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Directed by | |||
| Anna Boden | |||
| Ryan Fleck | |||
Writing credits(in alphabetical order) | ||
| Anna Boden | screenplay | |
| Ryan Fleck | screenplay | |
| Ned Vizzini | novel | |
Original Music by | |||
| Broken Social Scene | |||
Cinematography by | |||
| Andrij Parekh | |||
Film Editing by | |||
| Anna Boden | |||
Casting by | |||
| Cindy Tolan | |||
Production Design by | |||
| Beth Mickle | |||
Art Direction by | |||
| Michael Ahern | |||
Set Decoration by | |||
| Carrie Stewart | |||
Costume Design by | |||
| Kurt and Bart | |||
Makeup Department | |||
| Bobby Diehl | .... | hair department head | |
| Dierdre Harris | .... | additional hairstylist | |
| Michael Marino | .... | special effects makeup (as Mike Marino) | |
| Michael Marino | .... | special makeup design: Emma Roberts | |
| David Presto | .... | key makeup artist | |
| Sarah Stamp | .... | key hair stylist | |
| Nicole Wodowski | .... | makeup artist | |
| Leo Won | .... | makeup department head | |
Production Management | |||
| Kelley Cribben | .... | post-production supervisor | |
| Holly S. Rymon | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Mariela Comitini | .... | first assistant director | |
| Kara Doherty | .... | second assistant director | |
| Brad Robinson | .... | second second assistant director | |
Art Department | |||
| Patricia Colburn | .... | scenic artist | |
| Rachel Jones | .... | art department coordinator | |
| Jessie Katz | .... | art department production assistant | |
| Dan-ah Kim | .... | assistant art director | |
| Michael Leather | .... | leadman | |
| Francis Maiorino | .... | props | |
| Jessica Panuccio | .... | assistant set decorator | |
| Maia Rose | .... | on-set dresser | |
| Sarah Shriber | .... | art department production assistant | |
| Alexis Weiss | .... | property master | |
Sound Department | |||
| Jamie Baker | .... | supervising foley editor | |
| Timothy R. Boyce Jr. | .... | sound utility | |
| Michael Chobot | .... | sound intern | |
| Marko A. Costanzo | .... | foley artist | |
| Heather Gross | .... | assistant sound editor | |
| Paul Hsu | .... | sound re-recording mixer | |
| Paul Hsu | .... | supervising sound editor | |
| Frank Kern | .... | foley editor | |
| George A. Lara | .... | foley mixer | |
| Marissa Littlefield | .... | adr editor | |
| Colin McLellan | .... | adr recordist | |
| Branka Mrkic | .... | dialogue editor (as Branka Mrkic-Tana) | |
| Angela Organ | .... | assistant sound editor | |
| Ric Schnupp | .... | adr recordist | |
| Steve F.B. Smith | .... | sound consultant: Dolby | |
| Jason Stasium | .... | pro tools playback mixer | |
| Jeffrey Stern | .... | dialogue editor | |
| Noah Timan | .... | sound | |
Special Effects by | |||
| Phillip Beck | .... | second special effects (as Philip A. Beck) | |
| Phillip Beck | .... | special effects coordinator (as Philip Beck Jr.) | |
Visual Effects by | |||
| Joao G. Amorim | .... | visual effects designer (as Joao Amorim) | |
| Mark Corotan | .... | visual effects designer | |
| Cidalia Costa | .... | CG animator | |
| Marion Engelbach-Ennis | .... | smoke artist (as Marion Ennis) | |
| Lisa Hung | .... | compositor | |
| Lewis Kofsky | .... | visual effects and animation producer | |
| Amber Kusmenko | .... | compositor | |
| Eric Leverenz | .... | digital imaging | |
| Tom Lynch | .... | compositor | |
| Annie Moore | .... | visual effects line producer | |
| Josephine Noh | .... | compositor | |
| Mark Rubbo | .... | compositor | |
| Anthony Santoro | .... | lead visual effects artist | |
| Anthony Santoro | .... | visual effects supervisor | |
Stunts | |||
| Roy Farfel | .... | stunt coordinator | |
| Don Hewitt | .... | stunt rigger (as Don Hewitt Sr.) | |
| Kevin Rogers | .... | stunt double | |
Camera and Electrical Department | |||
| K.C. Bailey | .... | still photographer | |
| Joe Belschner | .... | company grip | |
| Maceo Bishop | .... | steadicam operator | |
| Alan Blagg | .... | key rigging grip | |
| Nicole Cosgrove | .... | assistant camera | |
| James Daly | .... | camera loader | |
| Tim Ferraer | .... | dolly grip | |
| Spencer Gillis | .... | first assistant camera: "b" camera | |
| Spencer Gillis | .... | second assistant camera | |
| Nicholas Kuhn | .... | camera intern | |
| Kate Larose | .... | "b" camera first assistant | |
| Ludovic Littee | .... | assistant camera | |
| Daniel Luebke | .... | best boy rigging electric | |
| Christian May | .... | generator operator | |
| Toby Miller | .... | additional rigging electrician | |
| John J. Moers | .... | documentary cameraman | |
| William Newell | .... | gaffer | |
| Alexander Riezebeek | .... | camera production assistant | |
| Lara Sfire | .... | electrician | |
| Yoshi Sonoda | .... | rigging electrician | |
| David Stern | .... | key grip | |
| Jonathan Stern | .... | best boy electric | |
| Craig Striano | .... | grip | |
| Craig Striano | .... | scorpio head technician | |
| Brett Walters | .... | first assistant camera: "b" camera | |
Animation Department | |||
| Helen Chang | .... | animation line producer | |
| Brian Drucker | .... | animation supervisor | |
| Brian Drucker | .... | animator | |
| Brian Drucker | .... | lead animation designer | |
| Dominie Mahl | .... | background artist | |
| Dominie Mahl | .... | creative supervisor: animation/paintings | |
Casting Department | |||
| Adam Caldwell | .... | casting associate | |
| Heather Reidenbach | .... | extras casting director | |
Costume and Wardrobe Department | |||
| Amy Andrews | .... | costume supervisor | |
| Sarah Mae Burton | .... | costume coordinator | |
| Scott T. Coppock | .... | costume distresser | |
| Laura Deutsch | .... | costume intern | |
| Rhonney Greene | .... | additional set costumer | |
| Kortney Lawlor | .... | set costumer | |
| Chandra Moore-Telfer | .... | costume ager/dyer (as Chandra Moore) | |
| Yinxia Asia Ng | .... | costume intern | |
| Elisa Santiago | .... | set costumer | |
| Abby Walton | .... | costume intern | |
Editorial Department | |||
| Victoria Anderson | .... | colorist assistant | |
| Dana Bloder | .... | digital intermediate project manager | |
| Kristyn DiPane | .... | dailies producer | |
| Barbara Jean Kearney | .... | digital intermediate executive producer | |
| Alex Kopit | .... | associate editor | |
| Jeffrey Leiser | .... | colorist assistant | |
| Richie Roefaro | .... | colorist assistant | |
| Richie Roefaro | .... | final cut pro technician | |
| Jed I. Rosenberg | .... | post-production assistant | |
| Tim Stipan | .... | digital intermediate colorist | |
| Michael P. Whipple | .... | digital intermediate engineer | |
| Martin Zeichner | .... | colorist | |
Music Department | |||
| Ohad Benchetrit | .... | music scoring mixer | |
| Christine Bergren | .... | music legal and clearance | |
| Broken Social Scene | .... | score producer | |
| Dan Evans Farkas | .... | music editor | |
| Jessica Garey | .... | music coordinator | |
| Andrea von Foerster | .... | music supervisor | |
Transportation Department | |||
| Robin Monaghan | .... | driver | |
| Timothy Paustian | .... | transportation captain | |
| Thomas Reilly | .... | transportation co-captain | |
Thanks | |||
| Andrew Goldman | .... | special thanks | |
| Craig Kestel | .... | thanks | |
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| Thumbsucker | Half Nelson | Outside Providence | Igby Goes Down | Prozac Nation |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
The real treat about this movie is the performance from Zach Galifianakis and Emma Roberts. Both of them do a superb job, and left me wanting even more. The entire script is actually funny, and I mean funny as in you will be giggling the entire movie. This movie just makes you feel good, it makes you want to experience life even more. It has a great message, and keeps to the plot of the book a lot better then most adapted screenplays. Going back to the acting performance though, it really is something. While Zach Galifianakis usually plays the oddball in blockbuster comedies, he does a FANTASTIC job being a psych ward patient who is absolutely hilarious. Emma Roberts shocked me, to be honest. I've only seen her in Nancy Drew and a small glimpse in her Tween TV show "Unfabulous" in which her acting was borderline on being downright awful. In this movie, she completely breaks out of that role, and jumps into one that the people who aren't the ages of 10-13 and female will actually like! Several times during the movie i honestly didn't believe it was the same girl. She really does a great job. The bottom line is that this movie is great. It's not the best, but it is a movie worth seeing that has a very good story and great acting to complement it. See. This. Movie.