Acting under the cover of a Hollywood producer scouting a location for a science fiction film, a CIA agent launches a dangerous operation to rescue six Americans in Tehran during the U.S. hostage crisis in Iran in 1980.
In this comedy, Lars Lindstrom is an awkwardly shy young man in a small northern town who finally brings home the girl of his dreams to his brother and sister-in-law's home. The only problem is that she's not real - she's a sex doll Lars ordered off the Internet. But sex is not what Lars has in mind, but rather a deep, meaningful relationship. His sister-in-law is worried for him, his brother thinks he's nuts, but eventually the entire town goes along with his delusion in support of this sweet natured boy that they've always loved. Written by
The "Real Doll" was featured on The Graham Norton Effect (2004). The doll was given to the show and was stated as costing $6,000. She arrived in the same kind of crate that is shown in the movie. To test how real the doll looked they sat her in a bar with drink in hand, sunglasses and a speaker placed on her so they could talk to whomever came up to talk to the doll. One man was told to go into the bathroom, take off his pants and wait for her. He did. See more »
At the party, when the host puts on a vinyl record, she drops the needle on the first track on the side. But the song that comes out of the speakers is "This Must Be The Place (Naive Melody), which is the last song on the Talking Heads album, "Speaking in Tongues." As the last track, it would appear closest to the center of the album, rather than at the outside edge where the needle is placed. In fact, it has never appeared as the lead-off track on any vinyl album. See more »
Have there been any changes in the family in the last year or so?
[while Karin simultaneously nods "Yes"]
No, everything is pretty much exactly the same except Karin is pregnant and Lars is nuts.
You know, this isn't necessarily a bad thing. What we call mental illness isn't always just an illness. It can be a communication; it can be a way to work something out.
Fantastic. When will it be over?
When he doesn't need it anymore.
How can we help?
Go along with it.
Oh, no. No, that's... No.
[...] See more »
Genius of Love
Written by Adrian Belew, Chris Frantz (as Christopher Frantz), Steven JC Stanley and Tina Weymouth
Performed by Tom Tom Club
Courtesy of Sire Records
By Arrangement with Warner Music Group Film & TV Licensing
Courtesy of the Island Def Jam Music Group
Under license from Universal Music Enterprises and by arrangement with Metered Music Inc. See more »
Lo and behold, a film that still believes in simple human kindness.
There's been a severe lack of that on our movie and television screens lately, which is why I found "Lars and the Real Girl" utterly irresistible. I imagine this is the kind of movie that's either going to work for you or it's not. I can guarantee that if you go into it and pick apart all the ways in which it's not realistic, you're not going to enjoy it.
Ryan Gosling has rocketed to the top of the list of my favorite contemporary actors. He's given two of the best performances in the last two years: here in "Lars" and last year in "Half Nelson." The success of "Lars and the Real Girl" depends almost entirely on Gosling's ability to sell this character to the audience, and he does so flawlessly. Lars is a sweet teddy bear of a man who also happens to be intensely lonely. He orders a life-size and anatomically correct sex doll and proceeds to make a companion of her, taking her to parties, to church, to family dinners. A psychiatrist (a marvelous, as usual, Patricia Clarkson) tells the family that the best thing they can do for Lars is to encourage his delusion until he works through whatever is causing it; they relay that to the townspeople, who take it to heart. As a result, Lars's "girlfriend" is completely accepted by the town, and even gets elected to the school board.
Ultimately, "Lars" probably isn't very realistic, but isn't it nice to think it could be? That a group of people could be this warm, kind and accepting, simply because they happen to like somebody and want to see him get better. The film is full of wonderful performances from everyone. In addition to Gosling and Clarkson, Emily Mortimer shines as Lars's caring and worried sister-in-law.
It really irritates me that critics were divided on this movie on the basis of it pushing the boundaries of credibility, when they almost unanimously praised "Gone Baby Gone," a film so melodramatic and heavy handed as to be no less implausible, and that goes down as two of the most unpleasant hours I've spent in a movie theatre for a long time. Has our culture now decided that a film about good kind people is too unrealistic to stomach, and that the only movies that ring true are ones about human depravity?
So far, "Lars and the Real Girl" is one of my favorite films of the year.
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