5.9/10
27,146
156 user 155 critic

P2 (2007)

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2:30 | Trailer

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ON DISC
A businesswoman is pursued by a psychopath after being locked in a parking garage on Christmas Eve.

Director:

Writers:

(story), (story) (as Gregory Levasseur) | 3 more credits »
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Popularity
4,780 ( 716)
1 nomination. See more awards »

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Cast

Complete credited cast:
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Jim Harper
Philip Akin ...
Karl
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Lorraine (voice)
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Jody
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Man in Elevator
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Woman in Elevator
Bathsheba Garnett ...
Homeless Woman
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Cop #1
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Cop #2
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Newsman
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Storyline

The story centers on a corporate climber who gets stuck working late on Christmas Eve and finds herself the target of an unhinged security guard. With no help in sight, the woman must overcome physical and psychological challenges to survive. Written by Bloody-Disgusting.com

Plot Summary | Plot Synopsis

Taglines:

She Did What He Never Expected. She Fought Back. See more »

Genres:

Crime | Horror | Thriller

Motion Picture Rating (MPAA)

Rated R for strong violence/gore, terror and language | See all certifications »

Parents Guide:

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Details

Country:

Language:

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Release Date:

9 November 2007 (USA)  »

Also Known As:

El nivel del pánico  »

Box Office

Budget:

$8,000,000 (estimated)

Opening Weekend:

$2,083,398 (USA) (2 November 2007)

Gross:

$3,992,339 (USA) (14 December 2007)
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Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

According to an interview he gave to the New York Times in 2010, this movie was made during the middle of Wes Bentley's decade-long, extremely serious addiction to cocaine and heroin. He said in that interview that he only accepted any movie roles during that time so that he would have money to buy enough drugs. See more »

Goofs

The blood spatter on Angela's face constantly changes throughout the end of the movie. See more »

Quotes

[first lines]
Angela Bridges: Yes, sir, I redrafted the contracts to include the new stipulations.
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Crazy Credits

Accompanying the closing credits are a few stills from the film, presented as if the movie had been a comedy. See more »


Soundtracks

Good King Wenceslas
Traditional
Performed by Christmas Traditions
Courtesy of FirstCom Music
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User Reviews

 
Christmas cracker versus Christmas crackpot.
20 March 2009 | by (Hampshire, England) – See all my reviews

Workaholic Angela (Rachel Nichols) leaves her office late on Christmas Eve with the intention of spending the holidays with her family. However, psycho security guard Thomas (Wes Bentley) has other ideas: he wants the pretty woman to spend the festive season with him and will do anything to get his way.

In my humble opinion, an underground car park—particularly an almost deserted one late at night—is the perfect setting for a scary movie: full of hard, unforgiving, concrete surfaces (perfect for inflicting pain), dark menacing shadows, and eerie echoes, this unique environment offers horror film-makers maximum scope for scaring the bejeezuz out of an audience (I still shiver thinking about the car park scene in Zach Snyder's Dawn of the Dead).

Certainly, P2—to my knowledge, the first film to be set entirely within such surroundings—benefits immensely from its creepy locale's ominous ambiance: with little more than a routine 'woman in peril' scenario for a plot, director Franck Khalfoun relies heavily on his cavernous, subterranean environment to provide atmosphere and scares. Narrow corridors of light surrounded by blackness; flickering neon bulbs; ever vigilant surveillance cameras; claustrophobic elevators and uncomfortable crawlspaces: every aspect of the car park setting is cleverly used to breathe new life into tired material.

Spirited performances from the film's two leads also help to gloss over the film's numerous plot holes and clichés: Bentley is required to over-act as though his life depends on it, and obliges with an impressive, no-holds-barred display of nuttiness (in one hilarious scene, he even gets to pretend he's Elvis!). Nichols also handles her role well, scoring maximum points for her screaming, running, and ability to look unfeasibly hot in a flimsy dress (worn for no other reason than to permit viewers a chance to ogle her impressive cleavage).

Occasionally, the material does get a little TOO predictable for its own good: a couple of moments that attempt to deliver the 'surprise factor' fail spectacularly, and the result of the climactic showdown between Angela and Thomas is telegraphed way too early (close-ups of leaking petrol and a sparking Taser can mean only one thing...). However, with one particularly violent set piece guaranteed to shock all but the most desensitized of gore-hounds, and the constant distraction of Rachel Nichols' magnificent heaving chest, I find it fairly easy to be forgiving about the film's weaker moments, hence my possibly-too-generous rating of 7 out of 10.


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