7.4/10
8,210
35 user 12 critic

Life in a Metro (2007)

Six different stories, about nine people, each with different issues and problems, all occurring within one place: the METRO.

Director:

Writers:

(story and screenplay), (dialogue)
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Cast

Credited cast:
...
Amol
...
...
Shruti Ghosh
...
Ranjeet Kapoor
...
Shikha R. Kapoor
...
Akash Sharma
...
Rahul
...
Neha
...
Shivani
Vicky Ahuja ...
Gupta, Rahul's boss
Gautam Kapoor ...
Vishy K.
Rest of cast listed alphabetically:
Ayaan Khan ...
Irrfan' son
Nilofar
Rinku Patel ...
Rucha R. Kapoor (as Rinku)
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Storyline

The lives of a group of people, who live in Mumbai are told in this tale, which revolves around Rahul - who occupies an apartment owned by his uncle, and lets rich and influential people use it for their personal sexual past-times. An ignored and angry young wife, Shikha falls into the arms of a young man named Akash, who wants to be an actor for Indian movies; then there is Shikha's sister, Shruti, who is having an affair with a man named Monty; and finally there is Shikha's teacher, Shivani, who is romancing Amol. Things get complicated when Rahul finds out that Neha, who is his girlfriend, is using this very apartment to meet with Ranjeet, who is Shikha's husband. Written by Sumitra (corrected by Calista)

Plot Summary | Plot Synopsis

Taglines:

One city. Countless emotions.

Genres:

Comedy | Drama | Romance

Certificate:

See all certifications »
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Details

Official Sites:

Country:

Language:

Release Date:

11 May 2007 (India)  »

Also Known As:

Metro  »

Box Office

Opening Weekend:

$62,477 (USA) (11 May 2007)

Gross:

$150,212 (USA) (1 June 2007)
 »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

Color:

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Did You Know?

Trivia

Out of 4 short stories, the story of involving Sharman Joshi, Kangana Ranaut and Kay Kay Menon is inspired by the Billy Wilder's movie The Apartment (1960). Kay Kay Menon plays the boss who utilizes Sharman Joshi's apartment to spend time with Kangana Ranaut. Sharman Joshi plays the same role as Jack Lemmon, while Kay Kay Menon plays a similar role as Fred MacMurray and Kangana Ranaut plays Shirley Maclaine. See more »

Connections

Remake of The Apartment (1960) See more »

Soundtracks

Rishtey - Revisited
(DJ Nikhil Chinappa & DJ Naved)
Written by Sayeed Qadri
Composed by Pritam Chakraborty
Performed by Faruk Mahfuz Anam
Courtesy of Sony Music India
See more »

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User Reviews

 
Parallel story lines makes not a magnolia.
6 May 2009 | by (United States) – See all my reviews

Anurag Basu has mastered the art of copying Hollywood movies. He flicks popular Hollywood or world movies/themes and presents them in an Indian context. So in my opinion he is just a smart businessman and not an auteur as he is made out to be. The mainstream media in India is for sale and it's possible to re-paint a cat and call it a Lion. And hence he has a good reputation going for him. Unfortunately due to this hype, people are comparing Anurag Basu to his namesake - Anurag Kashyap - who plays many leagues above him.

Other users who like his movies seem to comment based on the entertainment value (some of which should be credited to Mr.Basu as it takes some smarts to be keep his output entertaining) or are totally unaware of the original.

I would to distinguish *copying* from *inspiration*. For example, "Dev D" by Anurag Kashyap is inspired by the Novel/movie "Devdas", but it's a thoroughly original take on it. However "Murder" by Basu is almost a scene by scene copy of "Unfailthful" - till the twist-in-the-end gimmick : pretty much like how so many b-movie makers take a hit movie, add a twist but they are pretty much unoriginal. At least most B-movies don't pretend to be original.

Similarly, "Life in a metro" is inspired by the Hollywood trend of parallel, nearly disjoint story lines (Magnolia, Playing by Heart (1998) among many others). Here most characters are one dimensional (but that's just my opinion) and unconvincing in their actions. There is no catharsis that a movie of this nature would aim to inflict on the user. In fact at times it seems to go the Madhur Bhandarkar populist way - where by showing something big (a metropolitan city) in a negative light, he tries to win the masses. Yup, so while writing this comment, I found a peer for Anurag Basu - Madhu Bhandarkar. They represent the so called new breed of Bollywood cinema who claim that they'll re-invent the industry. All the will succeed is in re-inventing some beaten story lines. (Okay, Madhur might be slightly more original than Basu but he is uninspiring and populist).


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