An accountant is introduced to a mysterious sex club known as The List by his lawyer friend. But in this new world, he soon becomes the prime suspect in a woman's disappearance and a multi-million dollar heist.
Set in northern Australia before World War II, an English aristocrat who inherits a sprawling ranch reluctantly pacts with a stock-man in order to protect her new property from a takeover plot. As the pair drive 2,000 head of cattle over unforgiving landscape, they experience the bombing of Darwin, Australia, by Japanese forces firsthand.
Jack Willis is a handsome roadtrain driver with a secret - he has just become a top-selling romance novelist. However, being a 'man's man' in the Australian outlook, to avoid embarrassment,... See full summary »
Barky, 25, lost soul, left home two years ago to escape his abusive father leaving behind everything in the world that was important to him; now that his father's dead, he thinks it's safe to come home.
Cat and mouse. Jonathan McQuarry is an auditor in Manhattan, moving from office to office checking their books. While working late, a smooth and well-dressed man named Wyatt Bose chats Jonathan up, offers him a joint, and soon they're pals. When their cell phones are accidentally swapped, Jonathan answers Wyatt's phone to a series of women asking if he's free tonight. Jonathan discovers it's a sex club: busy powerful people meet each other anonymously in hotels. Jonathan falls for one of the club members, whom he knows only as "S," whom he's also seen on a subway. When she goes missing, patterns emerge and Jonathan faces demands involving violence and lots of money. Written by
Earlier titles of the film included The List and The Tourist. See more »
When Ewan McGregor's character goes to work on the day he has to transfer the money he goes into the subway station clearly marked "1" line, when he is standing on the platform with Hugh Jackman's character as the train doors open the P.A. says "next stop Park Place" - the station "Park Place" is not served by the "1" line, nor is it anywhere near the station he gets on at. See more »
Don't think you cannot climb the wall. You're the only one guarding it.
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Firstly, what an astoundingly rubbish title for a movie. "Deception"??? Oh, come on. Can you think of a more non-committal, less interesting, less imaginative title for a movie? I can't. All thrillers are about deception, of one kind or another.
"Deception" originally went into production under the title "The List". Hmm... Well... OK. I admit it. That title is also pretty bad. Then, "Deception" was going to be called "The Tourist". Now, I kind of like that. Sounds art house and kind of strange. Conjures up images of an observer, an outsider. Somebody not in the loop. In fact, pretty much the character that Ewan McGregor plays.
Secondly, what a completely rubbish movie! OK, maybe not completely rubbish. Just mostly rubbish.
"Deception" is a good 20 minutes too long. After a while it just seems to go on and on. The climax is misjudged and mistimed. The sex is typical Movies 24 soft core erotica, or maybe a Friday night Channel 5 movie from the early Noughties. You know the kind of thing. Soft focus humping to a soundtrack of screaming saxophone driven jazz. (Mind you don't trip over the cliché, there chief!) Also, every plot twist in "Deception" is signposted way in advance. If you don't get at least one of the major plot twists then, frankly, you really should give up watching movies. Pretty lame, pretty dull, pretty bad movie.
I said 'mostly rubbish', so some of it must have been good. Yes?
I did like the film's chilly, European ambiance. I liked the idea of powerful people, too isolated and too busy to develop human relationships. I liked Hugh Jackman's well dressed and cold instigator, Ewan McGregor's lonely accountant and Michelle Williams' bruised vulnerability. I thought all three leads made the most of their underwritten roles, but sadly it was not enough.
There is plenty of space in this world for a good, sexualised thriller (see the original "Basic Instinct"), but sadly "Deception" was nothing like a good sexualised thriller.
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