Long ago in the Iron Age a shadow loomed over a lonely village. For generations the village youths are stolen from their families and delivered as sacrifice to a mythical beast - the ... See full summary »
Michelle Van Der Water,
Londoner Adam Jones is stuck in a dead end job; lives alone with his cat and spends his free time obsessing over the latest conspiracy theories on the Internet. Taking an experimental drug ... See full summary »
Timely yet terrifying, The Flood predicts the unthinkable. When a raging storm coincides with high seas it unleashes a colossal tidal surge, which travels mercilessly down England's East ... See full summary »
Ray 'Harley' Davidson is a hustler. With flash clothes and a fast mouth, Harley lives life in the fast lane. With his passion for all things gambling, money runs like water through Harley's... See full summary »
Unlikely friends in a melting pot of confusion. Simon Murray fights for the French Foreign Legion. Pascal Dupont fights for himself. War torn men question honour, hope, morality...because you can desert everything...except yourself.
Re-formed by a coded message to their web site, a group of animal rights activists set off to free an imprisoned colleague from a terrifying ordeal. Their rescue mission leads them to a ... See full summary »
In the Yorkshire Dales, a group of scientists receive radio signals from the Andromeda Galaxy. Once decoded, these give them a computer program that can design a human clone. One physicist ... See full summary »
Sex and love. Some seek it, some need it, some spurn it and some pay for it, but we're all involved in it. Set on one afternoon on Hampstead Heath, London, the film investigates the minutiae of seven couples. What makes us tick?
A series of deaths have started occurring in New York; Some are being found mutilated while others have an equation wÎ"z = Cov (w,z) = ÃwzVz carved onto their skin. As police investigate they discover each victim was forced to choose between sacrificing their own life or a loved ones' life. Before long it becomes clear that this perpetrator has suffered just such a similar fate...so now is coping by seeking a way of solving this philosophical enigma, can Captain Maclean and his officers such as Eddie Argo and his new partner Helen Westcott stop this suspect, because he/she won't not until he/she gets to the end of this equation. Written by
The sets made in Belfast to simulate New York City were built in under two weeks time. See more »
At about 49 minutes in, in a scene at the police station, a sticker on a file cabinet reads "COUNTRY; 98.8 KSRS". FM stations in the US only advance in odd 10ths (such as 98.1, 98.3, etc). Also, KSRS is a radio station in Roseburg, Oregon...not exactly New York City. See more »
When taking a chance on a sight-unseen, used DVD, my expectations are usually fairly reflective of the few bucks I shell out for it. "The Killing Gene," while boasting a fine cast, struck me as nothing more than another blurb-happy, sledgehammer obvious entry in the Dimension 'Extreme' line of hit-or-miss horrors. After having watched it, all I can say is...holy hell. Obviously targeting the audiences that made "Saw" and "Hostel" the New Torture Vanguard (one of the box blurbs directly references the former, not without accuracy), "The Killing Gene"--despite some transparently derivative elements pulled from the genre--comes very close to trouncing its competition. Remember that moment near the end of "Saw" when Cary Elwes does the unthinkable with the titular tool? Well, imagine that degree of gritty intensity stretched out over the course of 102 nerve-shredding minutes, and you have a good idea of what to expect here. Stellan Skarsgard (bearing an uncanny resemblance to Donald Pleasence) plays a homicide detective investigating a string of torture-murders with novice cop Melissa George; suspicions are running that the killer is targeting a group of vile gang members out of revenge for an equally hideous crime (which I won't reveal here; it's a truly horrifying scene). Clive Bradley's script doesn't use the torture angle as a mere marketable throwaway, nor does it treat the characters as meat for the machine; there is a surprising amount of development here, to the point where our sympathies and doubts become one and the same. From a visual standpoint, director Tom Shankland ("The Children") uses jerky digital video and claustrophobic close-ups to convey a sense of urgency within a decaying urban nightmare from which all hope has been drained (this could very well be the most squalid metropolis since David Fincher's "Se7en"). As an unapologetic, unashamed horror fan, I often find myself sitting through garbage that isn't worth the DVD it's pressed on, which makes something like "The Killing Gene" all the more refreshing. Yes, there are some parts you'll feel as though you've seen before; but damned if the overall experience doesn't leave you shaken and adequately disturbed afterward. (It also bears noting that this R-rated film contains some of the most unglamorous, boundary-pushing violence in recent memory.)
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