Meduzot (the Hebrew word for Jellyfish) tells the story of three very different Israeli women living in Tel Aviv whose intersecting stories weave an unlikely portrait of modern Israeli life... See full summary »
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Meduzot (the Hebrew word for Jellyfish) tells the story of three very different Israeli women living in Tel Aviv whose intersecting stories weave an unlikely portrait of modern Israeli life. Batya, a catering waitress, takes in a young child apparently abandoned at a local beach. Batya is one of the servers at the wedding reception of Keren, a young bride who breaks her leg in trying to escape from a locked toilet stall, which ruins her chance at a romantic honeymoon in the Caribbean. One of the guests is Joy, a Philippine chore woman attending the event with her employer, and who doesn't speak any Hebrew (she communicates mainly in English), and who is guilt-ridden after having left her young son behind in the Philippines. Written by
Nothing is what it seems and that's why this film rocks
Nikol Leidman is spectacular. Near the beginning of Meduzot, she plays a 5-year-old girl who walks out of the Mediterranean Sea onto a Tel Aviv beach wearing a flotation device around her waist. She may as well be naked. She doesn't speak but her wide-open and captivating eyes convey all that needs to be said.
The girl befriends Batia, a 20-something woman with family problems, a job she hates, and a forgotten past. Social rules don't apply to Batia and the girl, as even the police don't place missing children on their list of priorities.
One day, Batia literally runs into Joy, a Filipino woman who speaks English but is learning Hebrew while freelancing as a caregiver. Joy tries to help Malka recover from a hospital stay but Malka appears mean but that's only because of her relationship with her daughter. Nothing's what it seems.
The hospital where Malka stayed is also where Keren was treated after she slammed her leg into the bathroom floor when trying to climb over a locked toilet stall on her wedding night. She and her new husband Michael stay at the famous Dan Hotel but the only beach-facing suite is taken by a mysterious woman who is writing a novel. Or is she? Walking out of the movie theater, I thought a lot about Meduzot and the translucent nature of jellyfish. The husband-and-wife filmmakers could have provided extra footage and explained more connections between the characters and put questions to rest with who the girl from the sea really is, but why spoil anything? I liked it fine the way it was.
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