A murder inside the Louvre and clues in Da Vinci paintings lead to the discovery of a religious mystery protected by a secret society for two thousand years -- which could shake the foundations of Christianity.
Following the murder of a physicist, Father Silvano Bentivoglio, a symbolist, Robert Langdon, and a scientist, Vittoria Vetra, are on an adventure involving a secret brotherhood, the Illuminati. Clues lead them all around the Vatican, including the four altars of science, Earth, Air, Fire and Water. An assassin, working for the Illuminati, has captured four cardinals, and murders each, painfully. Robert and Vittoria also are searching for a new very destructive weapon that could kill millions. Written by
This movie became the first big-screen casualty of the Hollywood writer's strike in 2007, because Akiva Goldsman's script still needed work, and he was on strike with the Writers Guild of America. So, production of the movie had to be postponed. See more »
As Langdon enters the Vatican Archives for the second time, Chartrand refers to Olivetti as "Commander Olivetti," even though he was introduced as "Captain Olivetti" earlier in the movie and Richter is supposed to be the commander of the Swiss Guard. See more »
The Ring of the Fisherman, which bears the official papal seal, must be destroyed immediately following the Pope's death. The papal apartment is then sealed for nine days of mourning, a period known as "Sede Vacante", the time of the empty throne.
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At the very beginning, when the Columbia girl is standing holding aloft the torch, it flickers like the anti-matter. See more »
I am sorry for all the readers, but I don't know where to begin.
Let me say at first that I'm not a big Dan Brown fan, but I read Angels & Demons with great pleasure. The book deals a lot with the eternal question of Science vs. Religion and that made me think a lot about that subject again. That big battle is totally lost in the movie.
A lot of the important lines in the book (CERN, Maximilian Kohler, the scepsis of the Swiss Guard, the love relationship between Robert and Vittoria, the Hassassin, the relationship between the Camerlengo and the pope) are lost in the movie screenplay. This makes the movie a very cut-down and over-simplified version.
Would the movie be any good if I hadn't read the book? I still doubt it. From scene 3 on, the movie is a 'chase-movie' without interruption. There is no time for contemplation or depth. No story-line, no backgrounds. It's just a chase movie in a GREAT decorum.
You would think that with a running time of about 140 minutes a movie is able to bring more. Much more.
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