| Videos (see all 2) |
| Rebecca Palmer | ... | Anne | |
| Ben Price | ... | Chris | |
| Tom Frederic | ... | Michael | |
| J.J. Straub | ... | Ranger | |
| Kurt Rauscher | ... | Forest Worker 1 | |
| Johann Daiminger | ... | Forest Worker 2 | |
| Christian Heiner Wolf | ... | Policeman 1 | |
| Maximilian Boxrucker | ... | Policeman 2 |
Directed by | |||
| Robert Krause | |||
Writing credits | ||
| Robert Krause | & | |
| Florian Puchert | ||
| Kai Schneppel | (idea) & | |
| Robert Krause | (idea) | |
Produced by | |||
| Florian Puchert | .... | junior producer | |
| Oliver Simon | .... | producer | |
Original Music by | |||
| Ben Bartlett | (music by) | ||
Cinematography by | |||
| Ralf Noack | (director of photography) | ||
Film Editing by | |||
| Wolfgang Böhm | |||
| Richard Krause | |||
Casting by | |||
| Carrie Hilton | |||
| Tamara Notcutt | (as Tamara-Lee Notcutt) | ||
Production Design by | |||
| Kurt Rauscher | |||
Costume Design by | |||
| Ines Burisch | |||
Makeup Department | |||
| Birgit Neumaier | .... | makeup artist | |
| Thommy Opatz | .... | special makeup effects artist | |
Production Management | |||
| Rüdiger Dill | .... | production manager | |
| Kirstin Kullik | .... | post-production supervisor | |
| Julia Schöning | .... | assistant production manager | |
Second Unit Director or Assistant Director | |||
| Sabine Kargesmeier | .... | first assistant director | |
Art Department | |||
| Benjamin Kniebe | .... | storyboard artist | |
Sound Department | |||
| Hubert Bartholomae | .... | re-recording | |
| Hubert Bartholomae | .... | sound editor | |
| Pit Kuhlmann | .... | sound editor | |
| Daniel Szymanski | .... | sound assistant | |
| Alexander Theodossiadis | .... | foley artist | |
| Alexander Theodossiadis | .... | production sound mixer | |
| Alexander Theodossiadis | .... | sound editor | |
Visual Effects by | |||
| Holger Wenzel | .... | animation | |
| Holger Wenzel | .... | digital matte painting | |
Stunts | |||
| Ferdinand Fischer | .... | stunts | |
| Valerija Korez | .... | stunts: mountainbike | |
| Gernot Merkel | .... | additional stunts: mountainbike | |
| Julian Mothes | .... | additional stunts: mountainbike | |
| Markus Pütterich | .... | stunt coordinator | |
| Markus Reiser | .... | additional stunts: mountainbike | |
| Patrick Tschigg | .... | stunts: mountainbike | |
Camera and Electrical Department | |||
| Joel Andrade | .... | photographer | |
| Yenner Arikan | .... | gaffer (as Yener Arikan) | |
| Klaus Hackl | .... | still photographer | |
| Florian Langanke | .... | gaffer | |
| Stefan Preilowski | .... | gaffer | |
| Neil Schulte | .... | camera assistant | |
Costume and Wardrobe Department | |||
| Patricia Royo | .... | costume consultant | |
Editorial Department | |||
| Peter Deinas | .... | color grading | |
| Peter Deinas | .... | post-production | |
| Christina Schulz | .... | assistant editor | |
Transportation Department | |||
| Johann Daiminger | .... | driver | |
| Klaus Hackl | .... | driver | |
| Anton Hanselbauer | .... | motorcycle driver | |
| Andreas Hertle | .... | motorcycle driver | |
Other crew | |||
| Sabine Bentenrieder | .... | assistant to producer | |
| Karoline Gallasz | .... | script consultant: Freex | |
| Sebastian Geissler | .... | set manager | |
| Benedikt Greiner | .... | set runner | |
| Melanie Hahndorf | .... | first location manager | |
| Christian Holzner | .... | location coordinator | |
| Christian Holzner | .... | making-of | |
| Ines Kardetzky | .... | assistant set manager | |
| Elisabeth Karsten | .... | script consultant: Storydocs Berlin | |
| Lars Klemm | .... | bike model: poster | |
| Thorsten Kuegler | .... | title designer (as Thorsten Kügler) | |
| Walter Költsch | .... | location scout | |
| Ben Lucchesi | .... | production coordinator | |
| Morlind Pohlmann | .... | second location manager | |
| Romana Schick | .... | production accountant | |
| Julia Schöning | .... | making-of | |
| Sebastian Voppmann | .... | assistant production office | |
| Verena Weese | .... | script consultant: Storydocs Berlin | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb Germany section |
"Blood Trails" is truly a mixed bag and I honestly can't decide whether I should be harsh or mild in my user comment. On one hand, it's an admirably tense nowadays horror flick with brutal gore, lovely filming locations and identifiable main characters, but on the other hand it serves cliché after cliché as well as a banquet of stupid & illogical twists. I liked the realism of the character drawings. Anne and Michael are going through a severe relationship crises and decide to head out to their favorite holiday resort; a cabin surrounded by thick woods where they can practice their common hobby of mountain biking. But there's more. Brief flashbacks indicate that Anne had a one-night-stand with a rude cop, and when he suddenly appears on his mountain bike as well, a cruel & bloody chase through the woods begins. The first half hour of "Blood Trails" is really good, showing Anne struggling with her inner demons and the flashbacks gradually revealing what psycho her one night lover was. The film also features the extremely vile and presumably unique murder-by-bike sequence! Just in case you always wondered how you can slice someone's carotid artery using only a bike, this is your movie! Okay, so far we had amiable characters and impressive bloodshed, but unfortunately the movie then becomes pretty bad & irritating. How the deranged killer managed to exactly trace the couple, I'm still prepared to overlook, but Anne then makes so many stupid decisions that she almost deserves to die. Why didn't she at least try to wait wait for her rescuers atop the mountain, since they were just a couple of minutes away? Doesn't she realize she's the one acting like an escaped crazy woman when she meets the woodchoppers? Why stop and thoroughly study the road map when you can drive far away from the forest? The last twenty minutes are dreadfully boring, and a very shameless attempt to cash in on the success of torture-porn highlights like "Saw" and "Hostel", with the demented killer patiently explaining to Anne why exactly he's so looking forward to kill her. "Blood Trails" was shot and produced in Germany, but promoted for the international market. Director Robert Krause is a German as well, and this film is his long-feature debut after two acclaimed short movies. The make-up effects are quite impressive and definitely not intended for the eyes of squeamish, but a slightly more coherent narrative and more logical twists would still have been better.