A murder inside the Louvre and clues in Da Vinci paintings lead to the discovery of a religious mystery protected by a secret society for two thousand years -- which could shake the foundations of Christianity.
Michael returns home from military school to find his mother happily in love and living with her new boyfriend. As the two men get to know each other, he becomes more and more suspicious of the man who is always there with a helpful hand.
Four mathematicians who do not know each other are invited by a mysterious host on the pretext of resolving a great enigma. The room in which they find themselves turns out to be a ... See full summary »
Following the murder of a physicist, Father Silvano Bentivoglio, a symbolist, Robert Langdon, and a scientist, Vittoria Vetra, are on an adventure involving a secret brotherhood, the Illuminati. Clues lead them all around the Vatican, including the four altars of science, Earth, Air, Fire and Water. An assassin, working for the Illuminati, has captured four cardinals, and murders each, painfully. Robert and Vittoria also are searching for a new very destructive weapon that could kill millions. Written by
In the end scene, Professor Langdon makes the comment that there have been multiple Marks and Johns in Papal history. In reality, there has been only one Pope remotely named Mark (Marcus 18 January 336
7 October 336). While there have been multiple popes named Marcellus, they would not have been referred to as Mark.
The Ring of the Fisherman, which bears the official papal seal, must be destroyed immediately following the Pope's death. The papal apartment is then sealed for nine days of mourning, a period known as "Sede Vacante", the time of the empty throne.
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Gregorian Chant: Requiem Aeternam-Introitus (VI)
from "Liturgia Defunctorum, Missae Pro Defunctis"
Performed by Schola of the Hofburgkapelle, Vienna
Hubert Dopf S.J.
Courtesy of Decca Music Group Limited
Under license from Universal Music Enterprises See more »
Despite its obvious flaws, A&D is surprisingly good.
Before seeing the sneak preview today of Angels & Demons, I cleared my mind of any uncertainties that might hold me back from enjoying it; the enormous amount of hatred towards Dan Brown, the fact that it was written by Dan Brown, and because Dan Brown's name is slapped on all of the posters. I went in with an open mind, and expected the worse, but instead what I got was a 2 and a half hour Roman cat and mouse game with Forrest Gump, and that is by all means good entertainment value.
The movie hangs loosely on the actual novel itself. Harvard symbologist Robert Langdon (Hanks) jets off to Rome after the Pope's sudden death and the re-election through Papal Conclave. Arranging all of this is the carmelengo, Patrick McKenna (McGregor). However, he soon learns of a new threat, one that involves a secret brotherhood making its presence known, an anti-matter time bomb that Vatican City is now targeted with and the kidnapping of four cardinals. Langdon, using his intellects (and trust me, you'll be hearing a LOT from it) is given the task of finding and rescuing them using the mysterious Path of Illumination. Aiding him on the quest is CERN scientist Vittoria Vetra (Zurer), who is also the co-creator of the anti-matter.
The movie itself runs at an uneven pace. One minute Langdon and the Swiss Guard are speeding to save a branded cardinal, the next minute he bores you with pointless information about every random object he passes, evidently slowing the book's much anticipated action/thriller sequences down. It makes for an interesting read on paper, but on screen it can go either way.
The character's are decently written onto the big screen. Ewan McGregor does a convincing performance as the quiet but knowledgeable Patrick McKenna, famous accent included. Tom Hanks is slightly more agile, intellectually and physically, since his last performance in the mediocre Da Vinci Code. Stellen Skarsgard plays Commander Richter, the straight-faced leader of the Swiss Guard. Unfortunately, neither his nor Ayelet Zurer's performance are worthwhile ones, and instead of playing a part in the story, they are just kicked aside as assets.
However, Angels & Demons accomplishes what DVC could never; a thrilling fast-paced movie filled with satisfying explosions, beautiful recreations of St. Peter's Square and Basilica (including many of the churches) and a pulsing bomb counting down the midnight hour. Ron Howard does a decent job at directing this second Langdon adventure, this time taking in much criticism and almost completely exchanging the boring dialogue for tense chases (almost).
While newcomers might call it a "National Treasure 3" with a much larger threat, there is still enough contagious suspense/thriller eye-candy and brilliant still shots of Rome to breathe in. Fans of the book might feel differently towards the movies drastic changes, but considering the amount of blasphemy and inaccuracy it generates, A&D does exceedingly well at keeping the viewer locked on to the screen this time rather than on their sleepy shoulder.
A good book-to-movie adaption that will both appeal and entertain.
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