Devastated Peter takes a Hawaiian vacation in order to deal with the recent break-up with his TV star girlfriend, Sarah. Little does he know, Sarah's traveling to the same resort as her ex - and she's bringing along her new boyfriend.
Friendless Peter Klaven goes on a series of man-dates to find a Best Man for his wedding. But, when his insta-bond with his new B.F.F. puts a strain on his relationship with his fiancée, can the trio learn to live happily ever after?
John Beckwith and Jeremy Grey, a pair of committed womanizers who sneak into weddings to take advantage of the romantic tinge in the air, find themselves at odds with one another when John meets and falls for Claire Cleary.
Pete and Debbie are both about to turn 40, their kids hate each other, both of their businesses are failing, they're on the verge of losing their house, and their relationship is threatening to fall apart.
Peter is a composer and a likable sad sack who's devastated when his girlfriend of five years, Sarah Marshall, the star of a cheesy CSI-style crime show, dumps him. He weeps, he rails, he mopes. Finally, his step-brother Brian suggests Hawaii, so Peter heads for a resort on Oahu where, as he's checking in, he sees Sarah and her new beau, Aldous, a polymorphously perverse English rocker. The weeping and moping start again, until Peter is rescued by Rachel, a thoughtful hotel clerk who invites him to a luau and to hang out. Although he constantly runs into Sarah and Aldous, Peter starts to come alive again. Will Sarah realize what she's lost, and what about Rachel? Written by
Screenwriter and star Jason Segel told New York Times interviewer Dave Itzkoff that both the naked breakup and Dracula puppet musical scenes were drawn from his real life experiences. In the article, Segel admitted that he really did once have a girlfriend who broke up with him while he was completely naked (although rather than being devastated during it, he thought to himself, "This is hilarious. I cannot wait for her to leave so I can write this down.") And before he was a successful actor, Segel tried to write a musical adaptation of "Dracula" for puppets. See more »
When Peter is told he has to leave the first hotel room because Dakota Fanning needs it, he is laying in bed, and the blankets that cover him up switch from off to on to off again. See more »
Alright so i came here, to give you my demo. I just... I... I... I worship you and I just wanted to give you my demo. Just, take a listen, and...
ok. 'Cuz you know what, you don't wanna be the guy sittin' there, watchin' BBC, and sayin,
[in British accent]
"Oh! I saw that guy! He was my waiter and I totally dismissed him like everybody else does... in his life. And I totally, she was wrong cuz he's a major, major, major influence on me now... and I feel terrible!"
That stupid English ...
[...] See more »
Shortly after the end credits start, there is an advertisement for Sarah Marshall's new NBC crime drama, "Animal Instincts" in which her costar is Jason Bateman. See more »
This film was shown at my university tonight and Stoller was there for a Q&A after the screening. The film was the typical Apatow romp that we have seen as of late (Superbad, Knocked up, etc.). There was the usual crude and creative humor as well inappropriate sexuality to make another great Apatow team production. People should not come in with the expectation that this is another romantic comedy reincarnation of "Knocked Up". This is more of a typical and organic romantic comedy. The heavy emotional weight and issues in "Knocked up" are not present in "Forgetting Sarah Marshall". The casting and comedic pacing was done very well and though it may not be a cinematic heavy hitter, it was very good for a directing debut and it was what movies all strive to be, entertaining.
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