A young man tries to help a teenage European girl whom escaped from a clinic hospital after witnessing the murder of her parents by a serial killer and they try to find the killer before the killer finds them.
A Rome policewoman teams up with a British Interpol agent to find a crafty serial killer whom plays a taunting game of cat-and-mouse with the police by abducting and killing young women and showing it over an Internet web cam.
A college film student, obsessed with the works of Alfred Hitchcock, investigates a murder committed in the apartment building across from his and suspects that his seductive neighbor hired a girlfriend to commit the deed.
An ancient urn is found in a cemetery outside Rome. Once opened, it triggers a series of violent incidents: robberies, rapes and murders increase dramatically, while several mysterious, evil-looking young women coming from all over the world are gathering in the city. All these events are caused by the return of Mater Lacrimarum, the last of three powerful witches who have been spreading terror and death for centuries. Alone against an army of psychos and demons, Sarah Mandy, an art student who seems to have supernatural abilities of her own, is the only person left to prevent the Mother of Tears from destroying Rome. Written by
The first screening of the film's trailer took place at the 2007 Cannes Film Festival. On the same occasion, a restored print of Suspiria (1977) was shown in the Cannes Classics section. See more »
When the bewitched mother is on the bridge and drops the baby off the side you can see the dummy baby hit the side of the bridge and the dummies hand fly off of it and splash into the water beside the dummy's body. See more »
Music by Claudio Simonetti
Lyrics by Dani Filth
Performed by Daemonia (Claudio Simonetti: keyboards, Bruno Previtali: guitar, Federico Amorosi: bass, Titta Tani: drums)
Vocal featuring Dani Filth by courtesy of Roadrunner Records
Published by Simonetti Productions S.a.s./Cradle of Filth Music Ltd/Market s.r.l. See more »
Better than most modern 'exploitation' films, but...
The movie started with a big handicap: it was a sequel to not one but two classic horror movies and it was natural that not everybody was going to like it. But, truth is, it is a pretty good movie, although a little flawed. In an age when the revival of exploitation movies is all the rage (see Saw or Hostel for instance) it is a rare treat to see one of the forefathers of European horror movies (Argento) pay his tribute to another one (Fulci), because the movie felt more like something Fulci would have done. The violence is over the top brutal, the sleaze abundant and the plot thin and does not make that much sense. What alienates many viewers is the subtlety of the movie. Although it treads more into the fantasy element of the Mothers mythos, the lightning, the music, the set pieces are not assaulting the senses (unlike, say, Suspria), instead they prove a calm before the storm. And storm it is: we see savage mutilation, sexual torture, cannibalism and all the likes that make most of the modern Hollywood "nasties" pale in comparison. Only the last 15 minutes bring Inferno to mind (and it is only natural) Overall, the movie works adequately, but not perfect. There are some scenes that really do the trick (the chase being the highlight), being eerie or otherworldly, but one too many times the scope of the movie is so large that fails to give a strong impression on the viewer. and the ending... as in the other two movies of the trilogy is week. Overall, as a sequel to Suspiria it fails, but as a stand-alone movie, it is pretty good as a splatter movie with a budget (compared to most contemporary movies in the same category).
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