| Sarah Roemer | ... | Madison | |
| Jake Muxworthy | ... | Holt | |
| Mark Rolston | ... | The Doctor | |
| Travis Van Winkle | ... | Tommy | |
| Ellen Hollman | ... | Ivy | |
| Carolina Garcia | ... | Maya | |
| Cody Kasch | ... | String | |
| Lin Shaye | ... | String's Mother | |
| Joe Inscoe | ... | Mackey | |
| Gabe Wood | ... | Kelso | |
| Randall Sims | ... | Rez | |
| Andrea Powell | ... | Carol | |
| Pete Burris | ... | Lloyd | |
| Caroline Kent | ... | Madison At 11 | |
| Brantley Pollock | ... | Brandon At 12 (as Brantley Pollack) | |
| Crystal Coney | ... | Dorm Clerk (as Crystal McLaurin-Coney) | |
| Benjamin Daniele | ... | Brandon (as Ben Daniele) | |
| Cody Hanford | ... | Young Mackey | |
| Bridget Gethins | ... | Tommy's Mother | |
| Ron Clinton Smith | ... | Ivy's Father | |
| Juan-Carlos Guzman | ... | Rudy | |
| Jamie Moore | ... | Campus Cop #1 | |
| Charles Cabaniss | ... | Campus Cop #2 (as Charles T. Cabaniss) | |
| rest of cast listed alphabetically: | |||
| Aaron Blomberg | ... | Barbwire Boy (uncredited) | |
| Jerry Cashman | ... | College Professor (uncredited) | |
| Montrey Gordy | ... | Dorm Clerk (uncredited) | |
| Jamie Hill | ... | Trendy Girl (uncredited) | |
Directed by | |||
| David R. Ellis | |||
Writing credits(in alphabetical order) | ||
| Ethan Lawrence | ||
Produced by | |||
| Patrick Aiello | .... | executive producer | |
| Ashok Amritraj | .... | producer | |
| Jessika Borsiczky | .... | producer | |
| Tawny Ellis | .... | co-producer | |
| George Parra | .... | executive producer | |
Original Music by | |||
| David Hamilton | |||
Cinematography by | |||
| Gary Capo | |||
Film Editing by | |||
| Howard E. Smith | |||
Casting by | |||
| Craig Fincannon | |||
| Jennifer L. Smith | |||
| Tricia Wood | |||
Production Design by | |||
| Jaymes Hinkle | |||
Set Decoration by | |||
| Tricia Schneider | |||
Costume Design by | |||
| Alexandra Welker | |||
Makeup Department | |||
| David LeRoy Anderson | .... | special makeup effects designer | |
| Mark Ballou | .... | special makeup effects technician: AFX Studio | |
| Judith H. Bickerton | .... | key hair stylist (as Judith Bickerton) | |
| Jamie Kelman | .... | special makeup effects artist | |
| Patricia McAlhany Glasser | .... | key hair stylist (as Patricia McAlthany-Glasser) | |
| Nicole Michaud | .... | special effects hair: AFX Studio | |
| Rick Pour | .... | makeup department head | |
| Dave Snyder | .... | special makeup effects artist | |
| Jason Willis | .... | assistant makeup artist | |
Production Management | |||
| Janet Muswell | .... | post-production supervisor (as Janet Muswell Hamilton) | |
| George Parra | .... | unit production manager | |
| Marsha L. Swinton | .... | production supervisor | |
Art Department | |||
| Kip Bartlett | .... | set dresser | |
| Michael T. Booe | .... | constructor | |
| John B. Clarey III | .... | carpenter | |
| George W. Harding III | .... | first assistant props (as George Harding III) | |
| J. Lauren Jackson | .... | art department intern (as Jacelyn Lauren Jackson) | |
| Scott Johnson | .... | on-set dresser | |
| Tom Jones Jr. | .... | construction coordinator | |
| Randy Kenan | .... | gang boss | |
| Aaron Longstreth | .... | set dresser | |
| Alicia Lowe | .... | art department coordinator | |
| Paul Oliver | .... | charge scenic | |
| Mark Paton | .... | art department production assistant | |
| Roger Scruggs | .... | general foreman | |
| Amber Leigh Smith | .... | art department production assistant | |
| Bob Smith | .... | lead man | |
| Greg Spencer | .... | foreman | |
| Richard Waldrop | .... | property master | |
| Rod Honeycutt | .... | set dresser (uncredited) | |
Sound Department | |||
| Javier Bennassar | .... | sound designer | |
| Javier Bennassar | .... | sound effects editor | |
| Jocelyn Caron | .... | foley recordist | |
| Jenny Elsinger | .... | cable person | |
| Guy Francoeur | .... | foley artist | |
| Alan Freedman | .... | adr mixer | |
| Travis MacKay | .... | adr recordist | |
| Marshall McGee | .... | additional boom operator | |
| Marshall McGee | .... | additional sound mixer | |
| Chris Navarro | .... | adr mixer | |
| Jay Petach | .... | adr recordist: Cincinnati | |
| Drew Ponder | .... | boom operator | |
| Carl Rudisill | .... | sound mixer | |
| Eric Thompson | .... | adr mixer | |
| Matthew Woolley | .... | foley editor | |
Special Effects by | |||
| Larry Dean Bivins | .... | special effects foreman | |
| Ray Bivins | .... | special effects coordinator | |
Visual Effects by | |||
| Daniel Birnbaum | .... | digital compositor | |
| Chris Bond | .... | visual effects supervisor: Frantic Films | |
| Vanessa Cheung | .... | matte painter | |
| Tim Christensen | .... | compositor: Frantic Films | |
| Rachel Clement | .... | digital cleanup artist | |
| Nick Fredin | .... | visual effects animator | |
| Julius Friede | .... | digital intermediate colorist | |
| Chris Harvey | .... | cg supervisor: Frantic Films | |
| Erik Henry | .... | visual effects supervisor | |
| Jan Huybrechs | .... | 3D scanning: Eyetronics | |
| Mike Jahnke | .... | animator | |
| Sean Konrad | .... | lead compositor | |
| Cynthia Maurer | .... | texture artist | |
| Allan McKay | .... | visual effects technical director | |
| Janet Muswell | .... | visual effects producer | |
| Nicholas Nakadate | .... | visual effects technical director | |
| Robert Schajer | .... | visual effects producer: Frantic Films | |
| Alex Scollay | .... | visual effects artist | |
| Jane Sharvina | .... | compositing supervisor: Frantic Films | |
| Martha Soehendra | .... | compositor | |
| Daniel C.J. Todd | .... | visual effects artist | |
| Allen Tracy | .... | visual effects editor: Frantic Films Los Angeles | |
| Charles Trebino | .... | visual effects artist: Frantic Films | |
| Robert Ward | .... | visual effects artist | |
| Jeremy West | .... | 3D prop modeler | |
| Denise Woodward | .... | render wrangler: Frantic Films | |
| Radost Yonkova | .... | visual effects compositor: Frantic Films | |
Stunts | |||
| Alina Andrei | .... | stunt double | |
| Alina Andrei | .... | stunts | |
| Stanton Barrett | .... | stunt double | |
| Annie Ellis | .... | stunt coordinator | |
| Cheyenne Ellis | .... | stunt performer | |
| John Gilbert | .... | stunts | |
| G. Grant Jewett | .... | stunts | |
| Teddy Martin | .... | stunt production assistant | |
Camera and Electrical Department | |||
| Brad Baker | .... | second assistant camera: "a" camera | |
| Monica Barrios-Smith | .... | second assistant camera | |
| Patrick Borowiak | .... | assistant camera | |
| Cheyenne Ellis | .... | still photographer | |
| Frank Godwin | .... | camera operator | |
| Adam Hinson | .... | rigging gaffer | |
| Mike Jones | .... | best boy electric | |
| Teddy Martin | .... | camera production assistant | |
| Erik Murphy | .... | best boy rigging grip | |
| Alan Newcomb | .... | film loader | |
| Cristiano Palermi | .... | lighting technician | |
| Brad Peterman | .... | first assistant camera: "a" camera | |
| Mark J. Rainsford | .... | grip (as Mark Rainsford) | |
| Doug Robinson | .... | electrician | |
| Art Schultz | .... | best boy rigging electric | |
| Christian Shonts | .... | second assistant camera | |
| Jennie Shope | .... | camera production assistant | |
| Henry Tirl | .... | Steadicam operator | |
| Sean Yaple | .... | second assistant camera | |
Casting Department | |||
| Tona B. Dahlquist | .... | extras casting | |
| Tara Feldstein | .... | casting assistant | |
| Jamie Hill | .... | extras casting assistant | |
| Jennifer Ricchiazzi | .... | casting associate | |
Costume and Wardrobe Department | |||
| Yvonne Battistelli | .... | set costumer | |
| John Bromell | .... | charge dresser | |
| Jennifer Dozier | .... | costumer | |
| Janet Melody | .... | head ager/dyer | |
Editorial Department | |||
| Mindy Elliott | .... | first assistant editor | |
| Alexander J. Harper | .... | post-production production assistant | |
| Dennis Little | .... | digital intermediate production coordinator | |
| Jon Pehlke | .... | on-line editor | |
| Sarah Priestnall | .... | production supervisor Digital Intermediate | |
Transportation Department | |||
| Tina Del Castillo | .... | driver | |
| Rick Parkinson | .... | transportation captain | |
| John Rice Sr. | .... | transportation coordinator | |
Thanks | |||
| Eddie Dubose | .... | thanks | |
| Recent Posts (updated daily) | User |
|---|---|
| This movie REALLY sucks | loser_2000 |
| They filmed it at my school | Capa_28 |
| Madison's Yellow Messenger Bag. | tishy19 |
| Mackey | cute_e_pie_84 |
| College | snoopy7729 |
| Age of University? | nick-korzo |
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| Boo | Shutter Island | Torso | The Woods | A Tale of Two Sisters |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
From director David R. Ellis (whose prior credits include "Final Destination 2" and "Snakes on a Plane") comes "Asylum," a psychological horror film in which a group of college students come to find that their campus was once the spot where a mad-doctor practiced his own twisted brand of medicine. A Freddy Krueger type whose patients eventually turned on him, the doctor still haunts the halls, preying on the students and tapping into their deep-seeded emotional scars.
The film hinges on an assortment of clichés, but that's not to say that some enjoyment can't be milked from it. While you can see nearly every moment coming from miles away, the film gets by with a bit of style and energy, courtesy of Ellis. Its story is really "A Nightmare on Elm Street"-lite, but fans of the 80's franchise (as well as other similar films from the era) may just get some thrills from seeing a film pay tribute to or at least attempting to live up to its legacy (they'll also appreciate a role by Lin Shaye as the mother of one of the students).
The true weakness of the film is in its paper-thin script and characters and its over-reliance on gross-out gore over suspense. You might squirm in your seat during a scene where a character gets his lips ripped off and his tongue cut-out, but you won't necessarily care about the character himself, which is always a bad thing for a horror movie. Also, the final act reaches some ridiculous territory and will no doubt leave your eyes rolling. Go into "Asylum" with low-expectations of some fluff-horror, and you might just appreciate what the film has to offer.