A murder inside the Louvre and clues in Da Vinci paintings lead to the discovery of a religious mystery protected by a secret society for two thousand years -- which could shake the foundations of Christianity.
Join Simon Cox, author of the international best-selling "Illuminating Angels & Demons," as he and eleven additional noted authorities take you on an in depth journey to uncover a plan for ... See full summary »
Following the murder of a physicist, Father Silvano Bentivoglio, a symbolist, Robert Langdon, and a scientist, Vittoria Vetra, are on an adventure involving a secret brotherhood, the Illuminati. Clues lead them all around the Vatican, including the four altars of science, Earth, Air, Fire and Water. An assassin, working for the Illuminati, has captured four cardinals, and murders each, painfully. Robert and Vittoria also are searching for a new very destructive weapon that could kill millions. Written by
Hans Zimmer's end credits track, "160 BPM", is based on his music from _"First Born" (1988)_ qv. See more »
In the beginning of the movie, we saw the Ring of the Fisherman of the dead pope, inscribed with his name: "PIUS XVI". However, the inscription should be done in Latin style, which uses "V" instead of "U". Thus the correct inscription should read "PIVS XVI". The Latin style of writing is evident in the Ring of the Fisherman worn by real-life Pope Benedict XVI, which is inscribed "BENEDICTVS XVI". See more »
The Ring of the Fisherman, which bears the official papal seal, must be destroyed immediately following the Pope's death. The papal apartment is then sealed for nine days of mourning, a period known as "Sede Vacante", the time of the empty throne.
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Gregorian Chant: Requiem Aeternam-Introitus (VI)
from "Liturgia Defunctorum, Missae Pro Defunctis"
Performed by Schola of the Hofburgkapelle, Vienna
Hubert Dopf S.J.
Courtesy of Decca Music Group Limited
Under license from Universal Music Enterprises See more »
I was at the premier of the movie last night in Rome. I am not an expert in the book, however there are a great deal of changes from the book to the movie. The pacing of this movie is much faster than the Davinci code. Many things were trimmed otherwise this would be a 4 hour movie. Many things were also changed to give the movie a fast pace. I think what matters is the feel of the movie and that works well for Hanks, Brown and company.
There are some things in the book that would appear very implausible in the movie form. I am not giving any spoilers, except to say the ending of the movie is handled in a slightly different way. How Leonardo Vetra was found is also different. Those who see the movie might be interested in reading the book to get the full details of the story. Some minor details are are also cut from the movie.
Although they did film in Rome, they had to recreate interior shots. Since I went on a walking tour of Rome the day before the movie I can say that the interior sites are authentic in look and feel. Kohler is not in the movie and not much is shown about CERN. Hanks does a good job and there are some interesting scenes involving the Vatican archives. Of course they had no access to that area and I am not sure if anyone actually knows what the Vatican archives look like. Eyelet Zurer has her break in this movie as Victoria Vetra and does a good job as eye candy for Hanks.
This movie should be received better by the critics and public, but you never know. Ron Howard mentioned several times in interviews and as we saw him and the cast before the movie, that this is just a movie.
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