IMDb > Shoot the Messenger (2006)

Shoot the Messenger (2006) More at IMDbPro »


Overview

User Rating:
8.1/10   149 votes
MOVIEmeter: ?
Down 26% in popularity this week. See why on IMDbPro.
Director:
Writer:
Sharon Foster (writer)
Contact:
View company contact information for Shoot the Messenger on IMDbPro.
Genre:
Awards:
2 wins more
NewsDesk:
Emily will Shoot you
 (From JoBlo. 17 March 2009, 1:51 PM, PDT)

User Comments:
Hear the message more (25 total)

Cast

  (Credited cast)
Medina Aijikawo ... Sarah

Nikki Amuka-Bird ... Heather
Jotham Annan ... Nevil

Feyi Babalola ... Woman #2
Channei Bain ... Shenqua
Ariyon Bakare ... Elroy
Richard Blackwood ... Sir Galahad - Radio DJ
Heather Bleasdale ... Tracey Willis

Graham Bohea ... Fred
Brian Bovell ... Councillor Watts
Jay Byrd ... Mabel

Sabina Cameron ... Woman #1

Rupert Degas ... Solicitor
Sharon Duncan-Brewster ... Sherlene
George Eggay ... Neil
Eamon Geoghegan ... Bob
Troy Glasgow ... Warren

David Gyasi ... Timothy
Joan Hooley ... Ivaline Pascale
Oscar James ... Rodney Pascale
Kyle Joseph-Peters ... Sherman
Daniel Kaluuya ... Reece
Eric Kofi-Abrefa ... Yannek
Junior Laniyan ... Patrick
Angie Le Mar ... Chair
Sian Martin ... Janine
Charles Mnene ... Germal

Chiké Okonkwo ... Kwame

David Oyelowo ... Joseph Pascale
Hilja Lindsay Parkinson ... L'Braia
Chris Pavlo ... Doctor #2
Richard Pepple ... Roy
Claire Perkins ... Mary Gibbs (as Clare Perkins)
Ben Pitts ... Mr. Watson
Jasmine Pride-Garrett ... Malika
Yvette Rochester-Duncan ... Woman #3
Tanya Ronder ... Mrs. Morton
Clive Rowe ... Rev. Wilson
Anjela Lauren Smith ... Maureen
Brice Stratford ... Guitarist (singing voice)
Michael-Joel David Stuart ... Kaylon (as Michael-Joel Stuart)
Ash Varrez ... Landlord
Jay Williams ... Andrew
Glen Wilson ... Doctor #1
Yaa ... Evelyn
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Additional Details

Runtime:
UK:90 min
Country:
Language:
Color:
Aspect Ratio:
1.78 : 1 more
Company:

FAQ

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10 out of 17 people found the following comment useful.
Hear the message, 30 August 2006
10/10
Author: Cheese Messiah (cheesehoven@fastmail.fm) from United Kingdom

As can be seen from some of the comments posted here, there are plenty of people intent on 'shooting the messenger', rather than listen to the message itself. In this case, the message happens to be the questioning of blame-culture which exists among certain sections of the black community. It is the contention of the author (Sharon Foster, herself a black writer) that it is this culture, and not that which is being blamed (ie white people), which is the cause of black underachievement. It is a serious argument, and one that can withstand close scrutiny, but that hasn't stopped the usual suspects from using their lazy cries of 'Racism' to try and silence the debate. A similar point was made during the film itself and it is interesting that many of the same terms of abuse used to castigate the main character in the film are identical to the ones being thrown around here (mainly by people who don't appear to have seen it). That would seem to indicate that Foster is, indeed, on to something.

Of course, this film could amount to no more than a 'worthy' drama, but 'Shoot The Messenger' is much more than that, due, in no small measure, to the quality of the writing. Foster has constructed an engrossing journey of self-discovery which begins with provocative words ( a gauntlet deliberately thrown in the face of the audience) uttered by Joe Pascale (excellently played by David Oyelowo), a well-intentioned but somewhat aloof black teacher, who falls foul of the authorities after he is accused of hitting a pupil. The fact that this is not true does not prevent him being vilified on a local black radio station. He loses the case in court and this leads him into a spiral of depression and madness, which he increasingly blames on black people (an interesting inversion of the blaming of white people which seems acceptable among his black contemporaries). I found this portion of the work the least satisfactory since the script sped over his insanity rather too quickly leading to loss of detail. After spending some time on the street, he is befriended by a middle-aged Black Christian lady. It is at this point the script really catches fire with some astute and occasionally hard-hitting views of the black community. All of this is maintained by a high degree of directorial energy and a high class cast. Highly recommended.

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