Angels & Demons

Symbologist Robert Langdon (Hanks) is called to Rome to help decipher the mystery behind the Illuminati before a new science experiment blows up the city.

The Da Vinci Code broke records in 2006 but for the vast majority of Dan Brown followers it did not do his award winning book justice and though running at a good 2 and a half hours, seemed to bore many.

Having read the book, I was perhaps one of the few who enjoyed Tom Hanks and Audrey Tautou attempt to solve the mystery of the murder in the Louvre but for Angels and Demons the scales were raised once more as lead star and director return.

Having asked around, most people seem to prefer Angels and Demons to The Da Vinci code for an entertaining read and it seems as critiques and fans, whilst still not fully justified, prefer this latest adaptation to the 2006 release.

This Howard picture certainly has a more clinical energy and exercise to it as unlike Da Vinci, Tom Hanks' Robert Langdon has only one night to solve the mysterious activities of the forgotten Illuminati in the Vatican and because of the time limitations, the action and desperation up the ante and deliver an excitement that certainly beats The Da Vinci code but also generates plenty of twists and stunning murder sequences.

The interesting factor of this 2009 release is the constant elements being justified for the murders. Earth, wind, water and fire are all included in drastic and powerful sequences to pronounce a feeling of overall power to the situation.

This really does justify the tag of thriller with a constant tension and sharp drama with the issues and beliefs once more given a full working over.

Just like 3 years ago, there are many debates and discoveries of symbols once believed to be lost forever and Langdon is again the key character to show everyone the light in and amongst the controversy of other pressing circumstances.

It is fair to say Dan Brown is a complex writer; he certainly likes to cram issues and dramas in amongst his action and thrilling sequences. As well as trying to discover the Illuminati, there is also the scenario of the election of a new pope, the dealings with a new scientific experiment and the power of Religion is again present. All interesting to discover and listen to, if occasionally the debates and dialogue tend to send your mind drifting but as there is so much in the novel, this was always likely.

Ron Howard, who kept a frankly ordinary type of direction rolling in Da Vinci, returns in perhaps the worst way possible. His jerky ever moving camera styling does nothing to keep the pressure up, and we can never fully accept what is happening on screen thanks to this frankly awfully portrayed style. He is certainly no Paul Greengrass and this is by no means Bourne.

Slick and stylized this is faster and more interesting than Da Vinci

This is an OK adaptation of the breath taking book of Dan Brown. I can't say it is novel or very good but they made a movie that you can enjoy. Given the excellent story, the result could have been better though. The movie is pretty long but at the end I was feeling like some things were missing. Sound effects and sound tracks were very good. Acting was well done but the character development phase was very weak. For people who didn't read the book, things may look happening too quickly. From my point of view, instead of trying to put as much as stuff from the book, they could have tried to do the important scenes more proper. What makes the book very good was all the puzzle like story combined with the excellent portrait of Vatican. You see neither of it in the movie. Too much rush and using the time not in a good way, these are main problems of the movie. So, it is worth watching but could have been done better.

I read Angels and Demons about 3 years ago, and I can honestly say to is one of the few books that I couldn't put down while reading.

The movie however was pretty much what i expected, a lot of action, with somewhat of a mystery storyline. Tom Hanks plays, in my opinion, a much better role, of Professor Langdon than in The Da Vinci Code.

You won't have to worry about this being as bad as The Da Vinci Code, this is everything that it wasn't. Much more interesting, more action, more suspense, and less of the unneeded controversy. If you haven't read the book, no worries you will still find it very interesting. And if you have read the book, well lets say you might be a little let down because I found many scenes missing that I was looking forward to.

Overall, Pretty impressive film for any everyday movie goer. But, maybe not something too special for Dan Brown fans.

I am sorry for all the readers, but I don't know where to begin.

Let me say at first that I'm not a big Dan Brown fan, but I read Angels & Demons with great pleasure. The book deals a lot with the eternal question of Science vs. Religion and that made me think a lot about that subject again. That big battle is totally lost in the movie.

A lot of the important lines in the book (CERN, Maximilian Kohler, the scepsis of the Swiss Guard, the love relationship between Robert and Vittoria, the Hassassin, the relationship between the Camerlengo and the pope) are lost in the movie screenplay. This makes the movie a very cut-down and over-simplified version.

Would the movie be any good if I hadn't read the book? I still doubt it. From scene 3 on, the movie is a 'chase-movie' without interruption. There is no time for contemplation or depth. No story-line, no backgrounds. It's just a chase movie in a GREAT decorum.

You would think that with a running time of about 140 minutes a movie is able to bring more. Much more.

Before seeing the sneak preview today of Angels & Demons, I cleared my mind of any uncertainties that might hold me back from enjoying it; the enormous amount of hatred towards Dan Brown, the fact that it was written by Dan Brown, and because Dan Brown's name is slapped on all of the posters. I went in with an open mind, and expected the worse, but instead what I got was a 2 and a half hour Roman cat and mouse game with Forrest Gump, and that is by all means good entertainment value.

The movie hangs loosely on the actual novel itself. Harvard symbologist Robert Langdon (Hanks) jets off to Rome after the Pope's sudden death and the re-election through Papal Conclave. Arranging all of this is the carmelengo, Patrick McKenna (McGregor). However, he soon learns of a new threat, one that involves a secret brotherhood making its presence known, an anti-matter time bomb that Vatican City is now targeted with and the kidnapping of four cardinals. Langdon, using his intellects (and trust me, you'll be hearing a LOT from it) is given the task of finding and rescuing them using the mysterious Path of Illumination. Aiding him on the quest is CERN scientist Vittoria Vetra (Zurer), who is also the co-creator of the anti-matter.

The movie itself runs at an uneven pace. One minute Langdon and the Swiss Guard are speeding to save a branded cardinal, the next minute he bores you with pointless information about every random object he passes, evidently slowing the book's much anticipated action/thriller sequences down. It makes for an interesting read on paper, but on screen it can go either way.

The character's are decently written onto the big screen. Ewan McGregor does a convincing performance as the quiet but knowledgeable Patrick McKenna, famous accent included. Tom Hanks is slightly more agile, intellectually and physically, since his last performance in the mediocre Da Vinci Code. Stellen Skarsgard plays Commander Richter, the straight-faced leader of the Swiss Guard. Unfortunately, neither his nor Ayelet Zurer's performance are worthwhile ones, and instead of playing a part in the story, they are just kicked aside as assets.

However, Angels & Demons accomplishes what DVC could never; a thrilling fast-paced movie filled with satisfying explosions, beautiful recreations of St. Peter's Square and Basilica (including many of the churches) and a pulsing bomb counting down the midnight hour. Ron Howard does a decent job at directing this second Langdon adventure, this time taking in much criticism and almost completely exchanging the boring dialogue for tense chases (almost).

While newcomers might call it a "National Treasure 3" with a much larger threat, there is still enough contagious suspense/thriller eye-candy and brilliant still shots of Rome to breathe in. Fans of the book might feel differently towards the movies drastic changes, but considering the amount of blasphemy and inaccuracy it generates, A&D does exceedingly well at keeping the viewer locked on to the screen this time rather than on their sleepy shoulder.

A good book-to-movie adaption that will both appeal and entertain.

7.4/10