A dramatic comedy about a self-induced attention-deficit disordered, learning disabled, Tourette's syndrome suffering, balance impaired, ex-alcoholic young man from the Upper East Side of Manhattan and the gold-digging girl who inspires him to try to get it together.
Tod Harrison Williams
Seann William Scott,
Taken aback by his mother's wedding announcement, a young man returns home in an effort to stop her from marrying his old high school gym teacher, a man who made high school hell for generations of students.
Billy Bob Thornton,
Seann William Scott,
A comedy about a veteran NYPD cop whose rare baseball card is stolen. Since it's his only hope to pay for his daughter's upcoming wedding, he recruits his partner to track down the thief, a memorabilia-obsessed gangster.
Juan Carlos Hernández
At 33, Doug Stauber is ready for a promotion. He's married, wants to buy a house, and is assistant manager at a Chicago supermarket that's building a new store in his neighborhood. His boss tells him he's a shoo-in to manage the new store, then, a rival appears - Richard Wehlner, transferred from Canada. Richard has a deeper resume than Doug, is really nice, has a wife and daughter, and wants the promotion to manager too. How should Doug behave toward Richard - as a friend, a colleague, a competitor, or an enemy? Richard, it seems, has demons and a past, but with the help of motivational tapes, he's resolved to succeed. Corporate and personal tests await the two men. Written by
Though Donnie Wahls (Nathan Geist) is referred to as a bit too "junior" in the film, in actuality Geist had to pluck gray hairs before each day of filming during production. See more »
Richard Welhner is from Québec, and his car has Québec plates, but vehicles from this province only have license plates on the rear of the vehicle, not on the front. See more »
[Richard explains to the board of directors the sign that cited the deli clerk as employee of the month for "cutting the cheese."]
'Cutting the cheese' simply means 'cutting the actual cheese'. It doesn't have a double-thing? So I just missed it. Because in Canada, it's 'cracking'.
It's 'cracking', in Canada, yeah. We crack the cheese.
[Long pause between Richard and the board of directors]
Cracking it? Cracking the cheese? So I simply, really believed that Rogelio had been given ...
[...] See more »
Lots of nice surprises, too bad the right audience may never find it
My first clue that "The Promotion" might have a little more below the surface than the usual Seann William Scott junior gag fest was the trailer...it didn't have too much easy humor and the plot seemed genuinely human, and even sensitive. Then there was the fact it was released by Miramax spin-off Dimension, an imprint more well known for horror movies than anything else. Something was up.
After seeing the film, I am pleased to say that lurking under the veneer of a slightly stupid mass-market comedy is a deftly knowing little indie movie waiting to surface.
The bad part of course is --- I don't know if many who would like the film will see it. It reminded me a little of "The Good Girl" with Jennifer Anniston. It was well scripted, rather slowly paced, and relied more on the script and storyline for laughs rather than leaning too heavily on the star-power of it's two principles.
The scene at the team-building retreat (dead-on if you've ever been to one) is a prime example. Yeah, there are a few pratfalls, but most of the time you're shriveling in your seat feeling horribly for John Reilly.
He's always been incredible at cutting to the human core of all his characters and he really shines in this part. You don't feel sorry for him as much as you feel empathy. And that's not the easiest thing to do with this character, who is far from lily white. As for Scott, he is definitely growing into an accomplished character actor and it's refreshing to see him tackle something this gray and still turn in a resonating performance. Some of the reviewers see him as a "wimp"....well, that's a bit too easy. I see him as distinctly human.
I'm also surprised that this comes from Steve Conrad, whose prior scripts I've always thought of as a bit heavy on the syrup. Nothing is forced here. Yeah, not much happens...this is a slice of life movie, albeit one with a funny crust.
It really is a shame it wasn't marketed a bit differently. It sucks to go into a movie expecting something and getting nothing close to what you expected out of it. Which, fortunately for me this time, wasn't the case.
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