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Farewell (2009)
"L'affaire Farewell" (original title)

7.0
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Ratings: 7.0/10 from 4,971 users   Metascore: 74/100
Reviews: 29 user | 71 critic | 25 from Metacritic.com

The French intelligence service alerts the U.S. about a Soviet spy operation during the height of the Cold War, which sets off an unfortunate chain of events.

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Cast

Credited cast:
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Femme jogging
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Jessica Froment
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Pierre Froment
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Hutton
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Sergei Gregoriev
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Vallier
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Natasha
Alex Ferns ...
Agent écossais 1
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Finnish border guard
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KGB Agent
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Alina
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Storyline

In 1985, Sergei Gregoriev, a Soviet colonel, wants to force his nation to reform, so he leaks secret information to the West. He picks an unlikely contact, a Pierre Froment, French nebbish in the diplomatic corps. Gregoriev keeps a lot of balls in the air - a marriage, a teen son he's trying to bond with, a mistress who's a colleague at work; his tradecraft is equally reckless. Meanwhile, Froment keeps his spy work secret from his German wife, and Mitterrand uses Gregoriev's information to make France indispensable to Reagan and his government. When Gregoriev leaks a list of key Soviet moles and spies, Gorbachev is left without secret intelligence. Will Gregoriev get what he wants? Written by <jhailey@hotmail.com>

Plot Summary | Plot Synopsis

Taglines:

Secrets have the power to change the course of history.

Genres:

Drama | Thriller

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Details

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Release Date:

23 September 2009 (France)  »

Also Known As:

Farewell  »

Filming Locations:

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Box Office

Budget:

€17,500,000 (estimated)
 »

Company Credits

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Technical Specs

Sound Mix:

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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Alexander Avdeev (Russian ambassador in France who became Russian Culture Minister and who had been expelled from France in 1983 because of Farewell) blocked most Russian actors to play in this movie, including Sergey Makovetskiy and Nikita Mikhalkov, because he did not want to back a movie about a Russian traitor. He also blocked authorizations to film in Moscow, while most of the plot takes place in Moscow. Christian Carion had to pretend to film a Coca Cola advertisement for the few images of the city. See more »

Goofs

There is a picture of General Secretary L.Breznev on the wall in the border crossing office. Actually the General Secretary was Andropov or Chernenko in that time. See more »

Connections

Features The Man Who Shot Liberty Valance (1962) See more »

Soundtracks

Bohemian Rhapsody
Written by Freddie Mercury
Performed by Queen
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User Reviews

 
"Farewell"
28 September 2010 | by (United Kingdom) – See all my reviews

FAREWELL is an elegant depiction of Cold War espionage based on true events that proved catalytic to the demise of the Soviet Union. Pierre Froment (Guillame Canet), a French businessman who is 'above suspicion' due to his amateur status, is compelled to deliver high level intelligence from reckless, disillusioned KGB veteran Sergei Grigoriev (Emir Kusturica) to Reagan's cabinet via François Mitterrand, thereby crippling Soviet intelligence.

Whilst Froment and Grigoriev convincingly resemble weary bureaucrats, scenes in the White House lack credibility - perhaps an attempt at satire by Carion, they are nevertheless rendered redundant by the sombre refinement of the film. Cultural boundaries between East and West deliver brief comic reprieve, and signal the imminent disintegration of an already stagnant regime.

Suffused with nostalgia, we observe Brezhnev-era Moscow cast in the lurid yellow light of street-lamps, or bleached white by lens flare, with an effortless attention to detail - Muscovites stand in endless queues on street corners as Soviet vehicles roam empty boulevards flanked by Socialist realist statues. Subterranean scenes add a noir aesthetic, reflecting the shades of deception throughout - in the words of Grigoriev; "I live in lies and solitude".

Kusturica gives a shatteringly affecting performance, conveying Grigoriev's wistful patriotism and hope for his son's future with a rare eloquence. Carion creates real suspense and accommodates subtle plot twists, but there are no cheap thrills here- the film defies the brash conventions of its genre. Understated, fluid camera-work and dedicated performances deliver a film of classic style and depth. 5 out of 5

Cambridge Film Festival Daily


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