| Videos |
| Susan Sarandon | ... | Narrator (voice) | |
| Bette Davis | ... | Herself (archive footage) | |
| Ruthie Davis | ... | Herself (archive footage) | |
| Michael Merrill | ... | Himself - interviewee | |
| James Woods | ... | Himself - interviewee | |
| Marion Sherry | ... | Herself - interviewee | |
| Vincent Sherman | ... | Himself - interviewee | |
| Cecil Clovelly | ... | Himself (archive footage) | |
| Conrad Nagel | ... | Himself (archive sound) | |
| Casey Robinson | ... | Himself (archive sound) | |
| George Arliss | ... | Montgomery Royle (The Man Who Played God [1932]) (archive footage) | |
| Leo Rosten | ... | Himself (archive sound) | |
| Jack L. Warner | ... | Himself (archive footage) (archive sound) | |
| Ellen Burstyn | ... | Herself - interviewee | |
| Jane Fonda | ... | Herself - interviewee | |
| Dick Cavett | ... | Himself (archive footage) | |
| Harmon Nelson | ... | Himself (archive footage) | |
| Anne Nelson | ... | Herself - interviewee | |
| Olivia de Havilland | ... | Herself (archive footage) | |
| Gena Rowlands | ... | Herself - interviewee | |
| James Cagney | ... | Himself (archive sound) | |
| Samuel Goldwyn Jr. | ... | Himself - interviewee | |
| William Wyler | ... | Himself (archive sound) | |
| Spencer Tracy | ... | Himself (archive footage) | |
| Dr. James A. Peterson | ... | Himself (archive footage) | |
| Vivien Leigh | ... | Herself (archive footage) | |
| Irene Lee Diamond | ... | Herself - interviewee (also archive footage) | |
| Joan Crawford | ... | Herself (archive footage) | |
| Miriam Hopkins | ... | Millie Drake (Old Acquaintance [1943]) (archive footage) | |
| Barbara Merrill | ... | Herself (archive footage) (as B.D. Hyman) | |
| Joseph L. Mankiewicz | ... | Himself - 1981 interview (archive footage) | |
| Charles Busch | ... | Himself - interviewee | |
| Celeste Holm | ... | Herself - 1995 interview (archive footage) | |
| Anne Baxter | ... | Herself - 1983 interview (archive footage) | |
| Gary Merrill | ... | Himself (archive footage) | |
| Robert Osborne | ... | Himself - interviewee | |
| Frank Corsaro | ... | Himself - interviewee | |
| Frank Sinatra | ... | Himself (archive sound) | |
| Charles Pierce | ... | Himself (archive footage) | |
| Lindsay Anderson | ... | Himself (archive sound) | |
| rest of cast listed alphabetically: | |||
| Robert Aldrich | ... | Himself (archive footage) (uncredited) | |
| Irving Rapper | ... | Himself (archive footage) (uncredited) | |
| Robert Wagner | ... | Himself (uncredited) | |
Directed by | |||
| Peter Jones | |||
| Mark A. Catalena | (co-director) (as Mark Catalena) | ||
Writing credits(in alphabetical order) | ||
| Peter Jones | writer | |
Produced by | |||
| Tom Brown | .... | executive producer: Turner Classic Movies | |
| George Feltenstein | .... | executive producer: Turner Entertainment | |
| Peter Jones | .... | producer | |
| Roger Mayer | .... | executive producer: Turner Entertainment | |
| Melissa Roller | .... | supervising producer: Turner Classic Movies | |
| Brian Tessier | .... | supervising producer | |
Original Music by | |||
| Earl Rose | |||
Cinematography by | |||
| Mark A. Catalena | (director of photography) (as Mark Catalena) | ||
| Shana Hagan | (director of photography) | ||
Film Editing by | |||
| Mark A. Catalena | (as Mark Catalena) | ||
Art Department | |||
| Jimmy Cuomo | .... | set designer | |
Editorial Department | |||
| Scott Freeman | .... | on-line editor | |
Music Department | |||
| Paul Beaudry | .... | musician: bass | |
| Timothy Loo | .... | musician: cello | |
| Earl Rose | .... | musician: piano | |
| Earl Rose | .... | score producer | |
Other crew | |||
| Maggie Clough | .... | production assistant: TCM | |
| Marc Le Provost | .... | title designer (as Marc LeProvost) | |
Thanks | |||
| Jen Fariello | .... | acknowledgment: still photographs provided by | |
| Tom Karsch | .... | special thanks | |
| Marc Wanamaker | .... | acknowledgment: still photographs provided by | |
| Tom Zimmerman | .... | acknowledgment: still photographs provided by | |
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| Marilyn Monroe: The Final Days | Visconti | Woody Allen: A Life in Film | Audrey Hepburn Remembered | Tell Them Who You Are |
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| Full cast and crew | Company credits | External reviews |
| IMDb Documentary section | IMDb USA section | Add this title to MyMovies |
...And how it Broke Bette's heart.
I became very interested in Bette after seeing this the first time in 2006 when I came out... Not that I did not already love her as one of my favourite actresses... But because of this documentary, I have changed my opinion of Miss Davis, as not just one of the best, but The Best Actress, ever.
And as such, she was never really left a moment's peace in her personal life. However, this documentary shows, that fact never affected Davis work ethic, and she plod on regardless of what was going on with her numerous husbands.
I think the documentary ought to have had a bit more to say about The Hollywood Canteen, a pivotal point in her career, and one that awarded her the highest civilian honour in real life, even above Bob Hope. It is almost like I am proud to be a Davis fan because of what she did for our Servicemen in WWII.
A lot of people always measure Davis by the Joan Crawford Yardstick... And the documentary maker here also does that, to a small degree. I think in reality, Davis probably never even thought about Crawford, but Crawford, who was always combative with the other high profile stars at her studios (aka, Norma Shearer at MGM) - It is almost as if, Since Norma Shearer, who beat Crawford hands down at MGM, retired in 1941... Crawford targeted Miss Davis as her new "antagonist"- Something which I don't think Davis thought of at all, as any Crawford/Davis feud (Or Crawford/Shearer feud) was always more so on the part of Crawford. It is a sad laughable thing about Crawford, not that it makes me disrespect Crawford for it, but Davis just wasn't like that at all, Miss Davis was always more interested in the health of the Film (to the point of micromanaging things) to deal with petty Crawford Feuds.
The documentary maker of this, I think could have used better wisdom collecting the filmed anecdotal items: Such as those comments from Davis Former Husband William Grant Sherry's wife (who used to be Davis' nanny - I forget her name, but her name is unimportant, as, the PERSON is unimportant) - I can't believe that the documentary makers would use that particular source of footage- INCLUDING the footage where the woman, if I could loosely use that term woman, just about makes a blanket statement that Bette had something to do with Arthur Farnsworth's untimely death.
I appreciate the clips from Bob Osbourne and James Woods... And it is important to show all aspects of the person, but Betty was as complicated as anyone- The film does however show the high level of disrespect of BD Hyman toward her mother, something that shocked me, especially as how Hyman considers herself not just a Christian, but a Minister: And As Such is a Pi__ Poor example of one.
The tragedy of this documentary are the clips from BD, whose betrayal must have hurt Bette more than anything done to her by anyone else in her lifetime.
I am glad that they showed the BD clips, as they show this Girl/Woman, whom Davis loved more than anything... What an inconsiderate Phony "Christian" she was and is, using a "Mommy Dearest" attack to accumulate 100,000 dollars (which is more than the usual sum publishers forked out in those days) which she claims to have used to Christian Ministries:
And if I were to tell this BD Hyman anything, it would be that money obtained from the public Disrespect of one's blood Parent... Is NOT money that God has blessed and has put His hand on.
This documentary shows this disrespect, and not in a flattering light toward BD Hyman.
Hyman did not consider, that good ministry, IS looked at by the public, and if Hyman's (not just one but TWO) anti-Mom books is considered by Hyman as something God either WANTED, Ordained, or Supported: That She is WRONG and as a Christian I want nothing to do with THAT God, who would allow parental disrespect as a means to access money for so-called Christian Works, and that Minister or Ministry that is FOUNDED on such.
I am glad that the original book was laughed off of the shelves by the critics (then and now) and that the second attempt to smear Bette totally Failed - And I applaud this documentary for showing BD as she is- A Sherry, just like her father, who used to beat Bette... Like Father, Like Daughter- And a Hypocrite who needs to either shut-up or make it right with her Mother.