A murder inside the Louvre and clues in Da Vinci paintings lead to the discovery of a religious mystery protected by a secret society for two thousand years -- which could shake the foundations of Christianity.
Following the murder of a physicist, Father Silvano Bentivoglio, a symbolist, Robert Langdon, and a scientist, Vittoria Vetra, are on an adventure involving a secret brotherhood, the Illuminati. Clues lead them all around the Vatican, including the four altars of science, Earth, Air, Fire and Water. An assassin, working for the Illuminati, has captured four cardinals, and murders each, painfully. Robert and Vittoria also are searching for a new very destructive weapon that could kill millions. Written by
In the previous film, Langdon remarks to Sophie Neuveu that perhaps she cured his claustrophobia by laying her hands upon him. It appears that she did so indeed, as in this movie Langdon is twice confined in a small, glass room with poor ventilation and seems un-fazed. He also seems fine when he needs to squeeze through a small alley between two very close walls in his search for the bomb. See more »
In the film Cardinal Strauss is referred to as the Great Elector, even if such a title doesn't exist in the hierarchy of the Catholic Church (though in the past it was a title which belonged to German Princes) . Nonetheless his role seems to be that of the Cardinale Decano, or Senior Cardinal (in the latest Conclave this title was held by Cardinal Joseph Ratzinger). The Cardinale Decano can be elected as Pope like any other Cardinal: there is no need of a special permission or authorization like in the film. However it is highly unlikely that this Cardinal is elected Pope, with the notable exception of the latest Conclave in April 2005, where the Cardinals chose just the Decano, Joseph Ratzinger, to be the future Pope Benedict XVI. See more »
The Ring of the Fisherman, which bears the official papal seal, must be destroyed immediately following the Pope's death. The papal apartment is then sealed for nine days of mourning, a period known as "Sede Vacante", the time of the empty throne.
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At the very beginning, when the Columbia girl is standing holding aloft the torch, it flickers like the anti-matter. See more »
I was at the premier of the movie last night in Rome. I am not an expert in the book, however there are a great deal of changes from the book to the movie. The pacing of this movie is much faster than the Davinci code. Many things were trimmed otherwise this would be a 4 hour movie. Many things were also changed to give the movie a fast pace. I think what matters is the feel of the movie and that works well for Hanks, Brown and company.
There are some things in the book that would appear very implausible in the movie form. I am not giving any spoilers, except to say the ending of the movie is handled in a slightly different way. How Leonardo Vetra was found is also different. Those who see the movie might be interested in reading the book to get the full details of the story. Some minor details are are also cut from the movie.
Although they did film in Rome, they had to recreate interior shots. Since I went on a walking tour of Rome the day before the movie I can say that the interior sites are authentic in look and feel. Kohler is not in the movie and not much is shown about CERN. Hanks does a good job and there are some interesting scenes involving the Vatican archives. Of course they had no access to that area and I am not sure if anyone actually knows what the Vatican archives look like. Eyelet Zurer has her break in this movie as Victoria Vetra and does a good job as eye candy for Hanks.
This movie should be received better by the critics and public, but you never know. Ron Howard mentioned several times in interviews and as we saw him and the cast before the movie, that this is just a movie.
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