Páll is an artistic and sensitive young man. Getting dumped by his girlfriend, Dagny, triggers his descent into madness. We follow him on his way to inevitable doom; at home with his ... See full summary »
Set in modern day Iceland, an immigrant vows revenge after losing his unborn child in an attack by a crime syndicate, thereby binding his fate with a troubled policewoman, her corrupt police commander, and a crime lord who's losing his edge.
Olaf de Fleur Johannesson
Ágústa Eva Erlendsdóttir,
Ingvar Eggert Sigurðsson
Karitas is a single mother of four who desperately tries to make ends meet. Fighting a losing battle with her ex-husband for custody over her three daughters, she's oblivious to what's ... See full summary »
Gísli Örn Garðarsson,
Nína Dögg Filippusdóttir,
Ólafur Darri Ólafsson
The crew on board the fishing vessel Undercurrent RE 29 has become uncomfortably numb with its never ending routine of week long tours at sea. Then, during one dark and dreary night this ... See full summary »
Ingvar Eggert Sigurðsson,
Nína Dögg Filippusdóttir,
Björn Hlynur Haraldsson
Old Thorgeir must leave his home far off in the Icelandic 'countryside' and move into a home for senior citizens in Reykjavik. There he meets an old friend from his childhood, Stella. ... See full summary »
Örn's daughter is dead because of a rare genetic disease. By this time Erlendur has to find Holdeberg's killer. He has to find out what happened 30 years ago and to connect it with his case and he has another problem...His relationships with his daughter. Written by
Well-crafted police thriller with more than most of the genre.
Inspector Erlendur (Ingvar E. Sigurðsson) has to investigate a "messy and pointless" murder. A dirty old man has had his head bashed in in his flat. "Typical Icelandic", he thinks.
Iceland just touches the Arctic circle. It's a long way from anywhere else. It is grey and gritty, spectacular and melancholy, buffeted by blasts of wind, snow and steam. Against this background Erlendur doggedly untangles the connections and the crimes of the past, digging up corpses and secrets shameful or tragic. Landscape and society alike are revealed and commented on, drily and laconically.
Being based on a novel by Iceland's most successful crime writer, the characters are as well known to the home audience as Rebus, for instance, is in Britain, and carry enough of the baggage of real life to make them credible and sympathetic. There are visual themes of burials and exhumations, post-mortems, pathology labs and fast food, and a sound track of male voices shading into electronic moans and growls, which in turn dissolve into the wind. It's a very well-constructed package, which is thought provoking, gruesome, touching and funny, and it's certainly worth seeing.
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