A murder inside the Louvre and clues in Da Vinci paintings lead to the discovery of a religious mystery protected by a secret society for two thousand years -- which could shake the foundations of Christianity.
Following the murder of a physicist, Father Silvano Bentivoglio, a symbolist, Robert Langdon, and a scientist, Vittoria Vetra, are on an adventure involving a secret brotherhood, the Illuminati. Clues lead them all around the Vatican, including the four altars of science, Earth, Air, Fire and Water. An assassin, working for the Illuminati, has captured four cardinals, and murders each, painfully. Robert and Vittoria also are searching for a new very destructive weapon that could kill millions. Written by
The papal helicopter is a Bell 222, the type formerly of Airwolf (1984) fame. See more »
The equipment needed to store antimatter, and the quantity produced, is inconsistent with reality. Also, the Large Hadron Collider is not a particularly important instrument in antimatter research, and antimatter research is not an important part of the LHC's goals. However it is established in dialogue immediately that the antimatter-production experiment is an unauthorized piece of research well outside of the LHC's actual mission, and that the few researchers "in on it" are creating an exceptional new method for producing large quantities of antimatter. While this is not realistic, it's deliberate and established in the movie's fictional world. See more »
The Ring of the Fisherman, which bears the official papal seal, must be destroyed immediately following the Pope's death. The papal apartment is then sealed for nine days of mourning, a period known as "Sede Vacante", the time of the empty throne.
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At the very beginning, when the Columbia girl is standing holding aloft the torch, it flickers like the anti-matter. See more »
Gregorian Chant: Requiem Aeternam-Introitus (VI)
from "Liturgia Defunctorum, Missae Pro Defunctis"
Performed by Schola of the Hofburgkapelle, Vienna
Hubert Dopf S.J.
Courtesy of Decca Music Group Limited
Under license from Universal Music Enterprises See more »
Needless to say I left the theater pleased at the movie in it's entirety.
Where Da Vinci code introduced us to Dr. Robert Langdon and his knack for solving puzzles, Angels and Demons ups the ante by providing a huge puzzle with an 8 hour limit.
With a cast of award winning actors, Ron Howard does a good job of directing a story that was easy to follow and even easier to accept. The Da Vinci code threw so many angles at you in such a short time that a quick bathroom break would leave you a bit confused on return. I didn't feel this was with Angels and Demons, the plot was straight-forward and the action kept the interest level peaked throughout.
Cardinal Strauss (Armin Mueller-Stahl) was easily my favorite character in the movie. His portrayal of the elitist, yet misunderstood rank of the Catholic Church was very good and combined with the victim of his treatment Camerlengo Patrick McKenna (Ewan McGregor), you will find yourself choosing sides immediately upon introduction. There isn't a great amount of Tom Hanks time as the film focuses more on story than character development and this did well with me being that I had more than enough introduction from the first movie.
Unfortunately I found Ayelet Zurer's character Vittoria Vetra to be an unnecessary femme assistant in the quest since her lines were a bit limited and seemed much like an afterthought. She does play a key role in the beginning of things but she soon fades into the background of being Langdon's "familiar" more-so than a necessary partner.
The plot is as such, one of the organizations that the Catholic Church wronged in the past (there have been quite a few) has sought revenge in a most artistic manner. Some men of the church are kidnapped and are set to be executed at specific times until an ultimate end to the church itself will happen. Dr. Robert Landon is brought in to help decipher the clues and teams up with the beautiful Vittoria Vetra, a scientist who witnessed a colleague die at the hands of the church's enemy.
Music staying relevant and the cinematography beautiful, I could chime on about this menial things but what makes Angels and Demons absolutely work is it's conclusion. It was by far one of the most amazingly surprising endings I have seen in a movie and I was impressed at how off-guard I was when it hit me. Like anyone else I appreciate a great wrap-up and this movie wraps it up quite tight and drops a pretty bow on it. Needless to say I left the theater pleased at the movie in it's entirety.
If you are religious and unsure if this movie will offend your Catholic principles. I can say that where The DaVinci code painted Catholicism as a shady cover-up group of sadists, Angels and Demons paints them with a much lighter brush. The church is shown as being a collective of good men who are made to suffer for the sins of evil and misguided men who wore their colors and even a few who have infiltrated their modern ranks.
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