Devastated Peter takes a Hawaiian vacation in order to deal with the recent break-up with his TV star girlfriend, Sarah. Little does he know, Sarah's traveling to the same resort as her ex - and she's bringing along her new boyfriend.
Friendless Peter Klaven goes on a series of man-dates to find a Best Man for his wedding. But, when his insta-bond with his new B.F.F. puts a strain on his relationship with his fiancée, can the trio learn to live happily ever after?
John Beckwith and Jeremy Grey, a pair of committed womanizers who sneak into weddings to take advantage of the romantic tinge in the air, find themselves at odds with one another when John meets and falls for Claire Cleary.
Pete and Debbie are both about to turn 40, their kids hate each other, both of their businesses are failing, they're on the verge of losing their house, and their relationship is threatening to fall apart.
Peter is a composer and a likable sad sack who's devastated when his girlfriend of five years, Sarah Marshall, the star of a cheesy CSI-style crime show, dumps him. He weeps, he rails, he mopes. Finally, his step-brother Brian suggests Hawaii, so Peter heads for a resort on Oahu where, as he's checking in, he sees Sarah and her new beau, Aldous, a polymorphously perverse English rocker. The weeping and moping start again, until Peter is rescued by Rachel, a thoughtful hotel clerk who invites him to a luau and to hang out. Although he constantly runs into Sarah and Aldous, Peter starts to come alive again. Will Sarah realize what she's lost, and what about Rachel? Written by
An amusing and sometimes awkward breakup film, this pic was written by and stars a long-time Apatow cohort, Jason Segel. The pic centers on lost, hypersensitive slacker Peter, who after being broken up with by his TV star girlfriend copes with its end poorly, eventually escaping to Hawaii where he subsequently books himself into a hotel that she is coincidentally staying at.
Immediate warning to those sensitive to full frontal male nudity: it is present and more than once. That out of the way, the pic was pretty affable, containing more than a handful of good laughs as well as more than a lot of generally comically captured sex scenes. Many of the secondary characters also play enjoyably silly roles. And there is a funny musical component to the pic that also includes an amusing rendition of puppet-related works.
I suppose I do have to level a little criticism for the theme being a little slight, but there still is something to be said for healing of personal wounds and learning to "move on". Those that have seen other Apatow relationship pics will probably see a number of similarities (slacker dude learns to grow up, gross out comedy, etc), even though Apatow didn't write or direct this piece. The film is also a bit on the long side, like many comedies that come from the Apatow crew and you do notice it. Some judicious trimming and relegating of some scenes (including numerous flashbacks) to DVD extras would've been helpful.
Finally, I wish that more character could be drawn from both Sarah Marshall and Peter's newfound love interest, hotel employee Rachel as they played fairly two-dimensional, but I'm glad that Sarah didn't end up a one-note character as well. I didn't love the conclusion of the breakup story arc because I felt that it was a bit of a cop-out, but it didn't ruin the film. Lastly, Peter was written a little on the edge of believability in terms of being oversensitive, so you really have to buy his character, otherwise the film will break on you.
Essentially, this is a congenial, enjoyable, but rude/crude film with a share of laughs and more Jason Segel than you probably ever wanted to see. Recommended for those who like some story with their laughs and can handle the vulgar, sexual, and nude content. 8/10.
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