Devastated Peter takes a Hawaii vacation in order to deal with recent break-up with his TV star girlfriend, Sarah. Little does he know Sarah's traveling to the same resort as her ex ... and she's bringing along her new boyfriend.
Friendless Peter Klaven goes on a series of man-dates to find a Best Man for his wedding. But when his insta-bond with his new B.F.F. puts a strain on his relationship with his fiancée, can the trio learn to live happily ever after?
John Beckwith and Jeremy Grey, a pair of committed womanizers who sneak into weddings to take advantage of the romantic tinge in the air, find themselves at odds with one another when John meets and falls for Claire Cleary.
Peter is a composer and a likable sad sack who's devastated when his girlfriend of five years, Sarah Marshall, the star of a cheesy CSI-style crime show, dumps him. He weeps, he rails, he mopes. Finally, his step-brother Brian suggests Hawaii, so Peter heads for a resort on Oahu where, as he's checking in, he sees Sarah and her new beau, Aldous, a polymorphously perverse English rocker. The weeping and moping start again, until Peter is rescued by Rachel, a thoughtful hotel clerk who invites him to a luau and to hang out. Although he constantly runs into Sarah and Aldous, Peter starts to come alive again. Will Sarah realize what she's lost, and what about Rachel? Written by
During the montage of Peter (Segel) and Sarah (Bell) on the different red carpets, one of the photographers shouts "André the Giant, out of the shot please!" In the 2009 film I Love You, Man (2009) Segel's character quotes André the Giant's line from The Princess Bride (1987) - "Anybody want a peanut?". In an episode of Saturday Night Live Segel even imitates André the Giant completely in the segment 'Andre the Giant Chooses An Ice Cream Flavor.' See more »
When Peter is talking to Chuck whilst on the surfboards out at sea, his hair isn't very wet at first, then suddenly is very wet and slicked back - just the same as when he's talking to Aldous in a similar situation later on, showing how those scenes must have been filmed at the same time. See more »
I was lucky enough to see an early screening of "Forgetting Sarah Marshall" a few days ago and I am more than happy to start spreading some buzz for this film. It was consistently funny and highly quotable with a strong cast and well developed characters. I have been continually impressed with the multi-talented young actors under Judd Apatow's wing and Jason Segel--who, I'll admit has been one of my favorites since "Freaks and Geeks"--does not disappoint.
There are many familiar faces here from other Apatow projects, but for good reason. Paul Rudd, whom I love equally in comedy and drama (true fans must view "The Shape of Things" but be prepared to be uncomfortable), Bill Hadar, and Jonah Hill hit just the right notes in their supporting roles. There's Russell Brand--whom I was unfamiliar with but apparently evokes strong feelings one way or the other across the pond--is hysterical and delivered some of my favorite lines. Kristen Bell and Mila Kunis are sympathetic straight women to the goofy men around them. It was particularly nice to Mila Kunis outside of the 70's Show/Family Guy worlds. And, last, but certainly not least, there's 30 Rock's Jack McBrayer playing an equally lovable and funny newlywed version of Kenneth.
Though I did feel that the film ran a little long, it never once dragged. There were also a few shots that I am sure will not be available until the unrated DVD hits stores because though they are truly hilarious, they are essentially the only thing keeping the film from a PG-13 rating.
Finally, I will say, that those who liked Knocked Up, Superbad, and 40 Year-Old Virgin, will certainly enjoy this movie. I, personally, would rank it above the other three and will enjoy debating my friends about that come April.
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