| Photos (see all 46 | slideshow) | Videos (see all 2) |
| Jessica Biel | ... | Larita Whittaker | |
| Ben Barnes | ... | John Whittaker | |
| Kristin Scott Thomas | ... | Mrs. Whittaker | |
| Colin Firth | ... | Mr. Whittaker | |
| Kimberley Nixon | ... | Hilda Whittaker | |
| Katherine Parkinson | ... | Marion Whittaker | |
| Kris Marshall | ... | Furber | |
| Christian Brassington | ... | Phillip Hurst | |
| Charlotte Riley | ... | Sarah Hurst | |
| Jim McManus | ... | Jackson | |
| Pip Torrens | ... | Lord Hurst | |
| Jeremy Hooton | ... | Davis | |
| Joanna Bacon | ... | Cook | |
| Maggie Hickey | ... | Millie the Maid | |
| John Warburton | ... | Mr. Gribble | |
| Georgie Glen | ... | Mrs. Landrigin | |
| David Longstaff | ... | Reverend Burton | |
| Michael Archer | ... | Warwick Holborough | |
| Rebel Penfold-Russell | ... | Mrs. Winston | |
| Stewart Clarke | ... | Young Man #1 | |
| Oliver Reid | ... | Young Man #2 | |
| Joe Reid | ... | Young Man #3 | |
| Stephan Elliott | ... | Grumpy Party Guest | |
| Sheridan Jobbins | ... | Grumpy Party Guest | |
| Fizz | ... | Poppy | |
| rest of cast listed alphabetically: | |||
| Laurence Richardson | ... | Marcus (uncredited) | |
Directed by | |||
| Stephan Elliott | |||
Writing credits | ||
| Stephan Elliott | written by & | |
| Sheridan Jobbins | written by and | |
| Noel Coward | based on the play by | |
Original Music by | |||
| Marius De Vries | |||
Cinematography by | |||
| Martin Kenzie | |||
Film Editing by | |||
| Sue Blainey | |||
Casting by | |||
| Celestia Fox | |||
Production Design by | |||
| John Beard | |||
Art Direction by | |||
| Mark Scruton | |||
Set Decoration by | |||
| Niamh Coulter | |||
Costume Design by | |||
| Charlotte Walter | |||
Makeup Department | |||
| Tamsin Dorling | .... | hair stylist | |
| Tamsin Dorling | .... | makeup artist | |
| Paul Gooch | .... | hair stylist | |
| Paul Gooch | .... | makeup artist | |
| Flora Moody | .... | daily makeup trainee | |
| Paul Mooney | .... | hair stylist | |
| Paula Price | .... | hair stylist | |
| Paula Price | .... | makeup artist | |
| Barbara Taylor | .... | crowd hair stylist | |
| Barbara Taylor | .... | crowd makeup artist | |
| Jeremy Woodhead | .... | hair designer | |
| Jeremy Woodhead | .... | makeup designer | |
Production Management | |||
| Polly Duval | .... | post-production supervisor | |
| Charlie Simpson | .... | unit manager | |
| Tim Wellspring | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| James Chasey | .... | second second assistant director | |
| Richard Goodwin | .... | key second assistant director | |
| Christopher Newman | .... | first assistant director | |
| Carly Taverner | .... | third assistant director | |
Art Department | |||
| Louise Begbie | .... | assistant art director | |
| Tristan Carlisle-Kitz | .... | dressing props | |
| Chris Cull | .... | property master | |
| Nigel Kirk | .... | hod painter | |
| Dougie Lankston | .... | dressing prop daily | |
| Jono Moles | .... | construction manager | |
| Lucy Moles | .... | construction buyer | |
| John Moolenschot | .... | on-set carpenter | |
| Barnaby Papworth | .... | construction coordinator | |
| Alan Payne | .... | graphic artist | |
| Simon Riley | .... | props storeman | |
| Rosie Rose | .... | set decorating assistant | |
| Sarah Stuart | .... | stand-by art director | |
| Lloyd Vincent | .... | chargehand stand-by props | |
| Lee Wiseman | .... | props | |
Sound Department | |||
| Howard Bargroff | .... | sound re-recording mixer | |
| Simon Gershon | .... | sound | |
| Simon Gershon | .... | supervising sound editor | |
| Charlotte Gray | .... | sound assistant | |
| Dan Green | .... | dialogue editor | |
| Mike Grimes | .... | sound effects editor | |
| Steve Hancock | .... | boom operator | |
| Dan Johnson | .... | adr recordist | |
| John Midgley | .... | production sound mixer | |
| Bernard O'Reilly | .... | location foley recordist | |
| Matthew Skelding | .... | sound | |
| Barnaby Smyth | .... | foley supervisor | |
| Andrew Stirk | .... | foley recordist | |
| Chris Sturmer | .... | sound consultant: dolby | |
Special Effects by | |||
| Hugh Goodbody | .... | special effects technician | |
| Mark Holt | .... | special effects supervisor | |
| Thomas M. Horton | .... | visual effects executive producer | |
Visual Effects by | |||
| Kris Anderson | .... | digital compositor | |
| Steven Bray | .... | digital compositor | |
| Steven Bray | .... | title animatior | |
| Simon Carr | .... | visual effects supervisor | |
| Simon Frame | .... | visual effects supervisor | |
| Sarah Juniper | .... | junior compositor | |
| Stephanie C. Kelly | .... | digital compositor | |
| Joe Pavlo | .... | lead digital artist | |
| Natalie Stopford | .... | visual effects producer | |
| Ben Turner | .... | digital compositor | |
| Audrius Urbonavicius | .... | digital matte artist | |
Camera and Electrical Department | |||
| Joe Alexander | .... | second assistant camera | |
| Stuart Bunting | .... | grip | |
| Andy Clarke | .... | electrician | |
| Chris Clarke | .... | second assistant camera | |
| Ian Coffey | .... | first assistant camera | |
| Peter Davies | .... | electrician | |
| Brian Greenway | .... | second assistant camera | |
| Eugene Grobler | .... | lighting balloon operator | |
| Giles Keyte | .... | unit still photographer | |
| Steve Kitchen | .... | rigging gaffer | |
| Oliver Loncraine | .... | first assistant camera | |
| Steve Manningham | .... | assistant grip | |
| David Morgan | .... | director of photography: second unit | |
| Miles Proudfoot | .... | first assistant camera: second unit | |
| Sean Savage | .... | camera operator | |
| Pat Sweeney | .... | gaffer | |
| Chloe Thompson | .... | camera trainee | |
| Jack Warender | .... | video assist | |
Casting Department | |||
| Deborah Aquila | .... | casting: US | |
| Abigail Barbier | .... | adr voice casting | |
| Louis Elman | .... | adr voice casting | |
| Mary Tricia Wood | .... | casting: US (as Tricia Wood) | |
Costume and Wardrobe Department | |||
| Richard Cooke | .... | assistant costume designer | |
| Carmen Cristea | .... | set costumer | |
| Doina Raducut | .... | set costumer | |
| Hannah Walter | .... | costume supervisor | |
Editorial Department | |||
| Wilmann Bevolley | .... | second assistant editor | |
| Paul Ensby | .... | digital color timer | |
| Dominic Thomson | .... | digital editor | |
| Jane Winkles | .... | first assistant editor | |
Music Department | |||
| Marius De Vries | .... | musical director | |
| Michelle De Vries | .... | music supervisor | |
| Isobel Griffiths | .... | orchestra contractor | |
| Tris Penna | .... | music supervisor | |
Transportation Department | |||
| Mark Crowley | .... | driver: Jessica Biel (uncredited) | |
Other crew | |||
| Johnathan Abbott | .... | studio coordinator: Ealing Studios | |
| Danielle Bennett | .... | key floor runner | |
| Litza Bixler | .... | choreographer | |
| Julie Burnham | .... | unit nurse | |
| Jo Cameron Brown | .... | dialogue coach | |
| Hannah Collett | .... | production coordinator | |
| Juan Pablo Di Pace | .... | tango instructor | |
| Giles Edleston | .... | location manager | |
| Simon George | .... | head of finance: Ealing Studios | |
| Jess Jaworski | .... | assistant: cindy wilkinson kirven | |
| Tabitha Jenkins | .... | production executive: Ealing Studios | |
| Mousy McCallum | .... | additional set production assistant | |
| Simon Mills | .... | production runner | |
| Chris Moore | .... | assistant location manager | |
| Camilla Naprous | .... | assistant horse master | |
| Nick Oliver | .... | location scout | |
| Jules Smith | .... | production and marketing assistant: ealing studios | |
| Susie Tullett | .... | unit publicist | |
| Jo Wallett | .... | assistant production coordinator | |
Thanks | |||
| Peter Barnes | .... | in memory of | |
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| The Life and Death of Colonel Blimp | Meet the Parents | My Life So Far | Mansfield Park | The Secret Adversary |
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Brilliant, sparkling, joyful and sad, passionate and exciting, sweet and sour, elegant, refined and superbly ungraceful at the same time: contrasting adjectives are very fit for this captivating movie, which really hits the mark in a superb way. No flaw is to be found: the construction is solid and yet dynamic, highly-range acting is offered by the whole cast (but let me define Kristin Scott Thomas as sublime). The director creates a really enjoyable product, capable as it is of gaining the favour of the audience and to satisfy the viewer, both from an aesthetic and emotional point of view. The sound and authentic British humour stirring from the beginning to the end, makes one laugh but also think about the necessity to overcome a stuffy traditionalist attitude which make look back to a fossilized but no longer valid past,in order to let the new enter the scene, with all its dramatic potential of change. All certainties are questioned and prove to be dramatically frail. The conflict between the traditional English sobriety and self-control and the non-conformist American way of life gives rise to funny but also thoughtful moments of tension, subtly underlined by witty dialogues and emotionally engaging musical and dancing exchanges. A movie to be seen, heard, and enjoyed in every single part.