| Nikki Amuka-Bird | ... | Constance Musa | |
| Adam Kotz | ... | Adam Constable | |
| Rakie Ayola | ... | Nicky Constable | |
| Andrew Lincoln | ... | Alan King | |
| Kika Markham | ... | Leila King | |
| Leo Bill | ... | Terry | |
| Leo Wringer | ... | Minister | |
| Lindelani Buthelezi | ... | Embassy Official | |
| Mo Amulundun | ... | Minister's Wife | |
| Hakeem Kae-Kazim | ... | Yasouf | |
| Mpho Osei Tutu | ... | Man with Gun | |
| Nomsa Xaba | ... | Mother | |
| Archie Panjabi | ... | Clare | |
| Sello Motloung | ... | Big Man | |
| Yule Masiteng | ... | Priest | |
| James Woolley | ... | Prosecution Barrister | |
| Donald Douglas | ... | Judge |
| Episode Crew |
Directed by | |||
| Julian Jarrold | |||
Writing credits | ||
| Geoffrey Chaucer | (book "The Canterbury Tales") | |
| Olivia Hetreed | (writer) | |
Original Music by | |||
| Adrian Johnston | |||
Cinematography by | |||
| Sean Bobbitt | (director of photography) | ||
Film Editing by | |||
| Chris Gill | |||
Casting by | |||
| Jill Trevellick | |||
Production Design by | |||
| Donal Woods | |||
Art Direction by | |||
| Charmian Adams | |||
Costume Design by | |||
| Rosie Hackett | |||
Makeup Department | |||
| Alison Elliott | .... | hair designer (as Alison Davies) | |
| Susie Munachen | .... | hair stylist | |
| Susie Munachen | .... | makeup artist | |
Production Management | |||
| Caroline McManus | .... | post-production supervisor | |
| Lance Samuels | .... | production manager: South Africa | |
Second Unit Director or Assistant Director | |||
| Sean Guest | .... | first assistant director (as Sean Cameron Guest) | |
| James Andrew Haven | .... | second assistant director (as James Haven) | |
| Stefan Magnusson | .... | third assistant director | |
Art Department | |||
| Jo Aitchison | .... | stand-by art director | |
| Graham Bishop | .... | production buyer | |
| Douglas Glen | .... | stand-by props (as Douglas Glenn) | |
| David Gray | .... | stand-by rigger | |
| Charlie Johnson | .... | dressing props | |
| Gary Moore | .... | stand-by carpenter | |
| Mike Power | .... | property master | |
| Charlie Redman | .... | stand-by props | |
| Brian Rowlands | .... | dressing props | |
Sound Department | |||
| Tim Alban | .... | dubbing mixer | |
| Paul Davies | .... | supervising sound editor | |
| Steve Fish | .... | boom operator | |
| Bruce Wills | .... | sound recordist | |
Stunts | |||
| Glenn Marks | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Brian Beaumont | .... | gaffer | |
| Wailoon Chung | .... | electrician | |
| Enrico Faccio | .... | electrician | |
| Ian Glenister | .... | best boy | |
| Nic Lawson | .... | focus puller | |
| Gary Parnham | .... | electrician | |
| James Scott | .... | clapper loader | |
| Colin Strachan | .... | grip | |
| Mark Thornton | .... | electrician | |
Costume and Wardrobe Department | |||
| Liza Bracey | .... | costume supervisor | |
| Leigh Nicol | .... | costume assistant | |
Editorial Department | |||
| Alice Greenland | .... | post-production coordinator | |
| Kevin Horsewood | .... | telecine colorist | |
| Ulrike Münch | .... | assistant editor (as Ulrike Muench) | |
Music Department | |||
| Murray Gold | .... | composer: title music | |
| Matt Kaleda | .... | music clearance | |
Other crew | |||
| Tim Baker | .... | script editor | |
| Biola Bankole | .... | assistant accountant | |
| Rupert Bray | .... | location manager | |
| Jethro Ensor | .... | assistant location manager | |
| Ben Holt | .... | assistant coordinator | |
| Josie Kelly | .... | production accountant (as Josie Hadley) | |
| Una Maguire | .... | publicist | |
| Jane Record | .... | picture publicist | |
| Gordon Ronald | .... | production executive | |
| Adele Steward | .... | production coordinator | |
| Emma Thomas | .... | script supervisor | |
| Series Crew These people are regular crew members. Were they in this episode? |
Art Direction by | |||
| Maddy Verrier | (as Madeleine Turnbull) | ||
Sound Department | |||
| Christian Koefoed | .... | sound effects editor | |
| Jessie Taylor | .... | foley editor | |
Other crew | |||
| Sarah Coombs | .... | production runner | |
| Alice Hadley | .... | production runner | |
| Main series | Episode guide | Full cast and crew |
| Company credits | IMDb TV section | IMDb Drama section |
*** This review may contain spoilers ***
I read the original story and was excited at being able to recognize it in this TV special: Constances Christian faith, the couple that rescues her and whose lives she transforms, the man that perceives her noble spirit and falls in love with her... It has all been preserved and enlightened by the vision of our times. The decision to have Constance arrive from another country, more so, one where Christianity is at war with other spiritual believes, translates perfectly the original Constances struggle with being the foreigner devoid of a past, professing a suspicious religion, that shakes up her saviours lives and whose strong sense of self makes them question who they are and reveal it, sometimes in cruel ways. The great difference would be that "The Lawmans Tale" in Chaucers work is more about Constances faith than anything else, and this TV interpretation of the text is basically a love story. Perphaps that is where the project could be bettered, since there are some narrative irregularities that come from trying to merge the two concepts. As a love story the strength of it lies in the last two scenes where they come together. He reveals the acts of treachery that separated them as she comes clean with her past and gives them a future.