A man moves his two daughters to Italy after their mother dies in a car accident, in order to revitalize their lives. Genova changes all three of them as the youngest daughter starts to see the ghost of her mother, while the older one discovers her sexuality.
Between world wars, the Whittaker's estate is sinking; only the iron will of Mrs. Whittaker staves off bankruptcy while she awaits her son John's return from the continent. To her dismay, he brings a bride: an American widow who races cars. The bride, Larita, thinks she and John will visit and then go to London, where he'll work and she'll race. But John is to the manor born, and mother is nothing if not a master at plans and manipulation. Soon it's all-out war between mother and bride, with John's father, a burnt out veteran of the Great War, in the bride's corner ineffectually. Mother has a plan to join with the neighboring estate; only Larita is in her way. Can't we all get along? Written by
In the vintage Monte Carlo scene which opens the movie, when Larita first sees John both her and John's movements are slowed down while the rest of the cast play at 'normal' (i.e newsreel) speed. This was accomplished by filming the crowd, Larita, John, the background and the foreground mechanics separately against green screen and compositing them together at different speeds. See more »
When John and Larita drive to the ruined castle and get out of the car, they leave the car doors open. After a head-shot of the two talking to each other, they walk past the car towards the castle, and the driver's door is now closed. See more »
Cook, I can't call you a verb, your name?
All right, all right, it's Doris. Sorry madam. Always wanted to be called Beatrice.
See more »
The band playing the closing music calls out its members' names. See more »
I'll See You Again
Written by Noël Coward
Published by Chappell Music Ltd. (PRS)
All rights administered by Chappell & Co. Inc.
Licensed courtesy of Warner Chappell Music Ltd.
Performed by Andy Caine with The Easy Virtue Orchestra See more »
When was the last time a Noel Coward play was made into a movie, anyway?
........................................................from Pasto,Colombia...Via: L.A. CA., CALI, Colombia and ORLANDO, FL
EASY VIRTUE is a clear example of the fact that making an outstanding film just isn't all that EASY! When was the last time a Noel Coward play was made into a movie, anyway? I could've looked it up, but I'll leave it to you, if you really think it's all that important! I'll wager the Producers, Director & Screenwriter didn't see most of the screen adaptations of his plays done in the 30's/40's on TV when they were kids, as I did. Seemed they were a bit out of their element...at times.
The end result: It's EASY to see the film was being pulled in several different directions, which was most apparent early on. In fact, EASY can be divided into 3 segments of roughly 30 minutes each.
Segment one really didn't seem to know where it was going. It suffered from poor pacing and a pervasive tension on the set that permeated several of the scenes. What had me close to quitting on EASY were the very awkwardly inserted bits of slapstick, obviously an attempt at comic relief, but which seemed utterly contrived and out of sync with most every other aspect of the film.
Segment two was a definite improvement. Toned down considerably were the scenes involving slapstick. Only a few brief moments, which were much better integrated into the work. The culture-clash, the true razon d'être of EASY, between Jessica Biel's(Cellular) character, Larita, an independent and free- spirited American race-car driver of sorts, and the lady of the manor, Mrs. Whittaker (Kristin Scott Thomas/The English Patient), who turns out to be one lady with an extremely controlling and manipulative manner, is handled much more smoothly in the second segment, and, as a consequence, these scenes are much more amusing, even occasionally funny!
The closing segment really had me in its grip. The ensemble cast really shone. Finally, we see evidence of why so many of Noel Coward's plays were made into movies. All the outstanding elements; costumes, sets and music among others, really contributed to a very fulfilling final ½ hour! Colin Firth deserves a mention, perhaps EASY's best performance. Had the entire film been at segment three's level, 8*--EASY! However, I feel 6* is a fair overall rating
Any comments, questions or observations, in English or Español, are most welcome!
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