| Videos (see all 3) |
Directed by | |||
| János Szász | |||
Writing credits(in alphabetical order) | ||
| Géza Csáth | diaries | |
| András Szekér | ||
| János Szász | screenplay | |
Produced by | |||
| Tracy Brimm | .... | co-producer | |
| Heiko Burkardsmaier | .... | executive producer | |
| Andras Hamori | .... | producer | |
| Bernd Helthaler | .... | executive producer | |
| Lacia Kornylo | .... | executive producer | |
| Kate Myers | .... | co-producer | |
| Michael Reuter | .... | co-producer | |
| Pál Sándor | .... | producer | |
| Erika Tarr | .... | line producer | |
Original Music by | |||
| Jóhann Jóhannsson | |||
Cinematography by | |||
| Tibor Máthé | |||
Film Editing by | |||
| Anna Kornis | |||
Production Design by | |||
| Tibor Lázár | |||
Set Decoration by | |||
| Judit Sajber | |||
Costume Design by | |||
| János Breckl | |||
Makeup Department | |||
| Hildegard Haide | .... | key makeup artist | |
Production Management | |||
| Zsolt Valkony | .... | production manager | |
Sound Department | |||
| Márk Hörömpöli | .... | boom operator | |
| Manuel Laval | .... | supervising sound designer | |
| Sabrina Naumann | .... | sound editor | |
| Peter Roigk | .... | foley artist (as Peter Roik) | |
| Matthias Schwab | .... | sound re-recording mixer | |
| Marcus Sujata | .... | foley mixer | |
Visual Effects by | |||
| Linus Burghardt | .... | digital compositor | |
| Csaba Juhász | .... | title design and production | |
Camera and Electrical Department | |||
| Edit Blaumann | .... | assistant camera | |
| Zoltán Bók | .... | electrician | |
| Miklós Hajdu | .... | gaffer | |
| Viktor Racsek | .... | electrician | |
Editorial Department | |||
| Benedek Kabán | .... | digital intermediate colorist | |
| Erika Köcsky | .... | post-production coordinator | |
Other crew | |||
| Szabolcs Barta | .... | film grading | |
| Mark Horowitz | .... | international sales | |
| Ágota Horváth | .... | cashier | |
| István Molnár | .... | location scout | |
| János Papp | .... | health and safety advisor | |
| Sephira Salazar | .... | executive assistant: Andras Hamori | |
| Géza Varga | .... | caterer | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Hungary section |
This is a powerful film that had me riveted to my seat during its entire length. The acting of the entire cast - especially the two lead characters - is absolutely brilliant, the script is well- crafted & believable and the photography is both hauntingly beautiful and absolutely bone- chilling.
The film focuses on the deep and disturbing relationship that develops between the opium- addicted Dr Brenner (Ulrich Thomsen), a doctor who arrives to work in an institute for the insane in the early 1900s, and his patient Gizella (beautifully portrayed by Norwegian Kirsti Stubo). She is a long-term inmate who is obsessed with the idea that she has been possessed by the devil, and whose only release from her inner torments is to write compulsively and almost non-stop in her diaries. Brenner's professional interest in Gizella becomes complicated by his growing envy of the fact that she can write so freely and passionately, while he - an aspiring writer - struggles to put any words on paper. Their relationship is further complicated by a powerful mutual desire that develops between them, culminating in an intense sexual episode, and by the fact that Brenner begins to appropriate Gizella's writings, which he plans to pass off as his own. Gizella comes to believe that the sexual relationship between her and Brenner means that they are now "husband and wife", and her condition appears to improve. However, when Brenner repudiates & mocks her belief in front of the head of the institution (played with just the right amount of icy arrogance by Zsolt Laszlo), she becomes hysterical. Her madness returns and even increases in intensity. During the ensuing treatment - which is more like torture - Gizella begs Brenner to give her relief from her ongoing torment by "removing my brain". Brenner's subsequent actions provides the climax to this powerful film.
The depiction of the horrific treatment inflicted on psychiatric patients in the early years of last century may be deeply disturbing to many, but it is absolutely truthful. Electroshock therapy, ice-water showers, force-feeding, total confinement and even frontal lobotomies (crude brain surgery) were part of accepted medical practice of the time for those considered "insane". I absolutely disagree with those who have described this film as "exploitive' - it simply shows the situation in all its grim reality pretty much exactly as it was back then. In fact many of these forms of treatment were continued until the late 1950s, even in supposedly enlightened countries like Australia.
In summary, a riveting and beautifully crafted film that will leave you with haunting memories for years to come.