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Married Life (2007)

PG-13 | | Crime, Drama, Romance | 28 March 2008 (USA)
2:04 | Trailer

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A 1940s-set drama where an adulterous man plots his wife's death instead of putting her through the humiliation of a divorce.



(screenplay), (screenplay) | 1 more credit »
2 nominations. See more awards »



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Cast overview, first billed only:
Annabel Kershaw ...
Sheila Paterson ...
Mrs. Walsh
Elijah St. Germain ...
Little Charlie
Terence Kelly ...
Dr. Anderson
Alvin Walters
Rebecca Codling ...
Photo Store Clerk
John O'Brien
Dolores Drake ...
Cinema Cashier
Malcolm Boddington ...
Well-Tailored Man


The late 1940s. Richard Langley, a bachelor playboy, narrates a story that starts when his best friend, Harry Allen, invites him to lunch to tell Richard he's in love. Trouble is, Harry's already married to Pat; he worries Pat would be hurt too deeply by a divorce. Then, Harry's new love, Kay, joins them. Richard is smitten, so when he finds out that Pat may be in love with someone else but won't tell Harry because she fears he would be too hurt, Richard can't decide if he should let all the cats out of the bag. He'd unite pairs of lovers, but he'd lose Kay. Meanwhile, Harry decides that a swift end to Pat's life would be more kind than divorcing her. He buys poison. Murder will out? Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis


Do you know what really goes on in the mind of the person with whom you sleep?


Crime | Drama | Romance

Motion Picture Rating (MPAA)

Rated PG-13 for some thematic elements and a scene of sexuality | See all certifications »

Parents Guide:






Release Date:

28 March 2008 (USA)  »

Also Known As:

Marriage  »

Box Office


$12,000,000 (estimated)

Opening Weekend:

$55,851 (USA) (7 March 2008)


$1,506,998 (USA) (27 June 2008)

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:

| |


Aspect Ratio:

1.85 : 1
See  »

Did You Know?


Richard Langley sees the film Pandora and the Flying Dutchman in a movie theater in 1949, two years before movie's release. See more »


Kay Nesbitt: A woman needs to be loved, and that's true. But it's not the whole truth. She also needs somebody to love.
See more »


Features Pandora and the Flying Dutchman (1951) See more »


Black Train Blues
Written by Jay McShann and Echo Robinson
Performed by Jay McShann
Courtesy of Tuff City Records
By Arrangement with Ocean Park Music Group
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

oh what a tangled web we weave when we... sleep around
23 April 2008 | by (United States) – See all my reviews

One of the main reasons to see the new infidelity drama, Married Life, directed by newcomer (though not first-timer) Ira Sachs, is Chris Cooper. He plays Harry Allen, the one at the center of much of the double-crossing that goes on in the story. He's married to Pat (always dependable Patricia Clarkson), sleeping on the side with Kay (Rachel McAdams, here platinum blonde), and his best friend, the womanizing Richard (Brosnan, he's 007 after all even to this day in a near neo-noir) is pining for Kay. He doesn't know what to do (and also doesn't know, apparently, that Pat also has an affair with a mutual acquaintance), as he feels happiest with Kay bit can't bear to break Pat's heart. So, he decides the only humane thing to do is to kill Pat.

Cooper, therefore, embodies this character, a shrewd businessman who finds love in a woman half his age, in a very subtle manner. While the direction is straightforward and the bulk of the performances (Clarkson, Brosnan, McAdams) are as good as they can be in this small ensemble, Cooper is the one to watch here. He will never let on- unless the camera is right on his tense face- that he's lying or deceitful, and his outward calm hides a dark desire for ridding himself of his total suburban drudgery with his significant other. There's so much that Cooper does- as he did in Breach- that elevates this as just another hit into the genre spittoon.

Married Life is above average, if not great, Hitchcock homage, however without the same lift of style (it's more in line with an old-school pulp drama). It allows all of the characters to be complicit, and for the guilt to be so close to the surface you expect it to boil over any moment; that it doesn't is half the fun. Isn't it funny, for example, how little Harry seems to care at all about the dog he buries (I won't say how, but you can guess its significance) and focuses on just the future with Kay? Maybe not, but there's plenty of ironic giggles to be had with these morally bankrupt characters going back and forth behind each other's backs. The actors also make it a near must-see, chewing on the dialog like it's a sandwich from a snappy deli.

At the same time, however, there's some minor disappointment this can't be something of an equivalent to the classics of cynical old. Maybe it's the ending, which I won't reveal except to say that it's a little sunnier (and a little more than a head-scratcher considering common sense with since-childhood friendships). And yet, I can't help but recommend the movie to those who love some sharp, crackling-cum-screwy affairs of the heart in nice clothes and bad minds.

11 of 15 people found this review helpful.  Was this review helpful to you?

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