The daughter of a brilliant but mentally disturbed mathematician, recently deceased, tries to come to grips with her possible inheritance: his insanity. Complicating matters are one of her father's ex-students who wants to search through his papers and her estranged sister who shows up to help settle his affairs.
Jack is caught with the wife of his employer, a Vegas thug. The thug sends goons after Jack, who convinces his best friend, Pilot, to flee with him. Pilot insists that they head for Seattle... See full summary »
"Bubble Boy" is a comedy about a young man who was born without an immune system and has lived his life within a plastic bubble in his bedroom. When he finds out that the woman he has loved... See full summary »
After a terrorist bombing kills an American envoy in a foreign country. An investigation leads to an Egyptian who has been living in the United States for years and who is married to an American. He is apprehended when he's on his way home. The U.S. sends him to the country where the incident occurs for interrogation which includes torture. An American CIA operative observes the interrogation and is at odds whether to keep it going or to stop it. In the meantime, the man's wife raises hell to find him despite being pregnant but the person behind this refuses to help or give her any information. Written by
The quote, "I fear you speak upon the rack where men enforced do speak anything" (a man undergoing torture will say anything to make the pain stop) is from Act 3 Scene 2 of The Merchant of Venice by William Shakespeare. See more »
The view from Senator Hawkins' office (which is supposed to be in Washington, D.C.) shows the Los Angeles County Courthouse. From the angle, his office is on the South corner of 1st and Hill Streets. A flag pole with the California state flag flying below the US flag is also visible. See more »
We have a saying, "Beat your woman every morning. If you don't know why, she does."
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Rendition fails to really nail the issue - it chooses instead to show its colours too distinctly.
And what we get instead is a decent political thriller, but one that is difficult to assess in terms of its attempted aim - after all, here we are dealing with what must be one of the emotive issues known to man - can torture ever be justified? Is the utilitarian rule of the possible gains worth the literal breaking of a possibly innocent man? Is he a terrorist, isn't he a terrorist?
This is a very important topic, and a very complex one, that is treated as though it were a film about lobbying on the one hand, showing Washington and the Beltway as a ground for piranhas to make or break their careers, and on the other, in Egypt, a battle for the sanity of all involved there.
Yes, it makes a good thriller; but, and it's a big but, it lacks the true depth of thought, rather than action, that will address the issue, rather than (God forbid) entertain an audience.
Excellent performances from all involved - really. Good steady hand at the helm - but what it lacks is complexity - it seems complex initially but unravels the further down the rabbit warren we go.
I came away uneasy, but not as uneasy as I should have, and non-plussed by the sleight of hand tricks that should have revealed real ambivalence, real moral dilemma, real grey areas, whereras instead I was left with black and white.
Not the film it wants to be, it is a good political thriller, but it is not as effective a piece of cinema as it could have been.
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