A newspaper reporter and a retired, blind journalist try to solve a series of killings connected to a pharmaceutical company's experimental, top-secret research projects and in so doing, both become targets of the killer.
A musician witnesses the murder of a famous psychic, and then teams up with a fiesty reporter to find the killer while evading attempts on their lives by the unseen killer bent on keeping a dark secret buried.
An ancient urn is found in a cemetery outside Rome. Once opened, it triggers a series of violent incidents: robberies, rapes and murders increase dramatically, while several mysterious, evil-looking young women coming from all over the world are gathering in the city. All these events are caused by the return of Mater Lacrimarum, the last of three powerful witches who have been spreading terror and death for centuries. Alone against an army of psychos and demons, Sarah Mandy, an art student who seems to have supernatural abilities of her own, is the only person left to prevent the Mother of Tears from destroying Rome. Written by
Music by Claudio Simonetti
Lyrics by Dani Filth
Performed by Daemonia (Claudio Simonetti: keyboards, Bruno Previtali: guitar, Federico Amorosi: bass, Titta Tani: drums)
Vocal featuring Dani Filth by courtesy of Roadrunner Records
Published by Simonetti Productions S.a.s./Cradle of Filth Music Ltd/Market s.r.l. See more »
Who would think that, almost 40 years later, Argento has perfected his craft! Never has one of his films had acting so solid, storytelling so cohesive. It's also one of his scariest films, and the effects have never been better.
Upon the opening of a long-buried urn containing several ancient artifacts, a terror and chaos is unleashed upon Rome that soon becomes referred to as "the second fall". Asia Argento plays Sarah, a woman who works in a museum who is very skeptical of the occult, even after she discovers she has some exceptional powers. After witnessing a grizzly murder, the ominous kidnapping of a friend's son, and a group of witches that seem intent on killing her, she goes on a quest to find the cause behind the madness and discover the extent of the powers she has. Along the way she is aided by historians and priests, most notably Udo Kier who turns in a short but fun performance.
Meanwhile, in Rome and the Italian countryside, people are inexplicably committing suicide in large numbers, committing random acts of vandalism, or killing their friends and even children, as if guided by a malevolent invisible hand.
Although there is a bit of hammy dialog and a couple weaker characters (the detective, for one), most of the characters and dialog are believable, and the pacing is perfect. Still giving an artistic touch to the violence but employing a bit more realism, there are two kill scenes in particular that rival anything Argento has previously put on the screen. Along with 'Suspiria', 'Deep Red' and 'Opera', undoubtedly one of Argento's best.
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