| Cast overview, first billed only: | |||
| Keir Gilchrist | ... | ||
| Dana DeVestern | ... |
Alyssa
(as Dana De Vestern)
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| Lauren Graham | ... | ||
| Jim Gaffigan | ... | ||
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Karen Chilton | ... | |
| Zach Galifianakis | ... | ||
| Aasif Mandvi | ... | ||
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Jared Goldstein | ... | |
| Alan Aisenberg | ... | ||
| Zoë Kravitz | ... | ||
| Thomas Mann | ... | ||
| Jeremy Davies | ... | ||
| Rosalyn Coleman | ... |
Monica /
'Under Pressure' Nurse #1
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| Viola Davis | ... | ||
| Lou Myers | ... | ||
Craig is a high-school junior, in the gifted program, infatuated with his best friend's girl. When he realizes he's suicidal, he checks himself into the psychiatric ward of a hospital, thinking they'll do an observation, help him, and send him home in time for school the next day. Once in, however, he must stay for a week; the juvenile ward is being renovated, so he's in with adults as well as a few youths. Bobby, a man with a young daughter, shows him around; Craig notices Noelle, about his age. He tries to keep his friends from finding out where he is. Little things: he draws, goes to therapy, sings, helps Bobby rehearse an interview. Is this the stuff of insight? Written by <jhailey@hotmail.com>
An important movie, and an original movie whose originality is not its reason for being. That is, "It's Kind of a Funny Story" has emotional chops. Musical chops as well, but that's another review.
Yes, the shadow of a memory of "One Flew Over the Cuckoo's Nest" came to me while watching, but I have to say this echo did not lessen "Kind of a Funny Story" by comparison. It's not an angry movie. It's not a star vehicle. It's not a plot-fest. It is not ego-driven. It is not desperate for laughs, though I laughed hard on several occasions. In fact I'll see it again to remember those lines.
This movie gives you time with interesting people. Defenseless and ordinary, and beautiful people. Teens need to feel, we all need to feel compassion for ourselves and everyone around us pushed to depression. "Funny Story" while not grimly realistic is realistic in heart.
Zach Galifianakis has transcendent scenes. Keir Gilchrist is just lost enough. Much to admire in the film-making. This one should not sink under the radar.