Meduzot (the Hebrew word for Jellyfish) tells the story of three very different Israeli women living in Tel Aviv whose intersecting stories weave an unlikely portrait of modern Israeli life... See full summary »
Or shoulders a lot: she's 17 or 18, a student, works evenings at a restaurant, recycles cans and bottles for cash, and tries to keep her mother Ruthie from returning to streetwalking in Tel... See full summary »
Zaza is a 31-year old Israeli bachelor, handsome and intelligent, and his family wants to see him married. But tradition dictates that Zaza has to choose a young virgin. She must be ... See full summary »
As a family from India moves in to a desert neighborhood in Southern Israel in the 1960's, the family's eldest, beautiful daughter discovers friendship and romance with the lovely local ... See full summary »
Everything is complicated in Yoni's life. He's almost 13, real gifted, but physically undeveloped and struggles daily to grow up before his threatening up-coming Bar Mitzva; He sells ... See full summary »
Self Made tells the story of two women - one Israeli, the other Palestinian- who are trapped within their respective worlds. After a mix-up at a checkpoint, they find themselves living the ... See full summary »
Meduzot (the Hebrew word for Jellyfish) tells the story of three very different Israeli women living in Tel Aviv whose intersecting stories weave an unlikely portrait of modern Israeli life. Batya, a catering waitress, takes in a young child apparently abandoned at a local beach. Batya is one of the servers at the wedding reception of Keren, a young bride who breaks her leg in trying to escape from a locked toilet stall, which ruins her chance at a romantic honeymoon in the Caribbean. One of the guests is Joy, a Philippine chore woman attending the event with her employer, and who doesn't speak any Hebrew (she communicates mainly in English), and who is guilt-ridden after having left her young son behind in the Philippines. Written by
This film is an elegant, simply told, and uplifting look at ordinary life. Although it relates the problems of the cast of main characters at different stages in their various lives, it does so with many small touches of humour, which lifts the mood along the way. Above all, expect a good, tight, literary script, which manages to weave together the disparate story lines to make a convincing whole. I saw this at the Dublin Film Festival, and I hope very strongly that it makes it to general release in Ireland and the UK. There are a lot of inferior art-house films which get distributed because they have big names behind them. However, Jellyfish, I think, shows you can have the serious and thoughtful, but in a lighter package.
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