chooses to overturn the genre's accepted rituals with the complacent vanity of a self-certified avant-garde virtuoso.
The film opens with George and Ann bickering irritably as they drive their son Georgie Jnr towards a prosperous coastal vacation community in a gas-guzzling SUV. The traditional nubile teenage daughter is mysteriously absent, but 30-something wife and mother Ann possesses all the required attributes of feminine vulnerability. After they arrive at their holiday home, the audience's brows might furrow briefly when two effete Ralph Lauren clones drop by to borrow some eggs, but the visitors' sinister intent is glaringly obvious even though the family remains stubbornly blind to the imminent danger. Ominous incidents follow: the family's loyal golden retriever disappears . . boundaries are transgressed . . tensions rise . . until the scoundrels' civilized veneer is stripped away by a sudden flurry of violence.
The preppy pillagers have little interest in theft or thrill-seeking - their activities are simply an escape from boredom. No doubt the film is an allegory about Western Civilization devoured from within, but it's overloaded with relentless nastiness and ostentatious irony. Naomi Watts can't help giving Ann some depth, but the other characters are mere symbols - the family is too doggedly stupid, and the villains are too theatrically villainous to allow the film to be truly disturbing. The viewer's role is to be a passive admirer of Haneke's display of intellectual virility - but unfortunately "Funny Games" is nothing more than shallow ideas floating upon heaving swells of egotism.