An accountant is introduced to a mysterious sex club known as The List by his lawyer friend. But in this new world, he soon becomes the prime suspect in a woman's disappearance and a multi-million dollar heist.
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Cat and mouse. Jonathan McQuarry is an auditor in Manhattan, moving from office to office checking their books. While working late, a smooth and well-dressed man named Wyatt Bose chats Jonathan up, offers him a joint, and soon they're pals. When their cell phones are accidentally swapped, Jonathan answers Wyatt's phone to a series of women asking if he's free tonight. Jonathan discovers it's a sex club: busy powerful people meet each other anonymously in hotels. Jonathan falls for one of the club members, whom he knows only as "S," whom he's also seen on a subway. When she goes missing, patterns emerge and Jonathan faces demands involving violence and lots of money. Written by
The passports of both Jonathan and Wyatt, which are presented to the bank employee in Spain, show an identical date of birth. Both show the D.O.B. as Feb 23, 1974. See more »
At the end where S and McQuarry split and she sits in a cab there is another cab behind the one she sits into. In that one, the car driver is holding a small digital camera pointed towards the actors. See more »
Unappetizing wallow...a sexed-up cell-phone thriller about as familiar as its title
Ewan McGregor never convinces as a meek accountant (who actually admits to sleeping with only four women in his entire life!) whose cell-phone is switched with that of a swinging New York City lawyer (Hugh Jackman, also none-too-convincing with a hack American accent). The accountant allows himself to be submerged in the high toned-yet-seamy lifestyle of the lawyer until he's set up to be the fall-guy in a crime. Continually disappointing, derivative, unimaginative thriller filmed in washed-out winter-blues and grays, crippled by an endlessly-protracted finale. With a seemingly large budget and talented actors in the cast (including Charlotte Rampling--still beautiful in her later years), blame for the picture's failure must fall on Mark Bomback's ridiculous screenplay, which could have been penned by any student just graduating film school. *1/2 from ****
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