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Angels & Demons (2009)

PG-13 | | Mystery, Thriller | 15 May 2009 (USA)
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Harvard symbologist Robert Langdon works with a nuclear physicist to solve a murder and prevent a terrorist act against the Vatican during one of the significant events within the church.

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1 win & 5 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Father Simeon
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Franklin Amobi ...
Cardinal Lamasse
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Cardinal Ebner
Bob Yerkes ...
Cardinal Guidera
Marc Fiorini ...
Cardinal Baggia (as Marco Fiorini)
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Storyline

Following the murder of a physicist, Father Silvano Bentivoglio, a symbolist, Robert Langdon, and a scientist, Vittoria Vetra, are on an adventure involving a secret brotherhood, the Illuminati. Clues lead them all around the Vatican, including the four altars of science, Earth, Air, Fire and Water. An assassin, working for the Illuminati, has captured four cardinals, and murders each, painfully. Robert and Vittoria also are searching for a new very destructive weapon that could kill millions. Written by XXDustfingerXX

Plot Summary | Plot Synopsis

Taglines:

Tell The World The Truth See more »

Genres:

Mystery | Thriller

Motion Picture Rating (MPAA)

Rated PG-13 for sequences of violence, disturbing images and thematic material | See all certifications »

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Details

Country:

|

Release Date:

15 May 2009 (USA)  »

Also Known As:

Obelisk  »

Box Office

Budget:

$150,000,000 (estimated)

Opening Weekend:

£6,054,627 (UK) (17 May 2009)

Gross:

$133,375,846 (USA) (2 August 2009)
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Company Credits

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Technical Specs

Runtime:

| (extended edition)

Sound Mix:

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Color:

Aspect Ratio:

2.39 : 1
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Did You Know?

Trivia

The papal helicopter is a Bell 222, the type formerly of Airwolf (1984) fame. See more »

Goofs

When the Cardinals are locked in the Sistine Chapel to vote for the new Pope, there is sunlight streaming into the room. In reality, sunlight is never allowed in the room and it is in fact kept in extremely low light as bright light would degrade the frescoes. See more »

Quotes

[first lines]
Narrator: The Ring of the Fisherman, which bears the official papal seal, must be destroyed immediately following the Pope's death. The papal apartment is then sealed for nine days of mourning, a period known as "Sede Vacante", the time of the empty throne.
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Crazy Credits

At the very beginning, when the Columbia girl is standing holding aloft the torch, it flickers like the anti-matter. See more »


Soundtracks

Introitus
from "Lux Aeterna"
Written by Morten Lauridsen
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Frequently Asked Questions

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User Reviews

 
Slicker and more entertaining than Da Vinci
16 June 2009 | by (United Kingdom) – See all my reviews

Symbologist Robert Langdon (Hanks) is called to Rome to help decipher the mystery behind the Illuminati before a new science experiment blows up the city.

The Da Vinci Code broke records in 2006 but for the vast majority of Dan Brown followers it did not do his award winning book justice and though running at a good 2 and a half hours, seemed to bore many.

Having read the book, I was perhaps one of the few who enjoyed Tom Hanks and Audrey Tautou attempt to solve the mystery of the murder in the Louvre but for Angels and Demons the scales were raised once more as lead star and director return.

Having asked around, most people seem to prefer Angels and Demons to The Da Vinci code for an entertaining read and it seems as critiques and fans, whilst still not fully justified, prefer this latest adaptation to the 2006 release.

This Howard picture certainly has a more clinical energy and exercise to it as unlike Da Vinci, Tom Hanks' Robert Langdon has only one night to solve the mysterious activities of the forgotten Illuminati in the Vatican and because of the time limitations, the action and desperation up the ante and deliver an excitement that certainly beats The Da Vinci code but also generates plenty of twists and stunning murder sequences.

The interesting factor of this 2009 release is the constant elements being justified for the murders. Earth, wind, water and fire are all included in drastic and powerful sequences to pronounce a feeling of overall power to the situation.

This really does justify the tag of thriller with a constant tension and sharp drama with the issues and beliefs once more given a full working over.

Just like 3 years ago, there are many debates and discoveries of symbols once believed to be lost forever and Langdon is again the key character to show everyone the light in and amongst the controversy of other pressing circumstances.

It is fair to say Dan Brown is a complex writer; he certainly likes to cram issues and dramas in amongst his action and thrilling sequences. As well as trying to discover the Illuminati, there is also the scenario of the election of a new pope, the dealings with a new scientific experiment and the power of Religion is again present. All interesting to discover and listen to, if occasionally the debates and dialogue tend to send your mind drifting but as there is so much in the novel, this was always likely.

Ron Howard, who kept a frankly ordinary type of direction rolling in Da Vinci, returns in perhaps the worst way possible. His jerky ever moving camera styling does nothing to keep the pressure up, and we can never fully accept what is happening on screen thanks to this frankly awfully portrayed style. He is certainly no Paul Greengrass and this is by no means Bourne.

Slick and stylized this is faster and more interesting than Da Vinci


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